Sentences with phrase «utopian visions in»

There's no shortage of utopian visions in the IT industry, but the journey to cloud computing that some folks espouse makes...

The Writings of Thomas Hirchhorn, Edited by Lisa Lee and Hal Foster, MIT Press Dia Art Foundation presents Thomas Hirschhorn's Gramsci Monument in neighborhood of the Bronx, Art Daily, 1 July Smith, William S, Under Construction: Thomas Hirschhorn's Gramsci Monument in Bronx, Art in America, 25 June Italian Philosophy in the Bronx, Art Info, July Power 100, Art Review, November Merjian, Ara H., Review: Thomas Hirschhorn, Frieze, November - December Burns, Charlotte, Utopian visions in the Bronx, The Art Newspaper, 1 July Kennedy, Randy, Housing Project Meets Art Project in the South Bronx, The New York Times, 2 May Johnson, Ken, A Visit to Thomas Hirschhorn's «Gramsci Monument», The New York Times, 25 July

1983 Memorial Exhibition: Ilya Bolotowsky, Gilmore D. Clarke, Jose De Creeft, Theodore Roszak, Jack Tworkov, American Academy and Institute of Arts and Letters, New York, NY Beyond the Plane: American Constructions 1930 - 1965, New Jersey State Museum, Trenton, NJ; The Art Gallery, University of Maryland, College Park, MD Dreams and Nightmares: Utopian Visions in Modern Art, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Abstract Painting and Sculpture in America, 1927 - 1944, Museum of Art, Carnegie Institute, Pittsburgh, PA; San Francisco Museum of Modern Art, San Francisco, CA; The Minneapolis Institute of Arts, Minneapolis, MN; Whitney Museum of American Art, New York, NY

The Leave campaign responded in kind, first cleverly castigating Cameron for what they dubbed «Project Fear» [12] and then offering a Utopian vision in which every conceivable problem could be solved by Britain «regaining» «sovereignty».

Nearby, William Villalongo presents a different utopian vision in «Jubilee», a painting shaped like a fan depicting a bucolic scene that's somewhere between «The Luncheon on the Grass» and the decor one might encounter during lunch at a Chinese restaurant.

Not exact matches

The utopian vision of an entrepreneur who wanted to do his part for income inequality looks shortsighted in the cold light of reality.

Today, Price's utopian vision of doing his part for income inequality by making sure all his employees had incomes that would make them happy — or so said the psychology research he read — is looking more than a little shortsighted in the cold light of reality.

As Imbruglia notes, the utopian vision of the Paraguayan missions was created by the Jesuits themselves: In widely circulated accounts, Jesuit authors described how once - «savage» Indios «became different men» through their conversion and joined a «perfect society» resembling the early Church.

Channelling the spirit of John Lennon's «Imagine», he describes a utopian vision of the future in which the «depth and warmth» of his own secular - humanist philosophy is universally embraced at the expense of God.

The eschatological vision, which expected God to bring in that radically other and better world, has been reduced to myth; utopian thinking, which expected the new age as the outcome of human effort, has come to be regarded as illusion.

With a vision typical of Utopian «theologians» whose only real faith is in this - worldly peace and happiness, Noddings proposes that we give women power, and let women, and the femininity in men, rule.

At one level, separatism is represented by literary utopian visions (like those of Sally Gearhart and Charlotte Perkins Gilman) in which women form woman - identified, male - excluding communities.

I can only give expression to my own intuition that this possible emergence of a new consciousness should be given shape by a utopian vision of a planetary brotherhood at peace with nature and with God, united with all of life in the enjoyment of its potentialities.

In 1975 there appeared in Germany a book entitled: The Berlin Ecumenical Manifesto, on the Utopian Vision of the World Council of Churches, edited by Walter Kunneth and Peter Beyerhaus.34 The book attacked not only the World Council of Churches but also the Lutheran World Federation, World Student Christian Federation, certain Roman Catholic groups, the German Evangelical Kirchentag, Taize, and to some extent even Lausanne.35 According to H. Berkof, the common thread through all the articles in the book was the desire to demonstrate that the World Council of Churches no longer sought to proclaim the Gospel throughout the world, but strove rather for a purely horizontal, social and political, humanization and unification of mankind by means of religious pluralism and syncretisIn 1975 there appeared in Germany a book entitled: The Berlin Ecumenical Manifesto, on the Utopian Vision of the World Council of Churches, edited by Walter Kunneth and Peter Beyerhaus.34 The book attacked not only the World Council of Churches but also the Lutheran World Federation, World Student Christian Federation, certain Roman Catholic groups, the German Evangelical Kirchentag, Taize, and to some extent even Lausanne.35 According to H. Berkof, the common thread through all the articles in the book was the desire to demonstrate that the World Council of Churches no longer sought to proclaim the Gospel throughout the world, but strove rather for a purely horizontal, social and political, humanization and unification of mankind by means of religious pluralism and syncretisin Germany a book entitled: The Berlin Ecumenical Manifesto, on the Utopian Vision of the World Council of Churches, edited by Walter Kunneth and Peter Beyerhaus.34 The book attacked not only the World Council of Churches but also the Lutheran World Federation, World Student Christian Federation, certain Roman Catholic groups, the German Evangelical Kirchentag, Taize, and to some extent even Lausanne.35 According to H. Berkof, the common thread through all the articles in the book was the desire to demonstrate that the World Council of Churches no longer sought to proclaim the Gospel throughout the world, but strove rather for a purely horizontal, social and political, humanization and unification of mankind by means of religious pluralism and syncretisin the book was the desire to demonstrate that the World Council of Churches no longer sought to proclaim the Gospel throughout the world, but strove rather for a purely horizontal, social and political, humanization and unification of mankind by means of religious pluralism and syncretism.

Conservative preaching included such mundane topics as work, family life, and church programs; but they were treated in terms of utopian visions — getting rich, always being happy, finding the perfect church.7

Radicals are the permanently unsatisfied among us — nihilists of the Utopian vision, restless with the imperfections of humanity as we know it — who clamor for a future in which human beings will be different from what they are and the world transformed, for a world in which racism and evils like it will be purged from the species forever, and of course for the time when radicals like themselves will inherit the earth.

If one adopts a nihilistic perspective from the very start, this will avert the kind of disappointment that utopians experience when their visions inevitably fail to become fully actual in history.

It may be, however, that only the implementation of a utopian vision, a holistic reason that unites subjectivity and objectivity, will make human life in the 21st century worth living

I do not believe the vision expressed in Habits of the Heart is utopian; it is too locked into biblical and republican faith and has appeared too frequently and survives too promisingly to be forgotten.

In this case, idealism is not only evident in the belief that «good» values must guide politics, but also in the utopian vision of the level at which they are to be deployeIn this case, idealism is not only evident in the belief that «good» values must guide politics, but also in the utopian vision of the level at which they are to be deployein the belief that «good» values must guide politics, but also in the utopian vision of the level at which they are to be deployein the utopian vision of the level at which they are to be deployed.

But he pointedly referred to himself as a «sceptic» and backed those who question the «grand plans and utopian visions» of those in the EU.

In the utopian vision, sensors embedded in all kinds of everyday objects will continuously communicate with the clouIn the utopian vision, sensors embedded in all kinds of everyday objects will continuously communicate with the clouin all kinds of everyday objects will continuously communicate with the cloud.

«We were also thinking about our Spring / Summer 2018 collection, which was a utopian positive vision of multicultural Europe — we felt this collection needs to be more aggressive, in a way,» he adds.

That the film confronts these issues head - on, without the crutch of allegory, is rare in itself, but what makes Black Panther truly unique is that this «dystopian» present is juxtaposed with a (stunningly staged) utopian vision that is also wholly steeped in the black experience — in its history, iconography, and culture.

This vision is not merely a fictional utopian outlook; it is a future that is entirely achievable, a future in which water is recognized and managed as the fundamental resource that supports all aspects of sustainable development.

Artesius» background in financial services and education management organizations, combined with deeply rooted family ties in education, impacted his vision to create Utopian Academy for the Arts.

I do not feel his vision was utopian; it was a workable vision of community, not unlike many that have worked for white people throughout history, from the Puritans on... It also echoes some communal efforts of the abolition movement among others, and the Civil Rights movement, with Valentine, and Landers, in their speeches echoing Martin Luther King Jr. and the same debate over «gradual» or immediate progress.

Bodies and faces are reconfigured and mechanized with ironic flair in order to dismantle the utopian, technology - driven visions of modernity.

These works may employ disorienting illusions of depth and flatness, intensely affecting color, or synesthetic auditory and haptic stimuli to introduce new kinds of sensory experience that in some cases suggest a utopian vision of the future and in others embody critical or ambivalent attitudes towards contemporaneous reality — social, political, and technological.

In the projection's foreground, the «Fliegende Stadt» can be seen with its rotating towers, a transparent construction based upon Russian architect Georgi Krutikow's 1928 thesis, whose utopian vision was of a flying city, where people would live and work, returning to earth only for recreation.

Although grounded in science and observation, Saraceno's vision is expansive, including a strong sense of aesthetics and an openness to utopian solutions.

A room installation consisting of panels covering portions of the floor and walls and a three - dimensional recreation on the floor, the piece blends rigid geometric spaces with more sensual, patterned decoration, representing the family's attempts to reconcile the visual language of their native Morocco with the utopian modernist vision of Israel in the 1970s.

From expressionist beginnings to a pioneering model uniting art and technology, this London exhibition presents the Bauhaus» utopian vision to change society in the aftermath of the First World War.

The exhibit, which investigates experiments in utopian living through the colony, is abstractly based on Jane Byrd McCall Whitehead, the community's under - recognized matriarch and her relationship to nature, spirituality and the failed vision she had for herself and her family.

The spaces in the «Candy Lands» of her work relate to immigrant utopian visions of the American Dream.

Her charming large works on paper present idyllic images of interracial couples surrounded by birds in a utopian vision of a future where we «can all just get along».

Boasting dazzling colours, utopian visions and — of course — a dollop of elephant dung, the artist Chris Ofili's latest exhibition Night and Day is open at the New Museum in New York.

The two installations featured in the exhibition, Civitas Solis IV (2016) and Souterrain (2012/2016), also reference a futuristic vision imagined through utopian ideology and aesthetics.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

«A surreal tale of a glass ball lost in a magical world that both celebrates the utopian vision of the city and the role of glass within architecture and urban environments.»

Issues of racial identity, time and space, and a utopian future take shape in the twisted visions of some of today's most imaginative contemporary artists.

2015 Moving Image, a book in Whitechapel Gallery's «Documents of Contemporary Art» series, reprints an excerpt from «Cable TV's Failed Utopian Vision: An Interview with Dara Birnbaum» by Dara Birnbaum and Nicolás Guagnini from Cabinet no. 9

A series of collage paintings, Machine Music, present a utopian vision of a world in which heavy artillery has been converted into instruments of «sonic warfare», with soldiers fighting in the field with musical instruments as their weapons.

Deftly creating dynamic illusions of depth and space on a two - dimensional surface, Grotjhan makes reference to various points in the history of painting, from Renaissance linear perspective, to the utopian shapes and visions of early 20th century Russian Constructivism, to the hallucinatory images of 1960s Op Art.

The statement, taken in context, refers to Joseph Beuys» belief in the potential of art and creativity to enable the fruition of his utopian vision, a social organism as a work of art.

The title Pure Pretty Fever lends itself to the sweet pastel colors and his optimistic visions of utopian oasis and wild desert homesteads as well as the ecstatic nature of a vision's production, like hallucinations in a fever dream.

Although biomorphic forms had appeared in both painting and sculpture by 1913, it was only after the destruction of the utopian visions of Futurism, Cubism and Constructivism, by Stalinism, the Great Depression and Nazism, that Science was superceded by Nature as the prime inspiration for painters and sculptors alike.

Located in a former Bell Labs building on the lower West side, it was converted by Richard Meier with utopian visions of an artists community bettering the world.

The site the artist chose is significant with regard to his field research; different themes and areas of interest in Zink Yi's work intersect in the portrait of Havana: the utopian visions of social revolutionaries, the stark reality of socialism, the cults and rites of the Afro - Cuban population.

In Latin America, and particularly in the urban centers of Argentina, Brazil, Uruguay, and Venezuela, a geometric aesthetic was closely linked to postwar projects of national modernization and a utopian vision of rationalism, internationalism, and social progresIn Latin America, and particularly in the urban centers of Argentina, Brazil, Uruguay, and Venezuela, a geometric aesthetic was closely linked to postwar projects of national modernization and a utopian vision of rationalism, internationalism, and social progresin the urban centers of Argentina, Brazil, Uruguay, and Venezuela, a geometric aesthetic was closely linked to postwar projects of national modernization and a utopian vision of rationalism, internationalism, and social progress.