Sentences with phrase «using woodblock printing»

She has made tapestries, embroideries and furniture, as well as using woodblock printing methods and hand - painted 16 mm film.

«Storytelling with Saris is a multi-layered collaborative art and advocacy project that uses woodblock prints on saris, writing, performance, and video to address women's empowerment in the face of climate change in a remote Bangladeshi island linked to the artist's heritage.

Not exact matches

Zheng Xuewu orchestrates complex compositions by actively and freely transferring, one - by one, many hundreds of images onto paper using hand - carved woodblocks, cast metal printing type, stamps and found objects as printing tools.

Examples of this experimental approach in the exhibition include Fuller's soft - ground etching, made by impressing lace and a string garlic bag into the plate's surface coating; Ryan's use of a recycled floorboard for her woodblock print; Bourgeois» sculptural treatment of the engraving process; and Nevelson's use of fabric dipped in acid to create etching directly on the plate.

Then, I returned to the Print Studio, cut a similar set of stencils to those used in the Blue Lagoon sculptures, and used them to make a series of large - scale woodblock prints editioned on a traditional press.

Hugo McCloud (b1980, Palo Alto, California) is known for his large - scale abstract paintings that use materials such as tar paper and metal, and engage with traditional woodblock printing techniques.

Frankenthaler has worked with Pace Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut printed from 15 woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale print using a combination of aquatint, woodcut and pochoir techniques.

A week - long exploration working in intaglio to create multi color prints from one copper plate, combining traditional etching process with a la poupee inking, mono printing, chine colle, with the option of using a woodblock as a second plate / matrix.

The talk will touch on Judd's four - decade engagement with woodblock prints as well as his interest and use of color across all media.

He orchestrates complex compositions by actively transferring, one - by - one, many hundreds of images onto paper using hand - carved woodblocks, cast metal printing type, stamps and found objects as printing tools.

It also introduced the technique of «guzzying,» a term Frankenthaler used to describe the way she would manipulate the surface of the woodblock, marking it in this case with sandpaper and dental tools to achieve the desired textured effects before printing.

In this video, Rebecca Salter RA explains the traditional tools and techniques used by the Sato Woodblock Workshop in Kyoto when creating her print for the Summer Exhibition 2016.

Ms Büttner, a Stuttgart - born artist who studied at the Royal College of Art in London, works in prints, sculpture, painting and film, but attracted attention for her use of unfashionable media such as woodblock prints and glass painting.

To print a woodcut, the artist covers the surface of the woodblock with ink using a brayer, a tool similar to a rolling pin that evenly spreads the ink.

In her series of reduction woodblock prints entitled The Sum of All the Parts, López uses the medium to layer texture and color as she describes the rusting surfaces of I - beams and the very joints of construction.

«Process and Collaboration» displayed not only a number of finished prints and paintings but included plates, woodblocks, and mylar stencils which were used to produce a number of prints.

He works in the ancient tradition of woodblock printing using as many as 15 colors in a single print.

In this video, which features footage recorded by Rebecca Salter on one of her trips to Japan, the Royal Academician demonstrates the tools and techniques used in traditional woodblock printing.

Using various printing techniques including lithography, silkscreen and woodblock, he renders his subjects in vivid colors and patterns.

Each print is hand - printed using two woodblocks on a sheet of Japanese Kozuke paper.

The artist creates intricately carved woodblocks, which he uses to make prints by hand rubbing rather than through mechanical processing.

Every tablecloth, napkin, etc. is expertly handcrafted in India using ancient woodblock printing techniques.