Sentences with phrase «van den»

The famous Belgian painter Koen van den Broek is having his third solo exhibition in New York, and it's an important one.

Born 1981 in Zaandam, the Netherlands, Harm van den Dorpel studied at Interaction Design at Gerrit Rietveld Academy and Artificial Intelligence at Vrije Universiteit in Amsterdam.

Some of the names featured include, among others, Hito Steyerl, Ilja Karilampi, Jon Rafman, Amalia Ulman, Hannah Perry, and Harm van den Dorpel.

Bartha Contemporary & Joost van den Bergh are presenting a joint exhibition of Tantric drawings and objects juxtaposed with recent works by contemporary artists Jill Baroff, Rudolf de Crignis, Stefana McClre, Mike Meiré, Winston Roeth, Kate Shepherd, Phil Sims, Hadi Tabatabai and Beat Zoderer.

From the 23th of November, Harm van den Dorpel will show his work in the solo exhibition Asking for a friend at Narrative Projects.

Tabor Robak is one of the artists in a group show curated by Samuel Leuenberger called Constructed Culture sounds like Conculture in Dublin, Harm van den Dorpel has another solo show in Berlin, Caroline Ongaro is curating Exquisite Collapse and Finnish performance group Vibes is presenting a site - specific installation at Helsinki's SIC.

Jesse Darling «s materialisation of software's influence as owner and objectifier in Photoshop 1 (Healing Brush, Clone Stamp, Paint Bucket)(2013) confuses the point where the body ends and the image begins, while Harm van den Dorpel «s «Untitled assemblage (selfie)» (2013) mimics the cyclical nature of identity creation and curation within its sphere of digital prints on perspex while still dangling within, and being dwarfed by the concrete structures surrounding it.

What is not but could be if, is a group show by four artists; Charlie Billingham, Leah Lovett, Melis van den Berg and Adam Parkinson, working in various disciplines from video and new media to painting, live art and sculpture.

With «IOU», Harm van den Dorpel is asking us to believe in ghosts.

... Macbeth's nihilistic roar seemed to crackle in the background of Harm van den Dorpel's exhibition «IOU» at London's Narrative Projects.

narrative projects is pleased to present Asking for a friend by Harm van den Dorpel.

ICA Associates: PAN present Aleksandra Domanović & M.E.S.H., Ville Haimala & Jenna Sutela, Harm van den Dorpel and HELM x Embassy for the Displaced.Since 2008, multi-disciplinary label PAN has been building a network of international artists with an emphasis on adaption to the rapidly changing cultural and material conditions of contemporary musicians and sound artists today.

In these newly commissioned works for narrative projects, van den Dorpel conducts something like a séance: bringing the past into the present; making visible the invisible.

Permanently researching, reflecting, experimenting and creating, the trio's first collective exhibition, I Put It There, You Name It, took pace in 2012 at their Dubai gallery, Isabelle van den Eynde, and they have since gone on to stage shows around the world.

The show consists of works van den Dorpel made by staining thermo - sensitive paper using an open flame.

4 «Koen van den Broek: The Light We Live In» at Albertz Benda, 515 West 26th Street, through April 9.

For the first edition of UNTITLED art fair in San Francisco narrative projects joins forces with Kristin Hjellegjerde Gallery and presents curated booth with new works by Harm van den Dorpel (b. 1981), Jeremy Everett (b. 1979), Carlos Noronha Feio (b. 1981) and Martine Poppe (b. 1988).

Hassan Sharif included in the exhibition White Cube... Literally: On form and convention of display curated by Amanda Abi Khalil, at Gallery Isabelle van den Eynde, Dubai.

Hassan Sharif included in the exhibition Good Printing curated by Yasmina Reggad at Gallery Isabelle van den Eynde, Dubai.

Galerie Mot & van den Boogaard, Brussels, Belgium.

Craig van den Bosch «Nano Systems» First Thursday Art Walk, July 2nd Opening Reception, 5:00 — 9:00 p.m. Inspired through observation of the interdependence and connective qualities that weave through culture, -LSB-...]

Unknowingly, Craig van den Bosch came up with the title for the well - received and current Shift show of members paired with invited artists.

I. Kleijn, P. van den Bosch and F. Cohen, eds., Peter Doig: Charley's Space, exh.

Participating artists: Dawn Endean, Stephanie Hargrave, Cynthia Hibbard, Karen Klee - Atlin, Anna Macrae, Colleen Maloney, Joseph Pentheroudakis, David Traylor, Jodi Waltier, and Craig van den Bosch

Courtesy of Gallery Isabelle van den Eynde and the artist.

Encompassing Antiquities, Gothic, Renaissance, Baroque, Paintings from the 18th, 19th and 20th centuries, as well as sculpture, the collection features numerous artists from the Low Countries (Flanders, Belgium and the Netherlands) and Northern France including: Van Dyck, Jordaens, Rembrandt, Jean - Baptiste Chardin, Dirk Bouts, Barthel Bruyn, Joos van Cleve, Jacob Cornelisz van Amsterdam, Jean Bellegambe, Jan Sanders van Hemessen, Pieter Boel, Pieter van Avont, Jan Boeckorst, Thomas Willeboirts Bosschaert, Theodor Boeyermans, Philippe de Champaigne, Jan Cossiers, Gaspard de Crayer, Pieter Lastman, Johann Liss, Jeremias Mittendorff, Jacques Stella, Theodoor van Thulden, Simon de Vos, Arnould de Vuez, Emanuel de Witte, Gerbrand van den Eeckhout, Amaury Duval, Alfred Agache, Louis Leopold Boilly, and Alphonse Colas.

Meta Memory: Digital Facsimile Retrospection Decontextualized Craig van den Bosch July 6th - July 29th, 2017 Opening: First Thursday, July 6th, 5:00 — 9:00 pm Gallery Hours: Fridays & Saturdays, Noon ---LSB-...]

Harm van den Dorpel was born in Zaandam, the Netherlands, in 1981.

Using a series of compositions that feature delicate, hand - rendered geometries, Haleh Redjaian's second solo show at Gallery Isabelle van den Eynde sees the artist venture off - grid to explore the inner spaces of her daydreams, charting the contours of her memories and the traces these create.

Co-commissioned by Delfina Foundation and Shubbak with the support of British Council, Video Data Bank, and Gallery Isabelle van den Eynde.

The show opens with a row of portraits from 1980 of Hoffmann, looking radiant and determined, by Andy Warhol, and then jumps back to the beginning, when she was picking up the work of the Belgian avant - garde, whose participants are seen infrequently stateside, like Floris Jespers and Frits van den Berghe, whose punchily colored works here from the 1920s — respectively, a dandyish scene in a cafe with burning red walls and a terrifyingly gigantic floating above a rainbow — look curiously on point with what so many of today's mischievous young figurative painters are up to today.

My name is Patricia van den Akker, the Director of The Design Trust, an online business school for designers and makers based in London.

Patricia van den Akker is Director of The Design Trust, an online business school for designers and makers based in London.

2007Boogerd, Dominic van den, The father, the son and the revolution.

Man Ray at Gagosian Beverly Hills, by Jonathan Griffin Tomma Abts at Galerie Buchholz, Berlin, by Mark Prince Tino Sehgal at Tretyakov Gallery and Schusev State Museum of Architecture, Moscow, by Oliver Basciano Sophie Calle at Musée de la Chasse et de la Nature, Paris, by Violaine Boutet de Monvel How It's Made at Carl Kostyál, Stockholm, by Stefanie Hessler The Electric Comma at V - A-C Foundation, Venice, by Barbara Casavecchia Ajay Kurian at Sies & Höke, Düssedorf, by Moritz Scheper Evelyn Taocheng Wang at Galerie Fons Welters, Amsterdam, by Dominic van den Boogerd Otobong Nkanga at Temple Bar Gallery, Dublin, by Luke Clancy Gaylen Gerber at Galerie Emanuel Layr, Rome, by Mike Watson Yan Pei - Ming at Massimo De Carlo, London, by Matthew McLean Larry Achiampong at Copperfield Gallery, London, by Richard Hylton Aaron Angell at Gallery of Modern Art, Glasgow, by James Clegg Rachel Whiteread at Tate Britain, London, by Louise Darblay Andreas Gursky at Hayward Gallery, London, by Fi Churchman The Land We Live In — The Land We Left Behind at Hauser & Wirth, Somerset, by Gabriel Coxhead Kathleen White at Marton Gallery, New York, by Cat Kron Liz Magor at Andrew Kreps Gallery, New York, by Sam Korman Dreams of Solentiname at 80WSE, New York, by Jeppe Ugelvig Survival Research Laboratories at Marlborough Contemporary, New York, by Aaron Horst John Bock at The Contemporary Austin, by Caroline Elbaor

Painter Koen van den Broek, with new work in New York and at the Flanders Opera (Translation from Dutch)

Laure Prouvost at Witte de With Center for Contemporary Art, Rotterdam, by Dominic van den Boogerd

Paula van den Bosch is Curator of Contemporary Art at Bonnefantenmuseum, Maastricht, where she organized a major retrospective of Roman Signer's work in 2000.

Disappearing Into One is collectively curated by Sasha Burkhanova, Louise Chignac, Karina Dar Juan, Iben Elmstrøm, Stephanie Neoh, Helena Palomero Gorrindo, Emily Purser, Ravian van den Hil, Lucy Rollins and Jiaxue Zhang.

In the Interview, Paula van den Bosch speaks to the artist about the origins of his interest in art and explosives.

Changalvaee's work has been featured in several solo and group exhibition including, «You Can not The Same River Twice» (2016), O Gallery, Tehran, Iran; «Ksi, Ein and An, A love Story» (2015), VSC Gallery, SVA (School of Visual Arts), New York, USA; «Future Remnants of a Missing Word» (2016), Meyohas Gallery, New York, USA; «SH * T SHOW: Seattle - Havana - Tehran Poster Show» (2016), Centro Hispanoamericano de Cultura, Havana, Cuba; «Video Snack 5» (2015), Vox Populi Gallery, Philadelphia, PA; «Video Mixer» (2015), GreenHall Gallery, Yale School of Art, New Haven, USA; «Recalling the Future: Post Revolutionary Iranian Arts» (2014), Brunei Gallery, SOAS, London; «Right - to - Left» (2012), Bethanian Art Center, Berlin; «What Lies Beneath» (2012), Isabelle van den Eynde Gallery, Dubai.

This exhibition features over ninety drawings by many of the preeminent artists of the Dutch Golden Age — among them Rembrandt van Rijn and his followers Ferdinand Bol and Gerbrand van den Eeckhout; Abraham Bloemaert; Aelbert Cuyp; and Jan van Goyen — who were active primarily in their native Holland and who brought their extraordinary talents to bear on such quintessentially Dutch subjects as landscapes and marine views, pastoral and genre scenes, still life, and portraiture.

The article «Een genealogie van generatieve kunst» (in Dutch) by Bas Hendrikx discusses the way computer - driven work has evolved over the past decades, mentioning the work of Harm van den Dorpel.

What is not but could be if, is a group show by four artists; Charlie Billingham, Leah Lovett, Melis van den Berg and Adam -LSB-...]

We are pleased to announce the following names of artists, conservators, researchers and curators who will contribute to the symposium: Karen Archey (Stedelijk Museum Amsterdam), Josephine Bosma, Ives Bernard (IMAL), Serena Cangiano (SUPSI), Louise Cone (National Gallery of Denmark), Annet Dekker (University of Amsterdam), Harm van den Dorpel (Artist), Constant Dullaart (Artist), Patrícia Falcão (Tate Modern), Paulien «t Hoen (SBMK), Aurora Loerakker (Van Abbemuseum), Geert Lovink (INC), Aymeric Mansoux (Artist), Rachel Somers Miles (LIMA), Arthur van Mourik (Centraal Museum), Geert Mul (Artist), Martine Neddam (Artist), Marcel Ras (NDE), Joost Rekveld (Artist), Morgane Stricot (ZKM), Sylvia van Schaik (RCE), Mila van der Weide (LIMA), Gaby Wijers (LIMA), and more.

After nearly twenty years Gibbs Farm includes major works by Graham Bennett, Chris Booth, Daniel Buren, Bill Culbert, Neil Dawson, Marijke de Goey, Andy Goldsworthy, Ralph Hotere, Anish Kapoor, Sol LeWitt, Len Lye, Russell Moses, Peter Nicholls, Eric Orr, Tony Oursler, George Rickey, Peter Roche, Richard Serra, Kenneth Snelson, Richard Thompson, Leon van den Eijkel and Zhan Wang.

The work Eponymous Seedling (2018) by Harm van den Dorpel, that was on show in his solo exhibition Pattern and Presence at Upstream Gallery was chosen for the cover of the issue.

The opening of this exhibition coincides with the publication by the Renaissance Society of Varda Caivano: The Density of the Actions, with contributions by Solveig Øvstebø, Barry Schwabsky, Peter St John, Paula van den Bosch and Terry R. Myers.

He also plans exhibitions with the Belgian painter Koen van den Broek and the video artist Adam Chodzko.

For G2 # 2 the permanent exhibition will be further complemented by a selection of artworks by Terry Haggerty, Tomás Saraceno, Julia Schmidt and Koen van den Broek.