Sentences with phrase «various fields of contemporary art»

Not exact matches

Mori has received various awards, including the prestigious Menzione d'onore at the 47th Venice Biennale in 1997 (for «Nirvana») and the 8th Annual Award as a promising Artist and Scholar in the Field of Contemporary Japanese Art in 2001 from Japan Cultural Arts Foundation.

This access, which has broadly democratized the field, has created not only a larger and more engaged audience for this kind of art, but has also created more opportunities for this work to be contextualized within the larger narratives of contemporary art, as can be seen in the various approaches of curators such as Lynne Cooke, Massimiliano Gioni and Daniel Baumann, for example, all of whom have, in different ways, framed the work of self - taught artists within their curatorial projects.

The Family Tree of Russian Contemporary Art; Field Research: A Progress Report and Rikrit Tiravanija: Tomorrow is the question at Garage Museum of Contemporary Art, Moscow Julien Prévieux, Francisco Sobrino, Raphaël Zarka at Jousse Entreprise, Paris Antje Majewski: E.F.A. im Garten at neugerriemschneider, Berlin Oscar Tuazon: Break the Glass at Kastro, Antiparos, Cyclades Rochelle Goldberg: The Cannibal Actif at Vava, Milan Mark Bradford: Sea Monsters at Gemeentemuseum den Haag, The Hague Momentum 8: The Nordic Biennial of Contemporary Art: Tunnel Vision, various venues, Moss After Babel / Poetry will be made by all / 89plus at Moderna Museet, Stockholm Giorgio Griffa: A Retrosptective, 1968 — 2014 at Centre d'Art Contemporain, Geneva Eloise Hawser: Lives on Wire at ICA, London Thomas Hirschhorn: In - Between at South London Gallery Glenn Ligon: Encounters and Collisions at Tate Liverpool Radames «Juni» Figueroa at Edel Assanti, London Not with nothing but.

Kunsthalle KLUB is a space devoted to education in the field of contemporary visual art by means of lectures, discussions and various presentations.

Various movements, themes, and styles are represented, including Abstract Expressionism, Color Field painting, Pop art, and Minimalism, as well as aspects of New Image Painting from the 1970s and beyond, recent developments in abstraction and figurative sculpture, and contemporary movements in photography, video, and digital imagery.

DOMAIN FIELD, 2003 Stainless steel bars, 4.76 mm x 4.76 mm, Various sizes: 287 elements, derived from moulds of local inhabitants of Newcastle - Gateshead aged 2.5 - 84 years Installation view, BALTIC Centre for Contemporary Art, Gateshead, 2003 Photograph by Jerry Hardman -

Originally an itinerant educational platform, since 2013 Rupert has also operated as a successful Residency center, welcoming artists, theorists, curators and various other practitioners from the fields of contemporary art, creative writing, critical design, architecture, cinema and others in its three programs in an effort to inspire and encourage inter-disciplinary exchange, alternative education and exhibition structure experimentation in Lithuania and abroad.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

In 2011, we implemented two year school program, which was designed on the basis of several years» research on various curatorial programs, analysis of curatorial practices, consultations with relevant national and international experts, and an evaluation of the past program and consideration of effective models of education in the field of contemporary visual arts and theories.

Bogota's Museum of Modern Art is a culturally dynamic institution whose mission is to investigate, stimulate, divulge, promote, protect and foster an interest in the various fields of contemporary and modern art in ColombArt is a culturally dynamic institution whose mission is to investigate, stimulate, divulge, promote, protect and foster an interest in the various fields of contemporary and modern art in Colombart in Colombia.

Stephen Prina's The Second Sentence of Everything I Read Is You: Mourning Sex (2005 — 7) has all the markings of a work of institutional critique, that loosely defined genre of contemporary art that seeks to evaluate and question the position of art in relationship to various cultural and political contexts.4 Looking beyond the frame of the artwork itself, works of institutional critique recognize that art exists within a discursive field and grapple with the concentric or overlapping circles of spatial, temporal, cultural, social, economic, and political structures — or «institutions» — that «frame» the work in other ways.