Sentences with phrase «using event photography»

By registering to attend foodpro 2017 or any associated event, you automatically consent to Diversified Communications using event photography and video in which you may appear for future marketing.

Not exact matches

When I man my photography booth at events I use a secondary monitor to show photos from the night on a slideshow.

And birth used to be, anyway, this private, rarely seen event, and so birth photography was pretty damn magical.

Documentary photography usually refers to a popular form of photography used to chronicle both significant and historical events and everyday life.

The price point is very reasonable, especially when you consider that I have used this product bottle for a minimum of 50 photography shoots and special events and still have a minimum of 5 applications left.

We can always use people who like to help with fundraising, event planning, and people that have computer or photography experience.

Audrey Ricks Photography: Audrey donates several hours a week providing pet photography services for use in our social media, website, event ads, helping us get our adoptable animals noticed... and adopted into forPhotography: Audrey donates several hours a week providing pet photography services for use in our social media, website, event ads, helping us get our adoptable animals noticed... and adopted into forphotography services for use in our social media, website, event ads, helping us get our adoptable animals noticed... and adopted into forever homes!

Documentary photography usually refers to a popular form of photography used to chronicle both significant and historical events and everyday life.

Embracing luxury hotel brands, chains, collections, and the finest independent historic hotels, participation is limited to those distinctive historic hotels that adhere to the following criteria: minimum age for the building is 75 years or older; historically relevant as a significant location with a historic district, historically significant landmark, place of a historic event, former home of a famous person, or historic city center; hotel celebrates its history by showcasing memorabilia, artwork, photography, and other examples of its historic significance; recognized by national preservation or heritage buildings organization or located within UNESCO World Heritage Site; presently used as historic hotel.

Golden Gate National Recreation Area issues a wide range of permits for different uses, including Events, Alcatraz Events, ash scattering, film and photography, large film projects, beach fires, commercial dog walking, outdoor ceremonies, picnics and temporary food eEvents, Alcatraz Events, ash scattering, film and photography, large film projects, beach fires, commercial dog walking, outdoor ceremonies, picnics and temporary food eEvents, ash scattering, film and photography, large film projects, beach fires, commercial dog walking, outdoor ceremonies, picnics and temporary food eventsevents.

[phone] [email protected] * Please note: A special use permit is required for all weddings, wedding receptions, wedding photography and other special events held in the Great Smoky Mountains National Park.

In terms of interesting facts: I collect video game art books, have developed a gaming art book resource for use at public expos and events, recently created and curated a game photography exhibition at PAX AUS 17, and one of my triplets (my daughter) is named after a video game character.

7.2 All entrants understand that any image submitted to the competition may be used by the World Photography Organisation, and its Event Partners, for marketing and promotional purposes of You the author and the event only, for a maximum of three years after the awards ceremony in April Event Partners, for marketing and promotional purposes of You the author and the event only, for a maximum of three years after the awards ceremony in April event only, for a maximum of three years after the awards ceremony in April 2018.

You hereby grant the World Photography Organisation a non-exclusive, irrevocable licence in each Entry throughout the world for three years in all media for any use connected to the promotion of the SWPA event and / or competition, including, but not limited too:

In no event will the World Photography Organisation, its parents, affiliates, subsidiaries and related companies, Event Partners, its advertising or promotion agencies, or its officers, directors, employees, shareholders, representatives or agents be responsible or liable for any damages or losses of any kind, including direct, indirect, incidental, consequential, special or punitive damages arising out of any contestant's access to and use of the Webevent will the World Photography Organisation, its parents, affiliates, subsidiaries and related companies, Event Partners, its advertising or promotion agencies, or its officers, directors, employees, shareholders, representatives or agents be responsible or liable for any damages or losses of any kind, including direct, indirect, incidental, consequential, special or punitive damages arising out of any contestant's access to and use of the WebEvent Partners, its advertising or promotion agencies, or its officers, directors, employees, shareholders, representatives or agents be responsible or liable for any damages or losses of any kind, including direct, indirect, incidental, consequential, special or punitive damages arising out of any contestant's access to and use of the Website.

You hereby grant the World Photography Organisation a non-exclusive, irrevocable licence in each Entry throughout the world for three years in all media for any use connected to the promotion of You the author and the SWPA event and / or competition, including, but not limited to: entrants understand that any image submitted to the competition may be used by the World Photography Organisation, and its Event Partners, for marketing and promotional purposes of the event only, for a maximum of three years after the awards ceremony date in April event and / or competition, including, but not limited to: entrants understand that any image submitted to the competition may be used by the World Photography Organisation, and its Event Partners, for marketing and promotional purposes of the event only, for a maximum of three years after the awards ceremony date in April Event Partners, for marketing and promotional purposes of the event only, for a maximum of three years after the awards ceremony date in April event only, for a maximum of three years after the awards ceremony date in April 2018.

You hereby grant the World Photography Organisation a non-exclusive, irrevocable licence in each Entry throughout the world for three years in all media for any use connected to the promotion of You the author and the SWPA event and / or competition, including, but not limited too:

Any communication or material You transmit or post will be (a) treated as non-confidential and non-proprietary by the World Photography Organisation, (b) become the property of the World Photography Organisation and the World Photography Organisation shall exclusively now and hereinafter own all rights, title and interest therein, and (c) used without restriction by the World Photography Organisation or its affiliates or any Event Partners at its sole discretion without any obligation, compensation or other liability to You.

Neither the World Photography Organisation, nor any other party involved in creating, producing, or delivering the Site, nor any naming right sponsors, event sponsors and third parties affiliated with the World Photography Awards and the World Photography Organisation («Event Partners») shall be liable for any direct, incidental, consequential, indirect, or punitive damages arising out of Your access to, or use of, or browsing the Site, or downloading of any materials, data, text images, video, or audio from the Site, including, without limitation, damage to, or viruses that may infect, Your computer equipment or other property as a result theevent sponsors and third parties affiliated with the World Photography Awards and the World Photography Organisation («Event Partners») shall be liable for any direct, incidental, consequential, indirect, or punitive damages arising out of Your access to, or use of, or browsing the Site, or downloading of any materials, data, text images, video, or audio from the Site, including, without limitation, damage to, or viruses that may infect, Your computer equipment or other property as a result theEvent Partners») shall be liable for any direct, incidental, consequential, indirect, or punitive damages arising out of Your access to, or use of, or browsing the Site, or downloading of any materials, data, text images, video, or audio from the Site, including, without limitation, damage to, or viruses that may infect, Your computer equipment or other property as a result thereof.

Nothing contained on the Site should be construed as granting, by implication, estoppel, or otherwise, any license or right to use any trademark, patent, design right or copyright of the the World Photography Organisation, the World Photography Awards, Event Partners or third parties.

Using retro - reflective screen printing technology, Hank Willis Thomas obscures archival press photographs of public events that resolve only through flash photography.

This far ranging exhibition, one of the largest to consider the subject, includes street photography; documentation of performance, events, and artworks presented in the street; works using material from the street; and examples of street culture by more than thirty artists.

[4] He has also curated numerous exhibitions in many other distinguished museums around the world, including Events of the Self: Portraiture and Social Identity, The Walther Collection, Germany; Archive Fever: Uses of the Document in Contemporary Art, International Center of Photography; The Short Century: Independence and Liberation Movements in Africa, 1945 — 1994, [14] Villa Stuck, Munich, Martin - Gropius - Bau, Berlin, Museum of Contemporary Art Chicago, and P.S. 1 and Museum of Modern Art, New York; Century City, Tate Modern, London; Mirror's Edge, Bildmuseet, Umeå, Sweden, Vancouver Art Gallery, Vancouver, Tramway, Glasgow, Castello di Rivoli, Torino; In / Sight: African Photographers, 1940 — Present, [15] Guggenheim Museum; Global Conceptualism, Queens Museum, New York, Walker Art Center, Minneapolis, Henry Art Gallery, Seattle, List Gallery at MIT, Cambridge; David Goldblatt: Fifty One Years, Museum of Contemporary Art, Barcelona, AXA Gallery, New York, Palais des Beaux Art, Brussels, Lenbachhaus, Munich, Johannesburg Art Gallery, Johannesburg, Witte de With, Rotterdam.

About Tracey Emin Tracey Emin's art is one of disclosure, using her life events as inspiration for works ranging from painting, drawing, video, and installation, to photography, needlework, and sculpture.

When I was interested in mixing colors in the air, I worked in fireworks; when I wanted to explore women's history, I decided to tell women's story using women's techniques, i.e. china painting and needlework; when I became interested in the subject of the Holocaust, I worked with my husband, photographer Donald Woodman, to fuse painting and photography, the photography to root the images in the historic events and painting to express the human story.

By visiting The Watermill Center or any of it's associated events, you consent to interview (s), photography, audio recording, video recording and their release, publication, exhibition, or reproduction to be used for news, web casts, promotional purposes, telecasts, advertising, inclusion on web sites, or any other purpose by The Watermill Center, its affiliates and representatives.

Her photographic works investigate the technologies and histories of photography, primarily using analog processes, to create new connections amidst events and objects that may have otherwise been overlooked.

Tracey Emin's art is one of disclosure, using her life events as inspiration for works ranging from painting, drawing, video, and installation, to photography, needlework, and sculpture.

Using photography not only to restage their own (and others») performances but to revisit the bodily experience of past events, these artists have reconsidered the document itself as an object embedded in time, closely attending to its material specificity in their works.

Documentary photography usually refers to a popular form of photography used to chronicle both significant and historical events and everyday life.

Documentary photography usually refers to a popular form of photography used to chronicle both significant and historical events and everyday life.

Documentary photography usually refers to a popular form of photography used to chronicle both significant and historical events and everyday life.

Aerial footage of local celebrations, nightlife, and other events is another way you can use drone photography to generate excitement for your property market on TV as well.