And by
using less film overall, visual packaging manufacturers can reduce their source material usage.
Our Pre-Stretched High Performance Films
use less film per wrapped pallet, while providing the same containment force as Standard Performance Films.
Pallet wrapping equipment
uses less film, considerably reducing waste.
Not exact matches
It plays
less like the kind of blockbusters we are all
used to and more like a horror
film.
While classification freed directors to
use explicit language in marvelous
films like Platoon and Something Wild and has allowed
films like Out of Africa and Children of a
Lesser God to explore the complex nature of human sexuality, it has also given us a series of slasher
films — Friday the 13th, with its many parts; The Texas Chainsaw Massacre, parts one and two — and
films like Brian DePalma's artistically significant but deplorably explicit Body Double.
«I see us being
less of a paper - feeding machine and rather a dispenser of value added substrates like water - soluble flavorings or ingredient - bonded
films used for flavor transfer.
In mixed plastics recycle streams such as this,
using Fusabond ® improves impact resistance, surface finish, and processability of parts and
films... so the recycled material can be made into more sustainable articles with
less material loss and higher end -
use value.
We also develop lightweight packaging that
uses less material, and puncture resistant
films that help food last longer to reduce waste.
New hot - embossing technology and an in - house engineered calander are
used to create a
film that has a higher seal integrity than standard polyethylene and weighs up to 30 %
less, while still having the same thickness as standard packaging.
The Katan - Ex microlayer
film excels in increased pallet stability at elevated temperatures,
uses 30 percent
less material per pallet and reduces damage products during transportation by 80 percent.
Eco-CutTM enables 20 percent
less film to be
used per pack sealed, which gives longer running time between
film reel changes and impressive cost savings.
Pallet wrappers and pallet wrapping equipment
use significantly
less film and wrap loads quickly.
A forensic assessment of the
filmed recordings by father and son team (Hypothetical Premier League) of every match played in the Premiership and the critical decisions made by referees shows that Arsenal would have finished top of the League (2 points more than they got) and Leicester should have been 2nd (9 points
less than they got)-- if the
use of video evidence had been
used to review important decisions.
FOM can
use the footage to customise and edit replays,
using the cameras to focus on whatever action is happening at the time and missing far
less, because every car will be
filming everything that's happening around it, all the time.
«Our new
film has been produced specifically for
use in
less extreme graphics applications where cost is more of a deciding factor,» said Kim Brewer, Marketing Manager, 3M's Commercial Graphics division.
When the viewers
used old - fashioned red and blue 3D glasses, their brain scans suggested they were
less engaged in the
film than when modern polarised glasses were
used.
Nevertheless, we know
less about the potential effects of
films that glorify the
use of guns.
A process known as the sol - gel fabrication technique can create hybrid
films — but it, too, is
less than ideal, because it requires the
use of acids that corrode the metals and metal oxides in the devices» electronic components.
The CNT
films made
using the microcombing technique had more than twice the tensile strength of the uncombed CNT
films — greater than 3 gigapascals for the microcombed material, versus
less than 1.5 gigapascals for the uncombed material.
Using these less - than - perfect films, the researchers could see how the materials changed using a variety of microscopies and spectrosco
Using these
less - than - perfect
films, the researchers could see how the materials changed
using a variety of microscopies and spectrosco
using a variety of microscopies and spectroscopies.
«Quiet on the set» took on new meaning in John Krasinski's horror
film, which
used a
less - is - more approach to its unusual sound design.
All they needed to do was sign up, pay a modest fee (getting a date costs
less than going to see a
film), write a blog or
use a social networking site.
Critic Consensus: Decidedly slower and
less limber than the Olympic runners at the center of its story, the
film nevertheless manages to make effectively stirring
use of its spiritual and patriotic themes.
Yet, while those
films used the experiment as a touchstone, allowing the story to take on more aspects of a thriller, Kyle Patrick Alvarez's
film is
less concerned with thriller elements, but rather the loss of individuality the participants experienced, and how quickly the guards began to abuse the prisoners, most of whom quickly bent to authority.
The actual sound design of the
film is a little
less impressive; while wholly clean and clear in presentation, dialogue is a bit flat and the
use of the surrounds is a little erratic.
Aside from this being a lot
less interesting than the original stories, it also gives us a
film with more characters than the story has any
use for, and that in turn makes what there is of a story feel baggy and drawn out.
Critics Consensus: Decidedly slower and
less limber than the Olympic runners at the center of its story, the
film nevertheless manages to make effectively stirring
use of its spiritual and patriotic themes.
Using the
less - is - more approach, Nicholas Smith builds the
film to an effective and suspenseful climax.
If the abundance of agriculture may be too much for some tastes, the
film subtly reveals how farming methods grew increasingly industrialized over the years: Just as the armies of the Great War employed modern weapons like tanks and airplanes for the first time, so the Paridiers begin to
use combines and tractors to yield more crops with
less labor.
The lack of a convoluted motivation felt that much more terrifying, a tactic also
used in 2006's Them and 2016's Hush, maybe because the indiscriminate nature of the violence makes us all feel unsafe and maybe because, as many classic horror
films have shown, the
less we know, the more terrifying it can all seem.
The
film is about magic, but it's more or
less a classic story of star crossed lovers that
uses magic as a plot device.
I'm not
used to historical dramas having sequels — it's a privilege usually reserved for the
less wordy and more spectacular of Hollywood
films.
[It] seems reluctant to
use the potentials for astute comic strip philosophy that all the other
films revelled in to a greater or
lesser extent.
Its terribly exploitative in
using the decrepitude of death to scare the viewer and shatter his resolve - the same way
lesser horror
films use tactics like gore and startling noise after lulling the viewer to boredom.
As the
film moves on, however, he and Diane develop a romantic attachment and his
use of this phrase becomes
less frequent.
The material
used in this
film wouldn't even be adequate fodder for a 30 - minute pilot for a possible cable TV sitcom, much
less a 90 - minute gag - a-minute comedy.
Using the
less - is - more approach, however, director Nicholas Smith builds the
film to an effective and suspenseful climax.
In the
film, it works beautifully in the dress that makes
use of an antique piece of Flemish (Brussels) lace, but
less so in the dress Alma models with a lace apron at the skirt for the fashion show.
While largely avoiding the Twilights and Divergents of the world, he's made interesting career decisions, weaving horror and indie
films throughout his comedy roles, and largely
using social media in a much more subversive and
less thirsty way than some of his peers.
Captain America: Civil War was smart enough to act as a soft origin story for Black Panther,
using a handful of well - placed scenes to introduce the character among the melee of the rest of the
film, so that when Black Panther proper came out, we were already more or
less up to speed.
So I'll
use this opportunity to sing the praises of something I'm much
less surprised but no
less disappointed didn't make our list: Gett: The Trial Of Viviane Amsalem, a thorny Israeli
film about a married woman (Ronit Elkabetz, who also co-wrote and co-directed) attempting to secure a divorce against her prideful husband's wishes — a real uphill battle with Israeli law, which is fundamentally stacked against her.
This, combined with the
film's extensive
use of local non-professional actors, made Toni one of the biggest precursors of the Italian neorealist movement (no
less than Luchino Visconti served as the assistant director!).
First love and first heartbreak bring both emotional ecstasy and emotional devastation, and whether you believe the
film's statement «We have
less to give each new person», you'll likely agree that the
use of Psychedelic Furs «Love My Way» is spot on.
Vaughn would bring everything you need regardless and he's so
used to working with slightly lower budgets for his
films that he could do more with
less even if he didn't have to.
Despite cinematographer Shelly Johnson's admirable attempts to ape Janusz Kaminski's lighting style — covered up by the color grading, which A.V. Club contributor Adam Nayman likened to camouflage meant to hide the fact that anyone had put any effort into this movie — this basically looks and moves like an over-heated fan
film, and Montiel's tin - eared
use of country music doesn't make it seem any
less amateurish.
It's the kind of
lesser known
film you might find through the
film festival circuit (had it's premiere at Sundance
Film Festival) that's made up of a different brand of comedy or drama than your
used to from a typical blockbuster, strong performances from B or C - list actors, and overall much to offer.
Very much a kitchen - sink drama — the family kitchen is the dramatic hub for much of the
film — shot in a more or
less documentary style and featuring terrific performances by nonprofessionals, the
film takes a no - frills dramatic approach that could be roughly located on a Cassavetes - Dardennes spectrum, and
uses it to intensely revealing and moving effect.
This power doesn't make women any
less of a riddle to Tim, who apparently only
uses his abilities to get laid, though no character ever seems to have a problem with money over the
film's runtime.
What's especially interesting here is that, due to the extremely tight schedule, Yates decided to
use even the scenes with Mitchum's
less - than - perfect deliveries, which ultimately gave the
film an obvious rawness and imperfection that accentuated the desired feel of authenticity and gritty, unpolished documentary - style filmmaking that Yates and the crew were going for.
Gangster Squad does a good job with nailing the period detail, even if such art direction begs for the
use of
film and not the
less than state - of - the - art digital video.