Not exact matches
These discussions involve the
use of a variety of text
and other (video, music,
photography,
paintings, etc.) resources as they explore a given topic.
One thing that helped define motoring magazines of the»70s
and early»80s was the
use of
paintings and illustrations to support articles that did not, for whatever reason, have accompanying
photography.
We specialize in creating custom book cover art
using a mixture of
photography, digital
painting and sometimes incorporating traditional art into the process as well.
Multilingual, well traveled,
and sharp - witted, Cameron was curious about not only the scientific process of
photography but also the artistic composition of portraits,
using classical
paintings as her model.
From Light is a 2D puzzle platformer that
uses photography - inspired mechanics to light -
paint your own platforms
and rescue your lost...
From Light: 2D puzzle platformer that
uses photography - inspired mechanics to light -
paint your own platforms
and rescue your lost penpal.
Oh yes, I've
used DeviantArt for my main portfolio since I began finger
painting and photography careers in 2013.
In the late nineteen - sixties, a group of artists made a name for themselves in the United States by
using photography as a basis for
painting everyday scenes
and objects with extraordinary realism.
I taught
photography for many years,
and I believe that the aesthetic standards by which we judge a photo are different than those we
use to judge a
painting.
With varying media:
painting, printmaking,
and photography;
and an enduring thematic interest in saturated color, repetition
and pattern, a lexicon of motifs are
used to explore larger -LSB-...]
His work spans a range of media including
photography,
painting, sculpture, installation
and use of the ready - made to create assemblages from everyday found objects such as books, ceramics, TV sets
and other house - hold goods
and paraphernalia, which Liu Wei transforms into sculptural objects
and installations of eloquent complexity.
Reed's recent multi-media works, Judy's Bedroom (1992)
and Scottie's Bedroom (1994), combine his interests in
photography and film with his
painting,
using Alfred Hitchcock's 1958 film Vertigo as a vehicle.
In this instance, it is an examination of the
use of planarity in
painting, sculpture,
and photography.
Roberts Projects showcases as well as commissions projects with artists who work
using a variety of mediums including but not limited to drawing,
painting, sculpture,
photography, film
and performance.
Many of the artworks included
use photography but following Magritte's penchant for paradox, this show about
photography also includes sculptures, video
and paintings.
The launch marks Comas» first solo show in a European gallery, created during his stay in Berlin
using industrial materials like cement
and household
paint in combination with
photography and UV printing.
Minter, who
uses photography in her work, is known for her large - scale
paintings that span the gap between feminism, sex
and fashion.
He
uses painting, sculptural installations, collage, video,
and photography to comment on the history of Black identity both in the United States
and in Western art.
Over
and over again in the catalog, we read about Ligon's love for
painting — de Kooning's Pirate (Untitled II)(1981) is a favorite, apparently —
and how he, um, «opened up the semantic rules of identity
and linguistic constructions between object - text
and image - sign relations through the
use of
photography and text based on the appropriation of language, sign, text,
and speech as material for his
painting practice.»
In his new series «Eclipse,» Paolo Ventura continues his exploration of memory, history
and narrative
using the tools of
photography,
painting and the stage.
Creating her colourful work
using a combination of collage,
paint,
photography and print; Shuby's original reinterpretations revel in absurdity, kitsch
and irony.
The display explores the blurred lines between language,
photography and painting and includes Gerhard Richter's Kerze (1982), a hyper realistic
painting of a single, glowing candle famously
used as the cover of Sonic Youth's 1988 album Daydream Nation.
Initially made from personal photographs produced for the purpose of
painting and then later
using sourced imagery, Mark Roeder's ongoing collection of black
and white Antipaintings mine the unique
and complicated relationship between
photography and subjectivity.
Guest - curated by Menil Collection curator Toby Kamps, this group show
uses painting,
photography, sculpture, video,
and performance «to re-domesticate the galleries of Sala Diaz, a former duplex apartment.
Warhol
used all the advanced technology available during his time:
photography, video, film without disregarding
painting, drawing
and silk - screening to express his fascination with the consumerist society,
and the cult of celebrity, which were his favorite themes.
Alexandra Grant is a Los Angeles - based artist who
uses language, literature,
and exchanges with writers as the basis for her work in
painting, drawing, sculpture,
and photography.
Hill's digital prints
use photography,
painting and printmaking to investigate surface
and light
and their role in the formation of images.
Returning to visual arts in 2000, Coupland
uses various media including
painting,
photography, printing, installation
and quilts, to cleverly merge pop culture
and technology with art historical references ranging from historical
painting, to 20th century Pop Art.
A celebrated master of postmodern
painting, David Salle is known for his deconstruction of images through his
use of
photography, collage,
and his uncanny compositional instinct.
Using sculpture,
photography,
painting,
and installation, the artists in this exhibition each uniquely engage the genre by expanding our perception of what a landscape is,
and how the story of the United States is told through this representation.
In the 1950s Robert Rauschenberg
used what he dubbed «combines», literally combining readymade objects such as tires or beds,
painting, silk - screens, collage,
and photography.
Many of his early works took the form of conceptual
photography, though Johnson eventually expanded his practice to include wall - based works that engage the legacy of
painting, sculptural installation,
and assemblage
using manufactured materials like shea butter, books records,
and incense.
Amela Parcic is an interdisciplinary artist who
uses video installations,
paintings, collages,
and photography to explore memory
and the sense of dislocation that urbanization has on individuals.
Through varying artistic mediums including but not limited to collage, tea
painting, watercolor, wool tapestry weaving,
and polaroid
photography «SELF REFLECTION presents contemporary female artists that are not merely
using their mobile devices to self - promote, but work with self - portraiture as a means to present their own inner dialogue,» says The Untitled Space Gallery.
Born
and currently living in Japan, Nao Uda works across a variety of mediums, often
using photography and painting to produce works that highlight her alter - ego Nu.
Alexandra Grant is a Los Angeles — based artist who
uses language, literature,
and exchanges with writers as the basis for her work in
painting, drawing, sculpture,
and photography.
Other works in the exhibition include Jorge Pardo's handcrafted wooden palette
and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's
paintings of photographs of Fountain; Richard Phillips» recent
paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the
use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd
and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures;
and works by Elad Lassry
and Steven Baldi, who explore the aesthetic history of
photography.
Prior to that, Fogle was a curator at the Walker Art Center in Minneapolis from 1994 to 2005, where he initiated a series of exhibitions with emerging artists as well as a number of group exhibitions, including: Andy Warhol / Supernova: Stars, Deaths,
and Disasters, 1962 — 1964 (2005); The Last Picture Show: Artists
Using Photography 1960 — 1982 (2003) which traveled to the Hammer;
Painting at the Edge of the World (2001);
and solo exhibitions with Catherine Opie
and Julie Mehretu.
Embracing many approaches including
photography,
painting, sculpture,
and installation, artist, Carolyn Conrad constructs rural scenes from clay
and wood
using a minimalist approach.
«While many contemporary artists employ the tools of digital technology to alter photographic images, Diggory stands out for
using photography and Photoshop as the catalyst for
painting.
So does his
use of Ripolin, the premixed enamel, or his
paintings after
photography and porn.
Through the
use of
paintings, installations,
photography, sound recording
and videography.
Robin Rhode, the South African - born, Berlin - based multidisciplinary artist, engages a variety of visual languages such as
photography, performance, drawing
and sculpture to create arrestingly beautiful narratives that are brought to life
using quotidian materials such as soap, charcoal, chalk
and paint.
Using the mediums of
photography, video, sound
and sculpture to examine notions of time, freedom, play
and power, Gonzalo Lebrija often incorporates the geometry of semi-folded paper planes into his large - scale works,
painted over as hardened surfaces.
Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract
painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc
painting as the dominant style of
painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc
painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded
Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc
Painting: Informel in Europe
and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative
Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc
Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s
and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-
Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc
Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism
and Conceptual
painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc
painting in the USA (1950s
and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How
painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc
painting survives against growth of mass visual culture:
photography and television - if you can't beat them, join them (1960s
and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism
and its Discontents The continuation of figuration
and expressionism in the 1970s
and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-
Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc
Painting Part II: After Pop A new era in which figurative
and abstract exist side by side rather than polar opposites plus
painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc
painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists
use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social
and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans
He
paints, but also
uses other media, including
photography, sculpture, fabric
and film, to explore the painterly
and the picturesque.
For Gay Town, James Franco
uses a mix of different media including
painting, drawing, film, video, sculpture,
and photography.
During that seminal period, Rauschenberg established an ongoing interest in grasping the full range of art - making mediums, including printmaking,
painting,
photography, drawing, sculpture,
and conceptual modes, often blurring categorical distinctions by
using multiple techniques
and materials in combination.
They work in a variety of media such as
painting, drawing,
photography and video
and often
use digital
and reproducible techniques — like the work Butch queen 4 - 3 (2005) which can be manifested in different ways, sizes
and locations.
The artist also talks about meeting King in Montgomery, Ala.,
using photography in his practice, the influence of «Bill» de Kooning,
and the 12 - foot - wide tool he created to rake the
paint across the canvas of «Asa's Palace.»