Sentences with phrase «varied approach to paint»

Representing distinct and varied approaches to painting from abstraction to realism, these artists» works will be set in counterpoint to modernist paintings chosen by Dunham from the Addison's permanent collection.

I vary my approach to painting and don't think too much about how I'm going to paint something.

Not exact matches

You don't need to know this — from room to room it's very evident, you can see it with your own eyes in the varied ideas and artistic approaches: Roy deCarava's intoxicating photographs of Malcolm X and Ornette Coleman, or David Hammons's response to Black Panther founder Bobby Seale's trial in 1970, abstract expressionist paintings by William T.Williams and Frank Bowling, or Faith Ringgold's amplified vision of what she witnessed in New York, inspired by Guernica,

The artists may vary in style, subject matter, temperament, and conceptual framework, but they are unified by their no - nonsense approach to painting.

Doig's unlikely palette and varied approach to the material of paint mediate literal sources into scenes evocative of dreams or recollections.

Eschewing dramatic changes in her approach to painting as much as dramatic conflict within any particular work, Martin depends for her surprises on the degree to which the effects of her paintings can vary within severe limits.

«The artists may vary in style, subject matter, temperament, and conceptual framework, but they are unified by their no - nonsense approach to painting,» Carroll writes in his statement for the show.

An uncommon palette and a varied approach to the material and surface of paint transform his literal sources into scenes that evoke dreams or recollections.

The show explores the evolution of his work from the 1940s to the 1980s through 18 paintings that reveal varying approaches to colour and texture, from the stormy - hued Blue Image (1950) to the wide expanse of White Silence (1974), patterned like shagreen.

Created between 2012 and 2018, the works on display explore the varied approaches towards painting Tyson employs, from conceptual to mythological to formalist and beyond, and how these methodologies are united in the final result of paint on a canvas.

We pass from room to room: first, Me, Jesus and the Children, a monumental trompe l'oeil spray painting of Dan's chest, a Jesus piece, and cartoon cherub psychopomps who crash the viewer into its solid plastic face; then, Whatever, a 5» x 6» scene extracted from Pinocchio, where an extinguished candle lights a room; two walls of Confetti, the Moments Like These Never Last series, as varied in aura as they are in approach and technique; four walls of indomitable Trash paintings; four more of his Miracle works, oil medium and raw pigment powder conjurations so boundless they literally escape their backings.