Sentences with phrase «various exhibitions each year»

Not exact matches

Boeheim, who is in his 37th year as head coach at Syracuse, tinkered with various forms of zone and man - to - man defense for most of his career, but says that he fully committed to the 2 — 3 after a humiliating 82 — 79 exhibition loss to Division II Le Moyne, which is also located in Syracuse, in November 2009.
But we hope to offer some courses in the gallery space in the future, as well as various exhibitions throughout the year.
Throughout the year there are various aviation events and exhibitions held to suit all enthusiasts and with various displays you will be sure to have a great time at the Museum getting to know each other a little better.
Year on year we grow as an organisation as our events establish themselves as market leaders in their various sectors., Our well - run and well - attended exhibitions range from The Business Show - which attracts over 25,000 businesses - to sector - specific events such as Legalex, Restaurant Tech Live and Elite Sports Expo to name just a Year on year we grow as an organisation as our events establish themselves as market leaders in their various sectors., Our well - run and well - attended exhibitions range from The Business Show - which attracts over 25,000 businesses - to sector - specific events such as Legalex, Restaurant Tech Live and Elite Sports Expo to name just a year we grow as an organisation as our events establish themselves as market leaders in their various sectors., Our well - run and well - attended exhibitions range from The Business Show - which attracts over 25,000 businesses - to sector - specific events such as Legalex, Restaurant Tech Live and Elite Sports Expo to name just a few.
Walk around narrow, cobbled streets down to the sea, the old port having been revived with new museums, photography gallery, cinema and various cultural centres for different exhibitions, events and celebrations throughout the year.
Geffen, a noted collector of postwar art, has loaned many paintings to MoMA for various exhibitions over the last 25 years.
The first mid-career survey dedicated to Deschenes's work, this exhibition will feature 20 years of her art, including explorations of various photographic technologies, rich and nuanced work with photograms (a type of photographic image made without a camera), and sculptural installations that reflect the movements and light within a given space and respond to a site's unique features.
THIS YEAR»S SELECTION of the Best Black Art Books includes 12 volumes that in various ways are reframing art history — from scholarly works shedding light on major cultural moments and volumes of groundbreaking photography, to exhibition catalogs surveying broadly the work of important artists such as Kerry James Marshall and Alma Thomas.
More than thirty years after her death, the oeuvre of American painter Alice Neel attracts ever greater interest, and seems only ever more relevant: the substantial and moving exhibition of her paintings currently at the Gemeentemuseum in The Hague is the latest indication of this groundswell of attention, including various shows and catalogs in addition to a fine biography by Phoebe Hoban and a biographical film directed by Neel's grandson, Andrew Neel.
A NY1 news segment previewed the fine arts thesis exhibition, Flameproof, which includes work by drawing and painting students, all of whom were affected to various degrees by the fire at Pratt earlier this year...
The gallery mounts twelve exhibitions annually at its Los Angeles venue, participates in various international art fairs and presents at least one ambitious pop - up project each year in foreign cities.
The colors are related to Pantone's «Color of the Year» designated each year by the New Jersey - based color systems and technology company, found in all manner of consumer products from home décor to fashion, which Cranston has investigated in various ways in several prior exhibitiYear» designated each year by the New Jersey - based color systems and technology company, found in all manner of consumer products from home décor to fashion, which Cranston has investigated in various ways in several prior exhibitiyear by the New Jersey - based color systems and technology company, found in all manner of consumer products from home décor to fashion, which Cranston has investigated in various ways in several prior exhibitions.
Richard Hoeck and John Miller have had a 20 year long history of collaborations including exhibitions at the Kunsthalle Wien, Vienna and at KW, Berlin as well being included in various group shows in Europe and United States.
Despite the fact that various museums around the world have managed to stage Bacon exhibitions, for the last 30 years Japan has not witnessed a solo exhibition of his work.
After studying at the Royal College of Art (London) and HAK (Vienna), Greig Burgoyne has embarked in various projects and exhibitions, most recently Slipstream a solo show at Five Years (London, 2011), Back to the Future (Hastings Museum and Art gallery, 2010), The Future of Nostalgia (Jerwood Project Space, 2009).
Over the next few years, Stamos's work was shown in various exhibitions, including the 1945 Annual Exhibition at the Whitney and The Ideographic Picture, curated by Newman in 1947 for Betty Parsons Gallery.
Various Private Collections - New York, NY; Detroit, MI: Memphis, TN; Nashville, TN; St.Petersburg, FL; Washington, DC; Oxford, MS; Seattle, WA, Los Angeles, CA; Little Rock, AR; Boston, MA; Raleigh, NC SELECTED BIBLIOGRAPHY Artscope, «Centerfold», Volume 4, Numer 2, May / June 2009 ArtSEEN, «Drawing Conclusions», Volume 5, Spring 2007 NY ARTS, «Artist's Voice», Volume 12, Issue 5/6, May / June 2007 The Washington Post, «Portraiture's Harsh Lessons» by Blake Gopnik, June 25, 2006 The Atlanta Journal - Constitution, «Colorful Melange Blends Well», by Jerry Cullum March 12, 2006 The Commercial Appeal, «A Splash of Great Painting» by Frederic Koeppel, January 21, 2005 The Star - Ledger, «Connecting Art and the Everyday» by Dan Bischoff, Sunday, August 1, 2004 Art Papers, Exhibition Review «Homegrown» by Linda Johnson Dougherty, Volume 26, Issue 1; Jan. / Feb. 2002 The Spectator, «The Spaces Between: Brian Bishop's «The Longest Year»» by Glenn Perkins, December 26, 2001 New York Times, «Among a Show of Drawings, Looking for Ones with Bite» by William Zimmer, May 14, 2000 The Memphis Flyer,»... Offering up an earful and eyeful» by Cory Dugan, March, 1998 New American Paintings, Open Studio Competition, 1998 CURRENT EMPLOYMENT Professor of Art and Chair, Department of Art + Music, Framingham State University, Framingham, MA click here to download a comprehensive cv in pdf format.
The light bulb is the subject of Johns» first sculpture, «Light Bulb I,» created in 1958, the year of Johns» first exhibition in New York at the fledgling Leo Castelli Gallery, and has appeared in various media throughout his long career.
Far from ignoring the lessons of Duchamp, such a treatment of paint was derived from an understanding of his predecessor's artistic strategies, to which Rauschenberg had his first in - depth exposure in the spring of 1953 at Sidney Janis's exhibition, Dada 1916 — 1923.8 Throughout that year, he explored various precedents set by the older artist.
Organized by Wexner Center curator Christopher Bedford, the exhibition features 45 works in a variety of media spanning the years 2000 - 2010, with an emphasis on his highly textured, multilayered paintings made with various kinds of papers, found materials, nylon string, caulking, and more.
Pratt Institute announced today that a singular exhibition featuring the work of senior drawing and painting students, all of whom were affected to various degrees by the fire at Pratt earlier this year, will be on view at 375 Park Avenue.
Pratt Institute announced today that a singular exhibition featuring the work of senior drawing and painting students, all of whom were affected to various degrees by the fire at Pratt earlier this year, will be...
After individual aspects of the collection have been presented in various contexts in recent years, the two - part exhibition in the Kunstverein Hannover now offers for the first time the opportunity of a genuinely comprehensive survey.
Many Local and international creatives have enjoyed the possibility to promote their work at the various exhibitions, group or even solo shows, participating or collaborating in cultural events that have taken place at Fousion Gallery Barcelona or in other spaces in Europe over the last years.
Various exhibitions of the Sixties in recent years have shown her contribution to painting of this period and now place Boty in the mainstream of British Pop Art.
In recent years, her exhibitions toured various countries around Europe, Latin America, and Asia, receiving worldwide acclaim.
This exhibition examines in - depth the work of a community of artists — Birgir Andrésson (1955 — 2007), Douwe Jan Bakker (1943 — 1997), Hreinn Friðfinnsson (b. 1943), Kristján Guðmundsson (b. 1941), Sigurður Guðmundsson (b. 1942), and Magnús Pálsson (b. 1929)-- artists who have worked in conversation with one another over a long span of years (both in Iceland and abroad, specifically, in the Netherlands), often tackling similar concerns from various unique perspectives.
In the last two years she has had solo exhibitions in various international institutions such as, Dia Art Foundation, New York, Vertiginous Mapping, a web project, (www.diaart.org/barba)(2008 - present), Esbama, Beaux Arts, Montpellier (2008), Villa Romana, Florence (2008), Bildmuseet Umea, Sweden (2008), Stedelijk Museum Bureau (2007), Amsterdam, Baltic Art Center, Visby, Sweden (2006).
In the course of the years his work has been shown in various art and fashion related exhibitions, books and magazines, including Foam, W139 in Amsterdam and the Scope Hampton Video Festival in New York.
After exploring the qualities of paper, visit the Masterworks on Paper: Highlights from the Portland Museum of Art exhibition to see how various artists have worked on paper throughout the years.
In the making of the exhibition, Lin spent six years collecting around 2,000 words and expressions about women in various languages from popular novels, newspapers, the internet and colloquial dialogue, ranging from derogatory to empowering.
We play a vital role in Atlanta's cultural landscape by presenting over 100 consequential artists from the local, national, and international art scenes through our various exhibition and project spaces each year.
Each year, Wave Hill commissions a diverse group of emerging New York - area artists to create a new body of work or site - specific project for a solo exhibition in the Sunroom Project Space, providing an engaging setting for artists to contemplate, explore and ultimately transform the gallery using various materials and techniques.
Having all independently arrived in New York City over the years for various reasons, they are now reunited in an exhibition that reflects on home, migration, and identity.
The following document performances, explorations, and conversations with seminal American artists: Sturtevant: Various Beuys Actions (1972) by Robert Fiore, with Virginia Dwan directing Sturtevant through Joseph Beuys actions based on her memory of those performances by Beuys; Carl Andre: Reconfigurations (1976), a document of Carl Andre's interaction with his sculptures at the close of a PS1 exhibition in Long Island City that year; and John Cage: James Joyce, Marcel Duchamp, Eric Satie, An Alphabet, an on - screen reading by Cage of a radio play he was commissioned to write for Cologne's West German Radio (WDR).
But in recent years several large - scale exhibitions have, in various ways, dared to reopen those debates.
Matthew Buckingham has had solo exhibitions in the past two years at various international institutions, including the Dallas Museum of Art, the Saint Louis Art Museum, Kunstverein Westfalischer, and the Kunsthalle St. Gallen.
This event also happens intermittently on Saturdays throughout the year, in various galleries and exhibitions.
Open Source collaborated with Prosjektrom Normanns and the individual artists over several years, through various exhibitions and projects.
In Spain, the Prado's major summer exhibition «El Greco and Modern Painting» marks 400 years since the artist's death, and examines how various artists of the 19th and 20th centuries adopted him as a proto - modernist.
Twenty years after the last major exhibition of Joseph Beuys» in Germany, the exhibition shows key works and various documents, writings, films and photographs.
Wanderlust: Actions, Traces, Journeys 1967 - 2017 is a 50 year survey exhibition that considers the themes of action and exploration outside of the studio and how artists engage this theme in various ways, including walking, cartography, land use, endurance, and the consideration of public space.
Invited curators explored the vast archive of the LMCC residency program and came up with four diverse exhibitions, combining artists from various years, locations and mediums.
«unlimited: bruce nauman» is the commencement of the exhibition series, which in the upcoming years will be screening films of various artists which are unlimited editions as a matter of choice or due to the time of production.
She also coordinated and facilitated gallery exhibitions, solo exhibitions at institutions, artist presentations at Documenta and biennales, and the production of various publications, in addition to representing the gallery for 11 years at major art fairs around the world.
This important exhibition will feature more than twenty paintings from various periods of his forty year career: rare «early spray» paintings from the late 1960s, saturated stained canvases from the 1970s, dizzying spray ovals from the 1980s, pulsating orbs from the 1990s, and rhythmic calligraphic swirls from his last decade.
Drawing on the use of elliptical conversations in the 1961 film Last Year at Marienbad by Alain Resnais as a point of departure, the exhibition features works of art that utilize various cinematic conventions, such as editing, character development, narrative, mise - en - scène and montage, to reveal how our understanding of reality is often mediated by those very cinematic techniques.
Over the years the artist has shown his works in various solo and group exhibition, not to mention the large number of pieces held in numerous public collections spanning from The Museum of Modern Art in New York City, over Albertina in Vienna to Malmö Konsthall in Sweden.
This year's program for La BF15 focuses on issues, devices and mechanisms inherent to the various aspects of exhibitions: works, space, display, surveillance, public reception, media, cultural...
Kelley led the two - year research phase for the exhibition, coordinating the efforts of a team of researchers from six different cities in the Americas to inquire into the issues and artist methods that connect the various cities in the hemisphere.
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