Central to the exhibition is a site - specific installation titled «Storm at Sea» in which the artist
utilizes piano keys, an African sculpture and a glitter - covered ship to suggest motifs associated with the African American experience of the trans - Atlantic slave trade.
Not exact matches
Even the score doesn't play by the rules, with Paul Thomas Anderson collaborator Jonny Greenwood
utilizing out of tune electric guitar riffs and mashed
piano keys.
In his installation, Storm at Sea, Bailey
utilizes objects such as
piano keys, an African sculpture, and a glitter - covered ship to suggest leitmotifs associated with the black experience of the transatlantic slave trade.