Sentences with phrase «using ultramarine blue»

Also in 1985 Bidlo recreated Yves Klein's, «Anthropometries de l'epoch blue» where he wore a tuxedo and white gloves as Klein had done, directing naked women to make prints with their bodies on large sheets of paper using ultramarine blue paint.

For the live performance at Unfold, I used ultramarine blue as a direct reference to Yves Klein's 1960 performance.

Not exact matches

Pierre - Auguste Renoir, Vincent van Gogh and other late 19th century painters used ultramarine and cobalt blue not just to depict nature, but to create moods and emotions.

I use lamp black as a dramatic accent as well, placing the pure black in a part of the painting that is already devoted to very dark mixed blacks (alizarin crimson and phthalo green or ultramarine blue and burnt umber for example).

I still use pretty much the same palette I used when I first started painting, with a few additions over the years: Cremnitz white, raw umber, ultramarine blue, cobalt blue, quinacridone blue, burnt sienna, lemon yellow, cadmium yellow, Indian yellow, cadmium orange, cadmium or other warm green, Veronese green, vert Aubusson or pthalo green, a purple, cadmium red, alizarin crimson.

Carroll uses wax and acrylic, building up patterns of pigment in translucent layers of gray, ultramarine blue, neon lime and fuchsia.

For de Crignis, like Yves Klein, ultramarine blue is his primary vehicle, but unlike Klein he uses it with other colors.

One of the most influential, prominent, and controversial French artists to emerge in the 1950s, Yves Klein is remembered above all for his use of a single color, the rich shade of ultramarine that he made his own — International Klein Blue.

The Brussels art centre Bozar is hosting an exhibition about French artist Yves Klein, famous for using only a rich shade of ultramarine that he patented as International Klein Blue or IKB.

«Generally, I use few colors,» he said, «yellow ochre, ver - million, orange, cadmium green, ultramarine blue.

Next, create ranges of violet, using each possible combination of the different blue and red co-primaries - start with alizarin crimson and ultramarine blue, which both have violet overtones.

These shades are repeatedly used throughout his oeuvre; as he commented, «There are certain colors that have become my colors; they're yellow ochre, black and white, a certain ultramarine blue (in fact some people in New York call it «Motherwell blue»)».

When he returns to painting in 1958, the single color used in the tall, narrow vertical band is the same deep ultramarine blue as the one in «Uriel.»

These included cobalt blue, viridian, cadmium yellow, and synthetic ultramarine blue, all of which were in use by the 1840s, before Impressionism.

The use of ultramarine blue (lapis lazurite) in religious paintings of the middle ages became synonymous with depictions of the Virgin Mary.