Sentences with phrase «varied spaces and lighting»

Interiors are fleshed out with destructible furniture and varied spaces and lighting.

Not exact matches

The key to making a subterranean space — a basement, really — not seem like a dungeon is to vary the lighting, from overhead lights to sconces and lamps, and keep it in soft yellow - white tones.

By varying the length and orientation of the rods, the researchers were able to record data based on the three dimensions of space, plus polarization (the orientation of light waves) and color.

Four styles of varying size have all the space you need to make it through an overnight or a long weekend, and if you're a light packer (or the weather is warm) you may even be able to fit a week's worth.

Quick Look: Cage Width: Varies Cage Depth: Varies Cage Height: Varies Bin Material: Clear Plastic Screen Material: Typically galvanized metal hardware cloth Included Accessories: None Cubic Feet: Varies Suitable Housing For: 1 Syrian Hamster Average Price: $ 20 - $ 40 New Pros: Light weight, easy to clean and move, can provide lots more floor space than traditional hamster cages Cons: Cost of building can be high if you have no tools on hand already, expect 1 - 3 hours for assembly depending on design

Guest accommodation; Singles and Twins, varies in style and space, interiors of light bright tones, patterned drapes and fabrics of summer colours, comfortable wood furnishings on cool tiled flooring and modern amenities for your convenience; features include a private balcony, en suite bathroom with shower, TV with deposit for remote, desk and chair, safe box (free of charge), wifi (free of charge) and folding beds are available (subject to availability).

From here visitors move through the three gallery spaces each with a skylight — or lantern — oriented to varying positions that temper and filter the harsh San Antonio light.

Real space interacts with illusionistic space in Conversation, If and Yellow Light, all of which are built of two or more panels of varying reliefs.

The exhibition allies a range of highly varied works; Reza Aramesh's critical reconfiguration of postures of oppression taken from the documentary photographic record of the late 20th century within the context of high - cultural legacy of the Enlightenment, Jake & Dinos Chapman's attack of those same Enlightenment spawned delusions of cultural progress, Desiree Dolron's exquisite, dense, almost painterly rendering of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration of Eternal Love, Wayne Horse's lighter - lit display of sub-cultural, cul - de-sacs articulated in a trash aesthetic, Dawn Mellor's radical portraits of female film stars, re-contextualized from the objectifying gaze of cinematic light into the critical, imaginative space afforded by painting, Gino Saccone's loose but formal play of material, surface and light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path from ambient light into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting pattern in shadow and light.

Their «New Sculpture» pushed beyond Minimalism and called all previous conceptions of the art form into question by employing unusual materials that had never before been used.Throughout his career, Sonnier has experimented with materials as varied as latex, satin, bamboo, found objects, satellite transmitters, and video.In 1968, the artist began working with neon, which quickly became a defining element of his work.The linear quality of neon allows Sonnier to draw in space with light and color, while the diffuseness of the light enables his work to interact on various architectural planes.Sonnier's architectural neon installations in public spaces have earned him wide acclaim in an international context.

Hung at varying heights and oriented in varying directions, they are illuminated from three sides, reflecting light in all directions, while otherworldly sound fills the space.

Our new state - of - the - art building features a beautifully crafted oak reading room; a light and airy reception office; six climate controlled rooms designed to safely house the extensive and varied archive collections; and a further project space for the digitising, re-housing and conservation of materials.

This exhibition showcases the artist's varied and innovative practice through a focused presentation of rarely displayed works, including small - scale sculptures, collages, drawings, and artist books that shed new light on Chillida's enduring fascination with space and organic form.

Artists» approaches vary; from the subtle as found in Alan Saret's ethereal wire clusters or Fred Sandback's floor - to - ceiling extension of acrylic yarn, which delineates the gallery's corner as the sculptural object; to the large - scale, as in Spencer Finch's installation in the front gallery that re-creates the quality of light of a candle - lit interior and Ricci Albenda's video portal into an imagined architectural space.

Fill your space with all types of candle styles from tapers to votives in varied heights and sizes and you will turn it into a magical domain when they are all lit.