Not exact matches
Missouri Synod theologians had traditionally affirmed the inerrancy of the Bible, and, although such a term can mean many things, in practice it meant certain rather specific things: harmonizing of the various biblical
narratives; a somewhat ahistorical reading of the Bible in which there was little room for growth or development of theological understanding; a tendency to hold that God would not have
used within the Bible literary
forms such as myth, legend, or saga; an unwillingness to reckon with possible creativity on the part of the evangelists who tell the story of Jesus in the Gospels or to consider what it might mean that they write that story from a post-Easter perspective; a general reluctance to consider that the canons of historical exactitude which we take as givens might have been different for the biblical authors.
One can certainly detect, for instance, a growing skepticism toward «modernity» in the
form of master
narratives and instrumental reason, possibly because Latin America has so often had a painful experience of these
narratives and the exercise of such reason — experiencing them from the «reverse side of history,» to
use Gutiérrez's apt phrase.
forms of plot development) which were not necessarily the same as the techniques
used in modern Western
narrative.
The Latin word resurrectio appears to have been created for Christian
use, and while the Greek equivalent anastasis is certainly pre-Christian, it does not seem to have been widely
used until Christian times, some scholars thinking that, when Paul referred to it at Athens, his hearers mistook it for the name of a goddess.26 The idea of resurrection first came to expression in the
form of a
narrative, and until the advent of the above technical terms, words of very general usage, such as «raise», «wake up», «stand up», etc., served the purpose of relating it.
These passages are all
narratives of a synoptic type and include the Miracle at Cana (2:1 - 11), the Cleansing of the Temple (2:14 - 16), the Healing of the Nobleman's Son (4:46 - 53)» the Anointing at Bethany (12:1 - 8) and the Triumphal Entry into Jerusalem (12:12 - 15); it is at least possible that the evangelist was here
using a written source or oral tradition that had become comparatively «fixed» in
form.
He covers the
use of
narrative and genealogical
forms, the literary unity of the text, its structure and theme, and the issue of faith and history.
We are concerned with their effort to be metaphoric in their reflection, staying close to the parabolic
form with its insistence on
using common language in novel ways to evoke insight, with its emphasis on the
narrative quality of believing, its foundation in experience, and with both language and belief rooted in a total life - style.
We would want to know, for example, whether the
use of the word abortion in a religious broadcast occurred only within
narratives or in a wider variety of discursive
forms, whether it was spoken by more than one narrator, whether it was spoken in the same «voice,» whether it occurred consistently in a particular kind of sentence structure, and so on.
I
use traditional metalsmithing skills, mixing silver, copper, and minerals, as well as Murano and artisan glass, to create
forms and ornament inspired by nature and
narratives.
Stories
used to describe and remember these events have been called «self - defining
narratives» (McLean, Paspupathi, & Pals, 2007) in reference to the ways they
form our basic perceptions of who we are.
They identified the key people involved
using a
narrative approach to interview in focus groups
formed from those who were early adopters of process improvement methods.
The fantastic
narrative structure jumps from a pre-historic era, when apes first discovered
using bones as tools and as weapons, to a futuristic space - age when man discovers proof of intelligent alien life in the
form of a gigantic black monolith on the moon.
Using traditional research methods (reading old books) and non-traditional film processes (boiling old books) Gatten's films trace the contours of private lives and public histories, combining philosophy, biography, and poetry with experiments in cinematic
forms and
narrative structures.
Since as far back as his TV movie Fraulein (1986), Michael Haneke has
used contemporaneous television news broadcasts as a
form of punctuation in his
narratives.
New York Film Festival, Locarno Film Festival, Flaherty Seminar, Midwest Film Festival, exploitation films, the law and the
use of music in films, towards a new
narrative form in motion pictures, film and theater
While Porterfield's aesthetic gambit with Putty Hill — utilizing documentary techniques to convey a fictional
narrative — resulted in a remarkable hybrid
form of experiential cinema, I
Used To Be Darker arguably ups the ante by pairing a similarly observational naturalism (sans interviews) with more traditionally - plotted melodrama.
But Baby Driver also follows many of the beats of the classic Hollywood musical — a
form that Wright knows and loves — particularly in the courtship between Baby and Debora, which cannily
uses music to
narrative, thematic, and emotional ends.
Covers all aspects of the curriculum including: - Sequence sentences to
form short
narratives - Separate words with spaces -
Use spacing between words that reflects the size of the letters.
Ultimately it is important to show students how the skills they
use to write a
Narrative or Persuasive text in the classroom can be adapted to create other
forms of text such as video blogs, speeches, advertisements, etc..
Our plan is grounded in the following two premises: 1) When purposefully synchronized with one another across multiple
forms of media («cross-media»), children's and adolescents» exposure to high quality youth - oriented social and ethical story content, i.e. stories of substance specifically about character development, compassion, and courage (CCC), is a powerful way to promote youth academic achievement and ethical values; 2) Especially if these stories, told and «read» across media, in their various genres (human interest, biography, history and historical fiction, civic engagement, coming of age, social change, spiritual awakening, moral issues, etc.), are «taught» by «educators» (broadly defined)
using an «evidence - based» pedagogy that A) makes
use of peer to peer, and adult facilitated group discussion and debate as a primary
form of instruction, and B) takes advantage of access to the texts of the story that are made available cross-media (
narratives, scripts, videos, etc.) to foster students» critical thinking and ethical reflection skills.
It covers the following lesson objectives: • become very familiar with... traditional tales, retelling them and considering their particular characteristics • begin to punctuate sentences
using a capital letter and a full stop, question mark... • make inferences on the basis of what is being said and done • write sentences by: saying out loud what they are going to write about; composing a sentence orally before writing it; sequencing sentences to
form short
narratives; re-reading what they have written to check that it makes sense • read aloud their writing clearly enough to be heard by their peers and the teacher.
It covers the following lesson objectives: •
form capital letters •
use a capital letter for names of people, places,... • become very familiar with... traditional tales, retelling them and considering their particular characteristics • participate in discussions,... role play,... • make inferences on the basis of what is being said and done • sequencing sentences to
form short
narratives
This stimulating and thought - provoking lesson enables students to create playscript texts containing appropriate and imaginative content choices,
using knowledge of genre and
narrative structure to
form engaging subject matter.
We allow students to self - assess in
narrative form, conversations with peers and
using rubrics.
While an applicant may
use the same general pages for any superintendent position, the application also includes specific pages where the applicant is expected to respond in
narrative form to each required and preferred criteria listed for the specific superintendent position for which the application is made.
He exhibits highly capable
use of language in the basic
forms of
narrative and informative writing.
This means assessing the extent to which theories of reading which have been developed largely in relation to print can be
used to analyse digital
forms of
narrative and finding ways of supplementing them where required.
We
used Pressbooks ™ because it is a simple web - based book production system for presenting long -
form narrative online, has a commenting system, has the facility to sign up subscribers, and produces valid epubs.
The vivid digital artwork shapes the main
narrative,
using color, texture, and
form to amplify the drama.
But while Masters structured his free -
form narratives like epitaphs, Nelson brings her village to vivid life,
using residents» actual names gleaned from census records, while passionately imagining the modest pride and struggles of their daily lives.
After a discussion about significant themes in the personal
narratives in Making It Home, students can write found poems in which they
use words from a selection of text and rearrange and edit them in poetic
form, capturing the essence of the narrator's experience.
I've never read or heard a piece that was told in this
form of
narrative, 10 minutes of flash fiction the room was silenced in awe of his
use of rhetoric and
narrative.
Although a different
form of
narrative than we are
used to it is nothing short of compelling.
Narrative paper writer should keep in mind some regularity in the
use of verb
forms.
You're
using a borrowed language (English), with a borrowed
form (
narrative), amplified by borrowed tropes (genres), made fresh by borrowed subversions (humor, genre bending, etc.), magnified by a borrowed audience (you do not own your readership), and I could go on and on for days about paper pulp and the evolution of your genre and the publishing industry and so forth.
Guided by a strong
narrative and a distinctive visual style, players can
use everyday items to battle danger that comes in many
forms, from a range of unique, powerful enemy types to massive hordes working together to attack at will.
He explores the various myths and
narratives about our creation and how we came to inhabit the earth through the
use of the readymade and manmade products placed to mimic the digestive process; the work exists as a continuum with the different objects and materials interacting,
forming a
narrative.
In the process, she
uses various
narrative forms and consciously fictionalises documentary archive material.
While in her previous series, including Mom's Friends (2007) and The Stylist Project (2010), the artist
used figures to construct
narratives, here the female
form is part of a broader abstracted landscape.
The Maginot Line illustrates the variety of drawing practices artists
use to explore the
narrative nature of the line as the vehicle for creating shape, depth and
form.
Using live performance as his main
form of inquiry, Esparza employs site - specificity, materiality, memory and (non) documentation as primary tools to interrogate and critique ideologies, power structures and binaries that problematize the «survival» process of historicized
narratives and the environments wherein people are left to navigate and socialize.
Cridler
uses drawing as a practice of «noticing,» and this directly informs her recent work, in which the steel wire or rod becomes a line of inquiry into
form, content, and the potential of
narrative.
Oftentimes, her fabric
forms are cut out of the picture plane and installed on the wall
using pins creating an ever - changing
narrative, depending on their juxtaposition.
By constructing these theatrical still lifes, I can set the stage for a dream
narrative using the human
form to evoke emotion, establish a physical presence and render visions associated with common sleep experiences.
Making Painting explores the concept that, though working on different continents in different centuries, JMW Turner and Helen Frankenthaler share fundamental qualities in their
use of paint and colour,
form and
narrative, and in their understanding of landscape.
Marshall remarked: «I'm
using the comic
form because it has a certain ephemeral quality... I've drawn a comic with a
narrative that I want people to read and acknowledge... I'm playing with a series of contradictions and subversive gestures to question where the value in a treasured thing lies.
Using both figurative representation and formal abstraction, Ted Lawson creates a
narrative progression of
forms that reveals something conceptually greater than the sum of their parts.
She achieves this visual simplicity early on by
using computer modelling to achieve a refined, clean line, but then attacks the minimalist
form by removing segments, adding colours — in essence, adding
narrative.
Working under the sign of Benjamin, «Storyteller» curators Claire Gilman and Margaret Sundell grouped together fourteen artists who employ the story
form as a documentary mode, setting aside Benjamin's distinction between the subjectivity of oral communication and the assumed veracity of mechanical broadcast in order to investigate the
use of
narrative across a swath of contemporary art.
As an examination of the
uses of
narrative in contemporary art by women, the exhibition featured works in drawing, painting, video and new media reveal the continued power of storytelling in art today, and the myriad
forms it takes.