Sentences with phrase «using everyday movement»

New research explores the possibilities of using everyday movement to support motion - powered TENG devices.»

Not exact matches

q tip method works but do nt use it everyday asit causes anal injuries and infections.babies bowel movements get adjusted till 6 months.

It uses a wide array of choreographic elements such as contrasts between square lighting patters and fluid, circular movement; unison movement and individuals breaking out of it; everyday movement and expressive, intimate moments.

Although geologists can use seismic data from large earthquakes to see features deep in the earth, the shallow subsurface geology of the park has remained a mystery, because mapping it out would require capturing everyday miniature ground movement and seismic energy on a much smaller scale.

From a strictly practical perspective, strengthening core muscles that are used for common movements also helps make everyday life easier.

Functional training is all about exercises that use body movements from everyday activities.

I can see that a woman who has under - used pelvic floor muscles could benefit from Kegels, but once the woman's posture is optimised, and her pelvic floor and other muscles are actively engaged, these muscles will exercise themselves with everyday movement, as the two halves of the pelvis move forward and back with our gait, one foot then the other.

They are going to be compound movements that use as many muscles as possible, and they are going to help you build functional strength for your everyday life.

Watching the markets everyday helps you to get used to the movements, but if you try to make decisions based on what it does every day, you'll only ruin your investment account's growth.

In its specific sense realism refers to a mid nineteenth century artistic movement characterised by subjects painted from everyday life in a naturalistic manner; however the term is also generally used to describe artworks painted in a realistic almost photographic way

Wesselmann and his contemporaries — Andy Warhol, Roy Lichtenstein and James Rosenquist — forged the Pop Art movement by creating large scale, dynamic compositions, experimenting with new media, and using images from everyday popular culture.

Best known for sculptures made out of everyday materials that address issues of space, light, volume, time, and movement, Shotz's use of steel wire and colorful thread or yarn is a means of combining sculpture with drawing.

Pino Pascali was an Italian artist, a pioneer of the Arte Povera movement — a group of artists who used ordinary, everyday objects to create poor art in order to express their anger to the commercialization of the art world.

Pino Pascali was an Italian artist, a pioneer of the Arte Povera movement — a group of artists who used ordinary, everyday objects in their art.

Pascali is associated with Post-Minimalism and, specifically, with the Italian Arte Povera movement, whose protagonists sought to incorporate everyday life into art through the use of natural, organic and, often, unorthodox materials.

He's a pioneer of the Arte Povera movement, a group of artists who used poor materials and everyday objects to create art in order to express their anger to the commercialization of the art world.

Zhu, and others involved in the movement, instead focus on portraying their intimate understanding of and experiences with their familiar environments and the pleasure derived from accumulating, using, and organizing everyday items.

In Europe, the humble, everyday objects of the Arte Povera («poor art») movement expanded on his use of cast - off materials retrieved from the trash bin and the attic.

While each Pop artist developed a distinct style, there were commonalities in their approaches to image - making that helped define the Pop art movement in the early 1960s: the use of commercial art techniques, and the depiction of popular imagery and everyday objects.

The Pop movement was a major departure from the prior artistic movements of the mid-twentieth century, abandoning the use of the painterly concerns to use everyday products and popular culture as the focal point of the artistic discussion.

In the 1960s, Schoonhoven co-founded the avant - garde Nul - groep (Nul Group), a Dutch branch of the international ZERO movement that sought to reduce art to the zero degree by simplifying compositions and using everyday materials.

Rosalind Nashashibi uses time in film to build a steady, often repetitive picture of everyday life, combining moments of movement and stillness.

She uses choreography as a tool to create movement sequences that re-interpret our everyday physical gestures, reflexes, and rituals, and direct the viewer into the frame of the composition.

The Pop movement artists generally represented everyday objects and symbols from popular mass culture, and they employed the techniques used by advertisers and comic strips that incorporated textual elements.

Using a breadth of everyday references, Kays» work both relates to and subverts the canon of the Pop Artists of 1950s Britain and America and the Young British Artist movement.

With artists Savannah Knoop (b. 1981) and Lee Relvas (b. 1981), Bass and Fisher perform a series of choreographed movements and sounds while using structural supports, banner - like scrolls, and everyday props to explore, in their words, «shifting relations between the body, the materials, and the audience.»

Duchamp himself had contributed to the movement, largely by depicting what he called «ready - mades,» (utilitarian articles such as snow shovels and bottle racks) signing the resulting pictures, and presenting the result as objects of art rather than objects made for everyday use.

Also included are several pieces by members of Arte Povera, the 1960s Italian movement that used everyday materials as a way to blur the lines between art and life.

Rainer pursued a minimalist aesthetic, using everyday, spare pedestrian movements as seen in her masterwork Trio A (1966).

Using bold colors and biomorphic forms, figures, and everyday objects, Murray introduced a dynamic sense of movement to her imagery.

OceanCare calls on the public to join the «I Care» movement in order to reduce the amount of single - use plastic in our everyday lives and thus to prevent plastic from entering the oceans.

Using Pia Mellody's model of trauma and inner child re-parenting as well as EMDR (Francine Shapiro's eye movement desensitization reprocessing) Leslie helps to educate, guide, teach, treat and empower one to recognize their own wounding's impact and how to help them have more functional choices in their everyday life.

You always need to think about the space where you are going to store the extra chairs when not in use since these chairs may be an obstacle in everyday free movement.