The variety of artistic approaches to the human presence included in Knock, Knock!
The goal of the exhibition is to present
a variety of artistic approaches that communicate an ecosystem of ideas that can demonstrate the necessity of change to patriarchal society.
The exhibition illustrates how the collaborative nature of printmaking may be a catalyst for creativity, and presents
a variety of artistic approaches from traditional printmaking techniques to more experimental practices.
The huge range of practices on display demonstrates
the variety of artistic approaches being developed across the world.
All were unique and distinctly reflecting the wide
variety of artistic approaches of the 21stcentury from paintings on canvas & board (Kawaguchi, Sudran, & Dorsey) to the mixed media work of Mielenhausen & Dworin, the installation by Kubo that filled gallery walls, to the photographs of Moody, Smith and Gaynor and the colored pencil drawings of Borkow.
Not exact matches
The exhibition showcases a
variety of approaches and
artistic processes, mapping a short yet historically important period, when new universal principles to engineer the future were found at the intersection
of different art forms and disciplines, including metaphysics, science fiction writing, music, and poetry.
LAND supports dynamic and unconventional
artistic practices using a tripartite
approach: Commissioning public projects
of site - and situation - specific works with national and international contemporary artists Collaborating with a
variety of institutions and organizations, such as universities, museums, and theaters as well as other types
of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types
of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists
Michelle Grabner's multiple roles — as artist, professor, curator, and critic — enable her to
approach her
artistic practice in a
variety of ways.
The exhibition explores the ways in which artists working in floral still life incorporated and responded to evolutions in
approaches to both the arts and sciences, and provides a sense
of discovery in the
variety of artistic purposes and achievements in this genre.
The exhibition investigates this area
of artistic practice by considering a
variety of linguistic, conceptual, and sculptural
approaches that artists have employed for scoring action.
Drawing from a
variety of genres, styles and «nostalgic» historical imagery, McKenzie plays with the armature
of how an artist is produced, affirming her rebellious
approach to
artistic self - representation.
I was awed and occasionally humbled by the
variety of approaches, the themes developed in the work, and the many
artistic expressions represented.
The Works presents a
variety of Chicagoan
approaches to this discourse: Marissa Lee Benedict & David Rueter, Theaster Gates, and Dan Peterman contextualize their multidisciplinary practices within a wider scope
of research and activism, reflecting first and foremost on
artistic production as a vehicle for ecological and social reflection.
Through my work as an independent curator, at the Liverpool Biennial in the United Kingdom and subsequently as the director and later co-curator
of the Werkleitz Biennale, I was able to explore different
approaches to
artistic and cultural production and also to analyze curatorial and institutional models under a
variety of cultural, social and economic conditions.
Her
artistic approach is characterized by a high degree
of innovation and her love
of experimentation, and her work reflects this in its
variety.
His art comes across as a wonderful victorian music hall
variety act — taking on all manner
of artistic approaches whether film, installation, text narratives, performance, painting, musical composition, there is endless invention to his work and to the manifest personas that he takes on when he makes his work.
Ch» i Contemporary Fine Art Brooklyn - New York February 12 - March 9, 2009 By Ernesto Menéndez - Conde «Ingenious Methodology» - the collective show inaugurated last February 12 at the Ch» i Contemporary Gallery in Brooklyn, New York City - gathers a group
of artists who are working with a wide
variety of subjects and are interested in different
approaches to
artistic creation.
The Arts Commission seeks visual artists working in a
variety of media and
artistic approaches to include in the 2018 Bayview Artist Registry.
Through a wide
variety of artistic practices and artists (from Claude Cahun to LaToya Ruby Frazier, from Gilbert & George to Cindy Sherman, and from Alighiero Boetti to Maurizio Cattelan) coming from different cultures and backgrounds, generations and experiences, it reflects on the contrast between different
approaches: melancholy and vanity, ironic games played with identity and political autobiography, existential rumination and the body as sculpture, effigy or fragment, and its symbolical representation.