One of the reasons I
use frames in the way that I do - and I think it goes back to Romantic artists like Turner, who deliberately chose very sturdy, thick frames for some of his smallest, most
evanescent pictures - has to do with my instinct that the more tenuous or fleeting the emotion you want to present the more its got to be protected from the world» (H. Hodgkin, quoted in M. Price, Howard Hodgkin: The Complete Paintings: Catalogue RaisonnĂ©, London 2006, p. 227) «I am a representational painter, but not a painter of appearances.