Sentences with phrase «using interpretation»

* Strategies for Using Interpretation and Enhancing Children's Verbalization in Play Therapy — June 23, 1999 (6 CEU) by Kevin O'Connor

If you enumerate all possible combinations using Interpretation (2)(i.e. all possible ways that a vehicle does not bear all of a, b, or c), you will get the list I generated in the earlier comment.

Using this interpretation, Dada (1916 - 24) is probably the ultimate example of avant - garde visual art, since it challenged most of the fundamentals of Western civilization.

As a former classroom teacher and a college supervisor to student teachers, I have over the years observed many classroom teachers using their interpretation of state and local mathematics standards to restrict the curriculum to a lecture - and - drill format with a checklist mentality.

At another level, the inadequacy, and even the danger, of using that interpretation of Matthew 28:18 - 20 for our time is inherent in the word «heathens» used to translate the Greek word «ethne».

Using a book to prove itself using interpretation of the book is bad logic.

Validea's Guru Analysis offers a step by step analysis of any stock using our interpretation of the strategies of Wall Street Legends like Warren Buffett, Peter Lynch and Benjamin Graham.

You have used an interpretation where people like to put in parentheses what they think the sura is talking about.

They are the ones who use their interpretation of the Koran to transform millions of brainless Muslims into irrational beasts committing all kinds of atrocities without experiencing any remorse or guilt.

In my opinion, the bullies who use their interpretation of theology and Bible verses to bash others over their (figurative) heads are among the most difficult.

Wow, you are such a parody of what this article is about, Even finished with a biblical verse, which doesn't actually have many objective interpretations, so you conveniently use the interpretation that best suits your point.

People do not need the God of Abraham to live a moral life, no more than the millions of religious zealots who use their interpretation of religious dogma to dominate, subjugate and kill other human beings.

You use your interpretations of the Bible as weapons to harm others, with no rational or logical thought to the damage you do.

And the rebels and their successors were not reluctant to use their interpretations of Magna Carta to push for greater freedoms in the political sphere.

However, in his letter to the Guardian, Keir Starmer says it was «regrettable» that Yates used this sentence out of context; that the original prosecution did not use this interpretation of the law; and that this interpretation had no bearing on the charges brought or the legal proceedings generally.

Whether you want Seneca moral essays that explore the moral epistles, Alexander Pope moral essays on criticism that examine the moral qualities and virtues of an ideal critic, or you want to critic on the genealogy of our moral prejudices proposed by Nietzsche, our writers will use their interpretations of their principles in developing a strong moral position for your paper.

In other words they are motivated to wring the most they can out of us, by using these interpretations and refering to them as «the Law» They send letters demanding payment adding huge intrest and penelty charges in the hopes you cave and pay.

The exhibition features installations from the Center for Land Use Interpretation, Megan May Daalder, Tara Donovan, Nance Klehm, Postcommodity, Emilija Škarnulyte, and Sissel Marie Tonn with Jonathan Reus, as well as objects and loans from David Brooks, the Center for Big Bend Studies, the Chihuahuan Desert Mining Heritage Exhibit, Rafa Esparza, Raviv Ganchrow, Paul Johnson, Candice Lin, the Long Now Foundation, Iván Navarro, the Sul Ross Herbarium, the Rio Grande Research Center, Oscar Santillán, and The University of Texas at Austin McDonald Observatory.

Dedicated to understanding human interactions with the land's surface in the USA, the Center for Land Use Interpretation (CLUI) researches and maps phenomena across the West Texas landscape.

Roving Signs will include work by eleven artists: Anni Albers, Richard Aldrich, The Center for Land Use Interpretation, John Cohen, Rachel Harrison, Tommy Jarrell, Donald Judd, Conlon Nancarrow, Bern Porter, Harry Smith and Rosie Lee Tompkins.

In contrast, the dozen aerial shots that make up the Center for Land Use Interpretation's looped slideshow, Autotechnogeoglyphics: Vehicular Test Tracks in America (2006), echo Albers's sinuous creations, albeit on a geographic scale.

Torop's work has been supported by residencies with the Center for Land Use Interpretation, the MacDowell Colony, Eyebeam, and Teachers College.

Some of his Alkali Desert images are installed at the Center for Land Use Interpretation's Wendover Exhibit Hall 3.

Josephine Meckseper Jon Pylypchuk Existed: Leonardo Drew 31st Master of Fine Arts Thesis Exhibition Center for Land Use Interpretation: Texas Oil — Landscape of an Industry Electric Mud

The Center for Land Use Interpretation Houston Petrochemical Corridor Landscan, Texas 2008 Run time: 14 minutes, 12 seconds

In May 2011, McCaw and Budsberg will be in residence in Wendover, Utah with the Los Angeles - based Center for Land Use Interpretation.

The Center for Land Use Interpretation and Simparch will present the panel «Inundation and Desiccation: On the Edge in America», a discussion about floodscapes and deserts.

Lynda Benglis, The Center For Land Use Interpretation, Dan Colen, Gino De Dominicis, Jeremy Deller, Sam Durant, Lucio F

Artists include Center for Land Use Interpretation (CLUI), Center for Urban Pedagogy (C.U.P.), Thomas Comerford, Thomas Frank, Sabine Gruffat and Bill Brown, Chris Jordan, Stella Marrs, Mary Mattingly, Compass Group working in the MRCC, Lize Mogel, Stephanie Rothenberg, Sam Sebren, The Waterpod ®, and Alex Young.

Sambunaris has participated in the Ucross Foundation Residency Program in Wyoming (2010), as well as the Center for Land Use Interpretation's Wendover Residence Program in Nevada (2004), and has been awarded a Lannan Foundation Fellowship (2002) and a Rema Hort Mann Foundation Grant (2000).

Art Production Fund has a long history producing and commissioning ambitious public art projects, and Nevada Museum of Art was the ideal partner, not only because it was important to engage the Nevada community but also because of the Museum's longstanding relationship with land art, and their Center for Art + Environment that includes archive materials from Michael Heizer, Walter de Maria, Lita Albuquerque, Burning Man, Center for Land Use Interpretation, Charles Ross, etc..

Tagged as: 2016 Biennial, Changing Circumstances, CLUI, Contemporary Arts Museum Houston, Erik Davis, Expanding Mind, FotoFest International, Gina Glover, Houston, Hyperobject, Jamey Stillings, Lucky Dragons, Mandy Barker, Metabolic Landscapes, Museum of Fine Arts, NASA, Rev. Lennox Yearwood, Simparch, The Center for Land Use Interpretation, Timothy Morton

They were also recently awarded «On Our Radar» status with the Creative Capital Foundation in New York, and their self - published book of photographs, titled States of Matter, is archived at the Center for Land Use Interpretation in Los Angeles, CA, and has also been collected by the Center for Art + Environment at the Nevada Museum of Art.

She has participated in residencies at; the Center for Land Use Interpretation in Wendover, Utah in 2014, Wassaic in 2016, and AZ West Wagon Encampment in 2017.

Michael Asher (b. 1943, Los Angeles; d. 2012, Los Angeles) John Baldessari (b. 1931, National City, CA; lives and works in Los Angeles) John Boskovich (b. 1956, Los Angeles; d. 2006, Los Angeles) Karen Carson (b. 1943, Corvallis, OR; lives and works in Venice, CA and Big Timber, MT) Center for Land Use Interpretation (founded in 1994, Los Angeles) Meg Cranston (b. 1960, Baldwin, NY; lives and works in Venice, CA) Kim Fisher (b. 1973, Hackensack, NJ; lives and works in Los Angeles) Scott Grieger (b. 1946, Biloxi, MS; lives and works in Venice, CA) Arturo Herrera (b. 1959, Caracas, Venezuela; lives and works in New York and Berlin) Mike Kelley (b. 1954, Wayne, MI; d. 2012, South Pasadena, CA) Barbara Kruger (b. 1945, Newark, NJ; lives and works in New York and Los Angeles) Daniel Joseph Martinez (b. 1957, Los Angeles; lives and works in Los Angeles) Renée Petropoulos (b. Los Angeles; lives and works in Venice, CA) Amanda Ross - Ho (b. 1975, Chicago; lives and works in Los Angeles) Stephen Prina (b. 1954, Galesburg, IL; lives and works in Los Angeles and Cambridge, MA) Kay Rosen (b. 1943, Corpus Christi, TX; lives and works in Gary, IN) Alexis Smith (b. 1949, Los Angeles; lives and works in Los Angeles) Lawrence Weiner (b. 1942, Bronx, NY; lives and works in New York)

Artists like Constance Hockaday, Marie Lorenz, Mare Liberum, Duke Riley, and Swoon, and The Center for Land Use Interpretation, were using the water as a platform for performance, research, and curiosity - driven excursions.

The Center for Land Use Interpretation, Mark Dion and Pedro Reyes were all guest artists of the Confluence series, and now included in «Radical Seafaring.»

Artists featured are Stuart Whipps, the Centre for Land Use Interpretation, Olivia Plender, The Domestic Godless, Superfolk and Filip Van Dingenen.

The Center for Land Use Interpretation, founded in 1994, is a research and education organisation interested in understanding the nature and extent of human interaction with the surface of the earth, and in finding new meanings in the intentional and incidental forms that we individually and collectively create.

includes essays by Elizabeth Kolbert, Trevor Paglen, Katie Holten, Center for Land Use Interpretation, and many others.

A keynote presentation will be made by Aurora Tang, Los Angeles - based curator, researcher and Programme Manager of the Center for Land Use Interpretation (CLUI) and will mark CLUI's first engagement with Ireland.

He works from a building near Bethnal Green, where, since 2006, he has used the ground floor as a small gallery, Between Bridges, where he shows work that interests him, from artists such as the American David Wojnarowicz, or the German artist Isa Genzken, or the photographs from the Center for Land Use Interpretation in California, or the slogans of Jenny Holzer, one of the first artists he admired.

Begun at the Center for Land Use Interpretation's artist - in - residence program in Wendover, Utah, Lamson finished the project in a dry lakebed west of Barstow, California.

His photographs are made in various locations around North America, with many of them shot during artist residencies, such as The Banff Center for the Arts (Canada), I - Park Foundation (CT), Headlands Center for the Arts (CA), The Center for Land Use Interpretation (UT), and The MacDowell Colony (NH), among others.

Category ART, PHOTOGRAPHY, VIDEO · Tags Analia Saban, Blair Saxon - Hill, Catharine Czudej, Center for Land Use Interpretation, Chris Wiley, Concrete Island (Venus), Daniel R. Small, Francesca Gabbiani, Harry Dodge, Jaime Davidovich, Jason Bailer Losh, Jason Matthew Lee, Jedediah Caesar, Jon Pylypchuk, Kaari Upson, Kelly Akashi, Kim Gordon, Lazaros, Matt Johnson, MAX HOOPER SCHNEIDER, Nancy Rubins, Pentti Monkkonen, Piotr Uklanski, Ruben Ochoa, Ry Rocklen, Sam Falls, Sterling Ruby, the Crenshaw Cowboy, Tony Matelli, Venus Los Angeles, Venus Over Manhattan, Vern Blosum, Will Boone, William Anastasi

On the cover Thomas Houseago; Marlene Dumas; Center for Land Use Interpretation (CLUI); Nancy Holt; and a South Africa focus; plus reviews including David Claerbout, Yto Barrada, the 11th Havana Biennial and Documenta 13

Artists announced include Stuart Whipps, The Centre for Land Use Interpretation, The Domestic Godless, Superfolk and Filip Van Dingenen.

Francis Alÿs, AREA Chicago, The Center for Land Use Interpretation (CLUI), The Center for Urban Pedagogy (CUP), e-Xplo, Ilana Halperin, kanarinka (Catherine D'Ignazio), Julia Meltzer, David Thorne, Multiplicity, Trevor Paglen, Raqs Media Collective, Ellen Rothenberg, Spurse, Deborah Stratman, Daniel Tucker, Alex Villar, Yin Xiuzhen, Lize Mogel

This project was supported by the Center for Land Use Interpretation artists - in - residence program and a grant from the Experimental Television Center.

With a background in geomorphology and art, Matthew Coolidge is the Director of the Los Angeles - based Center for Land Use Interpretation (CLUI), an interdisciplinary, research - based institution dedicated to the public understanding of how the nation's lands are «apportioned, utilized, and perceived.»