Sentences with phrase «various film critics»

We talk about everything from new releases to classic movies, and we interview various film critics and friends.

Combined that's around four hours of extras from various film critics and crew that worked on these pictures.

Not exact matches

But Variety critic Scott Foundas, who reviewed both the Toronto and Cannes editions, noted, «In all its versions The Disappearance of Eleanor Rigby is a film of marked ambition that turns out to know a fair bit about love and loss and the various ways in which we do and don't grow up to become our parents.»

Ford became best known for his Westerns, of which he made dozens through the 1920s, but he didn't achieve status as a major director until the mid -»30s, when his films for RKO (The Lost Patrol [1934], The Informer [1935]-RRB-, 20th Century Fox (Young Mr. Lincoln [1939], The Grapes of Wrath [1940]-RRB-, and Walter Wanger (Stagecoach [1939]-RRB-, won over the public, the critics, and earned various Oscars and Academy nominations.

EXTRAS: The Criterion release features hours of new bonus material, including an audio commentary by writer / director Richard Linklater and various cast and crew, a making - of documentary, a Q&A with Linklater and actors Patricia Arquette and Ellar Coltrane, a video essay by film critic Michael Koresky and much more.

The 100 + episode craft - beer - and - movies podcast series features veteran film critic Cole Smithey and various guests from the entertainment, comedy, and craft beer worlds copiously consuming international politics and culture through the prism of a single film and a different craft beer each week.

The Online Film Critics Society recognizes the best films each year with awards in various categories.

Over and over, the negative reviews of «August: Osage County» have pulled variations on a sad theme, with various New York - and LA - based critics wrestling with the film without having seen, or read, the Tracy Letts play that came before it.

Some critics complained that Panic's motive is too single - minded, but this is a film about Freudian mid-life crisis, the most self - interested dilemma there is, and I really admired the various textures Bromell brought to a simple premise.

Guillermo del Toro «s film «The Shape of Water» is a favorite among various film festivals, critics groups, and guilds.

It's a coup for a film that only got five Golden Globe nominations, and has generally been overlooked in the year's various critics» prizes in favour of Boyhood, Birdman and others.

The film was screened in various international film festivals, and the first jokes that came to critics» minds were how the film could've actually used a little trim.

While the nominated films are championed by various award bodies and critics alike, box office success rarely correlates with movies deemed as being «best picture» worthy.

A collection of passages by various critics and writers on recent Australian films set in suburbia.

«Captain America: Civil War» has screened for critics (our review arrives tomorrow, so keep a look out), and Marvel and its various heads, producers, writers and artistic coalition forces have been doing interviews for the film and various pieces of news are flying fast and furious.

The Critics Choice Documentary Awards nominating committees recognized additional female - directed films with nominations in various categories.

The CCDAs are the first awards given in recognition of the various genres of documentary film by critics.

Michael Patterson polled various critics and sorts who attended the Telluride Film Festival and the list put Son of Saul (a film I still have not seen) at the top of the list.

He also hosts movie clubs and gives film studies lectures throughout South Florida, and has worked as a theatre critic for various publications.

After cleaning up with various critics groups and other film - honoring bodies, and going 1 - 2 at the Los Angeles Film Critics Association awards, commercial juggernauts Wall ▪ E and The Dark Knight both got relegated to somewhat unfortunately expected, consolation - type booby prizes: a Best Animated Feature nod for the former, and a Best Supporting Actor nomination for Heath Ledger for the latter, among a mess of other, lessecritics groups and other film - honoring bodies, and going 1 - 2 at the Los Angeles Film Critics Association awards, commercial juggernauts Wall ▪ E and The Dark Knight both got relegated to somewhat unfortunately expected, consolation - type booby prizes: a Best Animated Feature nod for the former, and a Best Supporting Actor nomination for Heath Ledger for the latter, among a mess of other, lesseCritics Association awards, commercial juggernauts Wall ▪ E and The Dark Knight both got relegated to somewhat unfortunately expected, consolation - type booby prizes: a Best Animated Feature nod for the former, and a Best Supporting Actor nomination for Heath Ledger for the latter, among a mess of other, lesser nods.

Indeed, despite the various critics who chided earlier Haneke films for their supposed finger - wagging moralism and chilly Protestant air, and who are now falling over themselves to praise Amour as the director's most compassionate work to date, Amour is as much of a home - invasion horror show as Haneke's earlier Funny Games.

When it debuted at various festivals, including the Sundance Film Festival, «Skeleton» received mostly positive reviews, with Variety critic Geoff Berkshire writing that «the biggest surprise for audiences expecting plenty of laughs will be just how effectively both thesps handle the weightier dramatic material in the screenplay... «The Skeleton Twins» captures the way siblings develop their own unique comedic shorthands in a way few films ever have.»

The project will involve the various critics reviewing Williams» films in video review form on the Youtube channel.

He writes film reviews and cinema related banter and repartee for various and sundry websites, newsletters and magazines and is a Rotten Tomatoes approved tomato meter critic.

This means that my lists won't be directly comparable to the various awards for those years, or many critics end of the year Best Of lists, all of which use their own criteria for determining when a film came out.

Considering it was not released to much of the country until January 9th (after Oscar voting had closed) and Paramount dizzyingly and nonsensically didn't send out screeners for the film to critics or members of the various guilds (which led to no nominations from either the DGA or PGA), the fact that it only received nominations for Best Picture and Best Original Song shouldn't be surprising, but that doesn't make it any less infuriating.

Examining the photographs of these events, many snapped by Harry Shunk, we might find Saint Phalle's partner, Tinguely; art critic Pierre Restany; gallerist Jeannine de Goldschmidt; poet John Ashbery; her estranged husband, Harry Mathews, and their two children; various neighbors; and artists Daniel and Vera Spoerri, Hugh Weiss, Robert Rauschenberg, Jasper Johns, Ad Reinhardt, and Edward Kienholz, among others.16 Since Saint Phalle considered the sessions to be performance events, or «spectacles,» she amplified their theatricality by arranging for their media - documentation in photographs and short films that painstakingly disclose her methods.17 In addition to the before - and - after images of the firings, where Saint Phalle is often pictured striking defiant or bemused poses, other scenes reveal the creative process leading up to the event.

Opening with Picabia's solid early Cubist paintings which quickly diffused various critics» claims of painterly illiteracy, the show plows ahead through Picabia's scintillating obsession with Dada, examines his short - lived fascination with film, explores cutting edge experiments with Renaissance and Transparency painting techniques, shows his controversial war - time figurative paintings, and ends (rather deflatedly) with his return to Abstraction.

Dallas Morning News art critic Rick Brettell has described Huyghe as creating «artistic «situations» that include living organisms of various forms, objects, liquids, gases, films and more arcane media in dizzying combinations.

Voices from various backgrounds and disciplines feature in this issue, from growth - skeptic film - maker Dave Gardner, to grassroots food sovereignty activists the Open Food Network, to the world's most quoted social critic, Noam Chomsky.