I also attribute part of this to having
a variety of subplots that come into play.
From here, «Black Nativity» uses Langston as a focal point for
a variety of subplots and characters.
Not exact matches
Had the film played the interesting premise it proposes from its start, it could have made for a solid Shyamalan thriller; instead it unsatisfactorily raises a
variety of issues and
subplots (young romance, the journey).
A
subplot about Handy and President Cole running against each other in some contrived mayoral race that showcases every
variety of quirky senior citizen (the nudist, the potty - mouthed old biddy usually played by Betty White, the sassy ethnic earth mama, usually Asian or black) doesn't go anywhere and just makes an already laboured piece seem interminable.
Throw in a handful
of other
subplots of varying quality, and nobody will accuse «True Blood»
of skimping on narrative threads or action, even if some
of it is
of the fang - gnashing
variety and risks choking on its own excess.