Sentences with phrase «variety of abstract artists»

The exhibition investigates a variety of abstract artists whose work embodies the feminist perspective in late twentieth - century modernism.

On view at the Guggenheim Museum in New York, is a unique exhibition of abstract works taken from the museum's 20th century collection, intended to show the trends present between the years of 1919 and 1939, during which time a variety of abstract artists flourished, pioneering new techniques and creative philosophies across the mediums of painting, sculpture and drawing.

The exhibition investigates a variety of abstract artists whose work embodies the feminist perspective in late twentieth - century...

Not exact matches

Students engaged with it really well, partly due to the variety of artists that I presented to them but also due to the potential for an abstract approach to the project.

portrait artist with a love of experimenting in abstract with a variety of printing methods in a variety of materials

There's a deep, wide variety of great female abstract artists across the region right now.

Experiment with a fun process to find and define shapes, then create abstract compositions in a variety of materials with guest artist...

Bradford (b. 1961)-- a Los Angeles — based artist and MacArthur Foundation «genius» award recipient — works in a variety of media but is best known for his often enormously scaled collages on canvas, which are akin to abstract paintings.

Some of the earliest works by Christo and Jeanne - Claude were «wrappings» in which the artists wrapped a variety of objects in tightly bound fabric, creating abstract sculptures out of everyday items.

Like the artists in the exhibition, these filmmakers use a variety of means to create their visually rich and dynamic abstract imagery.

The League continues to attract a wide variety of young artists; and the focus on art made by hand, both figurative and abstract, remains strong; its continued significance has largely been in the continuation of its original mission - to give access to art classes and studio access to all comers, regardless of their financial ability or technical background.

Don Voisine, Poised, 2007 Oil on wood, 20 x 20 inches January 10 — February 9, 2008 Geometric Abstraction examines the variety and multiplicity of sources and expression in the work of six artists, all working with abstract geometric forms: Chris Gallagher, Kim MacConnel, Shari Mendelson, Ann Pibal, Jennifer Riley & Don Voisine.

Art in a variety of media and styles — from abstract and representational painting to wood, glass, metal and ceramic — is displayed and sold by artists directly from their working studios.

On the surface, the exhibition features abstracted visuals of many kinds by a variety of artists.

Bonnie Maygarden's almost photographic abstract texture is painted with enamel on leather, while Ashley Teamer's painting shows a young artist approaching abstract space using a variety of methods: Paint is poured, dripped, brushed and spread with a palette knife.

In a similar gesture, Dolphin has invited the musician Jad Fair to compose a song about him based on a brief description and a variety of musicians responding to abstract instructions given by the artist which acts as a soundtrack to the exhibition; Richard Skelton, David Grubbs, FM Einhert, Dean McPhee and Santa Sprees.

Playing with scale, color and the inherent light - heartedness of balloons, the selected artists produce a wide variety of sculptural forms from Lewis deSoto's sleeping Buddha to Claire Ashley's colorful abstract shapes.

# 8, 1970 Screenprint 20» x 16» Edition 58 of 200 Framed Courtesy of Ruth & Jack Solomon George Nama (American, b. 1939) is a New York artist who specializes in expressive abstracted figures, rendered in a variety of media.

In Hybrid Neutral, Tricia Collins and Richard Milazzo endeavor to explore this conflict between social abstract art through a compilation of new works by a variety of artists and an essay by Gary, Indiana

Assaf Evron (b. 1977) is a Chicago - based artist whose work investigates the dialectic between the abstract and the figurative in a variety of media.

Not bound by convention or definitions, the gallery presents innovative artists working in a broad variety of mediums whose works are largely characterised by a strong graphic and abstract visual language.

orking in a variety of media, these artists share a notably sparse aesthetic and abstract vocabulary, playfully challenge the hierarchies of traditional art materials and processes, and deftly marry formalism with the personal and political.

Working in a variety of media, these artists share a notably sparse aesthetic and abstract vocabulary, playfully challenge the hierarchies of traditional art materials and processes, and deftly marry formalism with the personal and political.

From landscapes to fragments of a scene, from human or animal subjects to something more abstract, the works open a dialog between artist and audience on a variety of levels.

According to Kim,» [Mehretu] represents a younger generation of artists of color who came into prominence in the 21st century for pushing boundaries of abstract painting, by using a diverse variety of imagery and discourses around geopolitics, socioeconomics, the history of past civilizations, mark - making and art history.»

The artist experiments with a variety of geometrical shapes and neon colors which differ from the softer and more blended tones used by many abstract expressionist artists.

Later called The New York School, abstract expressionism involved a variety of artistic techniques and characteristics, where artists were primarily interconnected by a desire to convey intense interior emotion through abstraction.

Well displayed, and spanning a wide variety of media and styles, from abstract sculpture to hyperrealistic figuration, light installations to watercolor sunsets, this year is no different, with thirty - seven artists selected from two hundred nominations, displaying over one hundred works spread across the Academy's campus.

DENK Gallery is pleased to announce 80/50 Quiet Storm, a group exhibition of abstract works by 12 individual artists working across a variety of mediums in two... Read more...

«Pathways and Parallels» presents the Abstract Expressionist ethos by turning to its origins and sources to reveal the variety of ways in which artists adopted an abstract language to express their relationship to the outside world, to the artistic past, and often to their own inner psyches.

Romare Bearden, often referred to as the nation's foremost collagist, was a prolific and innovative artist whose work referenced a variety of artistic heritages — from Mexican muralists and cubist modernism to abstract expressionism, Chinese calligraphy and Eastern philosophy, and African art — and contained many cultural references: music (especially jazz), southern and urban culture, African and Greek art, family, religion, and politics.

In works such as Almost a Bride (2015), the figurative element is grouped with a variety of abstract marks of pure gesture; one gets the sense of an artist who eschews the vocabulary of pre-existing forms, instead putting a premium on visceral connection.

Yet shortly after abstract painting developed, artists and writers began to challenge the continued meaning and relevance of painting of any variety and of art altogether.

Just when abstraction started to match the complexity and variety of the content in the best figurative painting abstract artists turned away, seemingly needing to embrace something new, leading to all sorts of varieties of minimalism («hollowing out?»).

The artists have turned out a wide variety of exceptional work for the past five years, ranging from architectural sculptures to sensitive portraits and lively abstract painting.