Sentences with phrase «valuable painting offered»

When Art Miami New York opens its doors on May 14, 2015, it will break the fair production company's record for most valuable painting offered at the Art Miami art fairs.

Not exact matches

This valuable guide offers top - notch instruction that will enable you to add oil painting expertise to your canvas.

With that in mind, I would say that the painting itself offers some very honest, authentic, and valuable opportunities for emotion and understanding.

By assembling many of Hammons's sculptures, prints, and paintings, the exhibition offers a valuable opportunity to complicate these received views.

You will enjoy the show Flesh at York Art Gallery because it offers a valuable insight into the ways artists have painted people, animals, and their bodies.

The offering makes it the most valuable painting in the history of Art Miami, according to the art fair.

Every Asian art auction at Skinner offers rare and valuable objects that are fresh to the market, including rare jade, fine calligraphy, ancient ceramics, huanghuali furniture, contemporary Chinese paintings, and Korean, Indian and Japanese decorative arts.

[40] In September: A History Painting by Gerhard Richter, Robert Storr situates Richter's 2005 painting September within a brand of anti-ideological thought that he finds throughout Richter's work, he considers how the ubiquitous photographic documentation of 11 September attacks affects the uniqueness of one's distinct remembrance of the events, and he offers a valuable comparison to Richter's 18 October 197Painting by Gerhard Richter, Robert Storr situates Richter's 2005 painting September within a brand of anti-ideological thought that he finds throughout Richter's work, he considers how the ubiquitous photographic documentation of 11 September attacks affects the uniqueness of one's distinct remembrance of the events, and he offers a valuable comparison to Richter's 18 October 197painting September within a brand of anti-ideological thought that he finds throughout Richter's work, he considers how the ubiquitous photographic documentation of 11 September attacks affects the uniqueness of one's distinct remembrance of the events, and he offers a valuable comparison to Richter's 18 October 1977 cycle.

September finds Storr in what feels like his natural, peripatetic element: He discusses his personal experience of the 2001 attacks on the Twin Towers; he situates Richter's 2005 painting September within a brand of anti-ideological thought that he finds throughout Richter's work; he considers how the ubiquitous photographic documentation of the September 11 attacks affects the uniqueness of one's distinct remembrance of the events; he offers a valuable comparison to Richter's «October 18, 1977» cycle.