Sentences with phrase «value creativity in»

Do analyze the culture of your priority employers and show more flair if you are targeting firms which value creativity in dress, such as companies in the fashion industry.

Students particularly welcome Mr. Fialkiewicz's efforts and value his creativity in developing activities to help them learn.

And that's something I find so incredibly connecting about people who value creativity in their lives - that no matter what the medium is - in many ways, the process of creating is the same.

Teachers, for instance, say they value creativity in their students but have been shown to actually prefer more docile and conventional pupils.

Not exact matches

By building a fresh, new brand in a struggling industry»» complete with individual seat - back TVs and tasty blue corn chips»» he showed start - ups everywhere the value of taking on entrenched players with creativity and style.

Only free time, imagination, creativity, and an ability to disappear will help you deliver value that nobody ever delivered before in the history of mankind.

Much like artists, entrepreneurs need to use creativity in valuing their startup businesses.

Women tend to be more open minded, in touch with the creative aspects of life and they see value in creativity.

Outsourcing for the creativity, production value and distribution you need to compete in the age of video makes sense now more than ever before.

When a Millennial looks around and sees his or her friends in environments where their creativity and ingenuity are valued and implemented and growth is possible, corporate stability and a competitive salary begin to lose their shine.»

We thought that process would crush our creativity and thought that our values were obvious to everyone in the company.

In a statement, Schneider said «My goal is to make American Apparel a better company, while staying true to its core values of quality and creativity and preserving its sweatshop - free, Made in USA manufacturing philosophy.&raquIn a statement, Schneider said «My goal is to make American Apparel a better company, while staying true to its core values of quality and creativity and preserving its sweatshop - free, Made in USA manufacturing philosophy.&raquin USA manufacturing philosophy.»

Those who are more committed tend to spend more of their total marketing budget on content marketing, place more value on creativity and craft in content creation, and have better processes for content production.

We also commend Michael Dell and Silver Lake for their vision and creativity in recognizing EMC's unrealized value and in creatively structuring the transaction.

They have created Prelude, a suite of educational tools that develops soft skills — imagination, intuition, hunch, affect and creativity — the value of which is beginning to be properly recognized in the education system and greater society.

< br / > < br / > Value Proposition in 3D < br / > < br / > The Cappasity platform provides tools < br / > for 3D content creators and distributors to monetize and share their creativity < br / > through a tokenized ecosystem.

which is his «particular providence for particular occasions» (PR 532); the» «superjective» nature of God is the character of the pragmatic value of his specific satisfaction qualifying the transcendent creativity in the various temporal instances» (PR 135).

I highly value creativity and imagination in our tinies, and Amanda helped me to see everything around us as opportunity for creativity.

Camus is confronted with a dilemma: he does not wish to baptize history because history has resulted in the reign of terror; he does want to advocate absolute values independent of time, for that would reconstitute the «old god» that negates human creativity.

The religious insight is the grasp of truth: that the order of the world, the value of the world in its whole and in its parts, the beauty of the world, the zest of life, and the mastery of evil, are all bound up together — not accidentally, but by reason of this truth: that the universe exhibits a creativity with infinite freedom, and a realm of forms with infinite possibilities; but that this creativity and these forms together are impotent to achieve actuality apart from the complete ideal harmony, which is God.61

These in - between examples, however they maintain themselves, are precisely those in whom Nature has found a way to maintain this tricky balance — where as Whitehead mused, Nature seeks a balance between the value of survival and the value of interest, between creativity and intensity.

Rather, it can mean that the world, in its creativity and intrinsic value, composes God's immediate experience, God's own true self.

(i) it has the character «given» for it by the past; (ii) it has the subjective character aimed at in its process of concrescence; (iii) it has the superjective character, which is the pragmatic value of its specific satisfaction qualifying the transcendent creativity.

There is still, however, the same threefold character: (i) The «primordial nature» of God is the concrescence of a unity of conceptual feelings... (ii) The «consequent nature» of God is the physical prehension by God of the actualities of the evolving universe... (iii) The «superjective» nature10 of God is the character of the pragmatic value of his specific satisfaction qualifying the transcendent creativity in the various temporal instances.

According to Artigas, it is the emergence of rational beings possessing the sort of creativity attested to by the natural sciences that gives this process of self «organization value, and hence allows it to be described in theological terms.

Another way of arriving at the same conclusion is to note that Whitehead explicitly identifies the superjective nature as «the pragmatic value of his specific satisfaction qualifying the transcendent creativity in the various temporal instances» (PR 135).

«The «superjective» nature of God is the character of the pragmatic value of his specific satisfaction qualifying the transcendent creativity in the various temporal instances» (PR 135).

This outer focus may result in the impoverishment of the inner life — the world of feelings, values, and inner creativity.

Nietzsche's influence may account in part for the dynamism of Buber's philosophy, for its concern with creativity and greatness, for its emphasis on the concrete and actual as opposed to the ideal and abstract, for its idea of the fruitfulness of conflict, and for its emphasis on the value of life impulses and wholeness of being as opposed to detached intellectuality.

Niebuhr held that Augustine's value for the Christian political thinker lay in the interpretation of human selfhood which enabled Augustine to «view the heights of human creativity and the depths of human destructiveness, which avoids the errors of moral sentimentality and cynicism, and their alternate corruptions of political systems of both secular and Christian thinkers.

How far this creativity can go in creating the human level in the case of any one individual depends partly upon his innate capacity but most of all upon two other features: (1) how wide and deep is the volume of history that reaches him, that is, how abundant and coherent are the values that have been accumulated in the history he inherits and (2) how deep is the communion he is able to have with other persons who embody these meanings accumulated through a long sequence of generations.

In contrast to the aesthetic order implicit in Kukai's view of nature and contemporary science and process thought, the «logical order» of mainline Christianity characterized by Ames assumes: (1) preassigned patterns of relatedness, a blueprint» wherein unity is prior to plurality, and plurality is a «fall» from unity; (2) values concrete particularity only to the degree it mirrors this preassigned pattern of relatedness; (3) reduces particulars to only those aspects needed to illustrate the given pattern, which necessarily entails moving away from concrete particulars toward the universal; (4) interprets nature as a closed system of predetermined specifications, and therefore reducible to quantitative description; (5) characterizes being as necessity, creativity as conformity, and novelty as defect; and (6) views «rightness» as the degree of conformity to preassigned patterns (NAT 116In contrast to the aesthetic order implicit in Kukai's view of nature and contemporary science and process thought, the «logical order» of mainline Christianity characterized by Ames assumes: (1) preassigned patterns of relatedness, a blueprint» wherein unity is prior to plurality, and plurality is a «fall» from unity; (2) values concrete particularity only to the degree it mirrors this preassigned pattern of relatedness; (3) reduces particulars to only those aspects needed to illustrate the given pattern, which necessarily entails moving away from concrete particulars toward the universal; (4) interprets nature as a closed system of predetermined specifications, and therefore reducible to quantitative description; (5) characterizes being as necessity, creativity as conformity, and novelty as defect; and (6) views «rightness» as the degree of conformity to preassigned patterns (NAT 116in Kukai's view of nature and contemporary science and process thought, the «logical order» of mainline Christianity characterized by Ames assumes: (1) preassigned patterns of relatedness, a blueprint» wherein unity is prior to plurality, and plurality is a «fall» from unity; (2) values concrete particularity only to the degree it mirrors this preassigned pattern of relatedness; (3) reduces particulars to only those aspects needed to illustrate the given pattern, which necessarily entails moving away from concrete particulars toward the universal; (4) interprets nature as a closed system of predetermined specifications, and therefore reducible to quantitative description; (5) characterizes being as necessity, creativity as conformity, and novelty as defect; and (6) views «rightness» as the degree of conformity to preassigned patterns (NAT 116).

Theology still participates in a subtle devaluation of the nonhuman cosmos as deficient of that value, namely creativity, that is so highly esteemed in existentialism and humanistic social science.

Yet, for process thinkers, an important value, the virtue of creativity, is the zest for novelty and adventure — characteristics of life itself, particularly in the more complex forms, such as animals with central nervous systems.

Process theology is, I think, misguided in allowing a preference for creativity to lose the values in creatio ex nihilo.

But in this case I believe that Whitehead is correct in stressing the need for endurance as well as novelty, order as well as spontaneity, partial determination from the past together with free creativity in the present, as essential for value - intensity.

For the perfected actuality passes back into the temporal world, and qualifies this world so that each temporal actuality includes it as an immediate fact of relevant experience» (351) 3 Some interpreters refer also to Whitehead's reference to the «superjective nature» of God in Process and Reality: «The «superjective» nature of God is the character of the pragmatic value of his specific satisfaction qualifying the transcendent creativity in the various temporal instances» (88).4 In this case, however, the actual warrant lies again on page 351, as it is under the light of that particular passage that the «superjective character» on page 88 is interpreted as a reference to the objectification of the consequent naturin Process and Reality: «The «superjective» nature of God is the character of the pragmatic value of his specific satisfaction qualifying the transcendent creativity in the various temporal instances» (88).4 In this case, however, the actual warrant lies again on page 351, as it is under the light of that particular passage that the «superjective character» on page 88 is interpreted as a reference to the objectification of the consequent naturin the various temporal instances» (88).4 In this case, however, the actual warrant lies again on page 351, as it is under the light of that particular passage that the «superjective character» on page 88 is interpreted as a reference to the objectification of the consequent naturIn this case, however, the actual warrant lies again on page 351, as it is under the light of that particular passage that the «superjective character» on page 88 is interpreted as a reference to the objectification of the consequent nature.

In thus aiming not only at the creation of value but at its endurance, morality avoids becoming the rather self - indulgent experience of (merely) immediate, fleeting creativity, however genuine at that moment.

So we reach the conclusion that discord of interests is a value because it is the sole condition which satisfies one of the inalienable interests of human nature, namely, the interest in creativity.

Early in his career, Wieman was interested in creativity, or the source of supreme value, as a cosmic process.

In this and the next three chapters the major emphasis will be on the value of creativity.

It remains an often brilliant exploration of the ways in which Western humanity has succeeded in creating a world in which all values have become subordinate to the demands of the human will, and in which knowledge and human creativity have become almost entirely confused, conceptually and practically, with the exercise of instrumental reason's mastery over all of reality.

If your values cause you to invest too much of yourself in work, duty, and responsibility, you probably need to achieve a better balance by giving creativity and play higher priorities in your life.

There are of course, no rules for creativity; but it has been pointed out that analogies, models and metaphors are common in the search for new kinds of connection and new ways of looking at phenomena.8 Campbell suggests that models also provide a distinctive form of intellectual satisfaction which the scientist values.9

With great taste as a core value and creativity a guiding inspiration, La Tortilla Factory set in motion a national shift in eating habits early on by creating healthier, better tasting premium products.

While it's difficult to see Willian commanding a place at Arsenal or Manchester City, where creativity is valued more than discipline, he's the right type of player for a functional role in a Mourinho side.

I now devote a whole day of discussion to talking about what kinds of employees «bosses» value and how students can begin to practice those traits — collaboration, critical thinking, creativity, problem - solving — in school.

In fact, cultural diversity in the US has led to variations in names and naming traditions, with names being used to express creativity, personality, cultural identity, and valueIn fact, cultural diversity in the US has led to variations in names and naming traditions, with names being used to express creativity, personality, cultural identity, and valuein the US has led to variations in names and naming traditions, with names being used to express creativity, personality, cultural identity, and valuein names and naming traditions, with names being used to express creativity, personality, cultural identity, and values.

His work led to a change in how parents view the value of nurturing — encouraging them to cultivate connection with their children, excite their child's interests, and value creativity and curiosity.

In a glowing endorsement, the former Labour leader praised Mr Khan's «tireless energy, his creativity, his strong Labour values and his practical ability to get things done.»