Sentences with phrase «various installations by»

Yung Ho Chang created a massive tilting floor punctuated by a number of flat platforms for Hou Hanru's «Zone of Survival», while Zheng Guogu designed stunted shelters for various installations by the Canton Express collective.

Not exact matches

This happens by implementing technology and equipment at various tobacco processes and advising processors on their complete processing installations.

Installation of the hydrogen refueling pumps will begin next year at existing gas stations currently operated by various oil companies.

More importantly, it also allows for various levels of technological know - how, from the idiot - proof step - by - step option which may be extremely important to businesses, to the more experienced modes which allow installation on several computers and lets contributors collaborate remotely on the same book.

Literature, Installation Art, and Films on Partition A Visual History of the India - Pakistan Partition by Aanchal Malhorti Short stories by Saadat Hasan Manto Earth, film by Deepa Mehta Cracking India, a novel by Bapsi Sidhwa (the film Earth was based on this) Midnight's Children by Salman Rushdie «The Seer of Pakistan,» essay on Manto in The New Yorker by Ali Sethi 1947 Archive, A global movement to collect and preserve witness accounts of Partition Indian Summer by Alex von Tunzelmann Indian Summers, a British TV drama series, various writers Train to Pakistan by Khushwant Singh Tamas, a movie by Govind Nihalani.

Instead, there are tapestries made by multiplying reflected versions of paintings; close - up photographs of the surface of paintings; mirror - like reflective works; overpainted self - portraits; various grey paintings; photographic facsimiles of the iconic series of 48 Portraits presented in the German Pavilion at the Venice Biennale in 1972 — so returning them to their photographic origins in encyclopaedias; and a spectacular installation of «4900 Colours», 2007.

For 40 years, enshrined here in installations and drawings with coteries of remakes of various kinds, Jackson's existential investigations into the meaning and existence of paint embody the opposite of the cool analysis done by Gerhard Richter.

We can recode it, if you like, through interventions by artists, like Alan Kane's installation of lights last Christmas, and various forthcoming participatory projects in the summer.

The remaining funds went to more contemporary works: a 1974 photographic suite by John Baldessari called «Portrait: Artist's Identity Hidden with Various Hats» for $ 500,000, and a 2009 neon installation by Glenn Ligon that plays on the word «America» for $ 100,000.

This travelling show from Anchorage Museum in Alaska, highlights work by eleven, contemporary Indigenous artists of various tribal affiliations whose works include ink drawings, video, digital photography, multi-media installation and textiles.

The installation is initially inspired by Phunsombatlert's childhood memories of playing with a View - Master and the various reels that his family collected.

Her films, drawings, photos and installations often seek to examine the concept of narrative, exploring the subjective nature of memory and «the means by which artefacts are borrowed, adapted and reconfigured to tell various stories».

The exhibition features over eighty works by the New York - based artist, created from 1987 — 2013, including a plethora of sculptural items, modified photographs, various drawings, and two large - scale installations.

Following that is the very popular and much anticipated annual group exhibition «The Summer Show,» which opens June 17 and features more than 40 works in various media — including painting, sculpture, works on paper, photography, video and installation — by gallery and guest artists.

Urs Fischer and various artists, Untitled, 2011 — ongoing Unfired clay (sculptures modeled on - site by multiple authors following a list of objects specified by the artist) Dimensions variable Installation view, Accademia di Belle Arti di Venezia, with participation by the students of the Accademia as part of «Madame Fisscher,» Palazzo Grassi, Venice, 2012 © the artists.

Holzer's installation will include light projections of poetry by various authors, carved stone benches, and electronic signs.

Urs Fischer and various artists, YES, 2011 — ongoing Unfired clay sculptures modeled on - site by multiple authors Dimensions variable Installation view, «Urs Fischer,» The Geffen Contemporary, The Museum of Contemporary Art, Los Angeles, 2013 © Urs Fischer.

Mythos of Lost Dynasties Series # 1 — # 27 (2011), an installation comprised of the hair at various stages of conversion, and a film of the process itself, lays bare the labor - intensive means by which this «genetic ink» is developed and deployed.

Further highlights include Polly Apfelbaum's strips of textile that are combined to form a colorfully woven painting; Rashid Johnson's tropical enclave containing various unexpected elements from sculptures made with shea butter to video portraits; Katherine Bernhardt's monumental painting with tropical birds, cuddly robots and cigarette stubs, which at once editorializes and summarizes modern culture and the artist herself; an interactive multimedia installation by Nedko Solakov comprising nine sofas in the shapes of the nine Chinese characters constituting the phrase «I miss Socialism, maybe»; and Yu Hong's large - scale painting depicting a famous Chinese fable widely cited in both modern Chinese art history and Chinese Communist narratives.

Showcasing emerging international art and artists across various locations annually, including Cologne, Miami and Hudson, the NYC program features a presentation of interactive art projects from San Juan's Beta - Local and Detroit's MOCAD, as well as a site - specific installation in a Ford Galaxie 500 by Shoot the Lobster, including work by Lena Henke and Marie Karlberg of M / L Artspace and Bradley Kronz.

Also included in the archives is a collection of postcards from various artists which were part of the exhibition, Postcards (November 10, 1973) which subsequently traveled to Oberlin College, an original piece «Tales from the Vienna Woods» by Laurie Anderson, a wall installation by Matt Mullican for the Indian Summer exhibition, as well as a number of artists» books.

Opens March 3, 2011 Making Histories: Changing Views of the Collection explores how a museum collection constructs and embodies histories to be reconsidered over time, offering various views into the museum's own history and its collections right up to the present day, through monographic installations of individual works or bodies of work by key artists and designers, thematic surveys, archival research projects, special projects and recent acquisitions.

We are in Eden, literally — Eden is the title of an installation by Brazilian artist Hélio Oiticica, a sprawling, sand - filled playground for all ages, dotted with various structures where visitors can read, listen to music or jump into boxes filled with foam or grass.

Resilience: Form, Narrative, and Installation Inspired by personal stories, life experiences, and current political climate, this workshop will explore various methods for designing, engineering, and building a multi-piece sculpture that can be assembled as one.

The show includes installations, models, prints, drawings, photos, videos, and various other musings by artist - seafarers who generously impart their experience of the sea in order to refresh our perception of the land.

In video installations by Araya Rasdjarmrearnsook and Eija - Liisa Ahtila, traditional works of art are presented and reassessed by various audiences, engaging the works in their own terms.

This summer in Zürich, Slominski will exhibit a selection of his various snarelike objects — ranging from tiny mousetraps to large contraptions that are both menacing and absurd — and a group of old calendar remnants that resemble minimalist drawings (the show also promises a new site - specific installation by the Hamburg - based artist).

Josh Smith is a young American artist who uses a variety of mediums, such as painting, sculpture, collage and installation, in order to playfully comment on various trends in art by turning their ideas upside down.

The forgiving visual effect came courtesy of a suite of new installations by Olafur Eliasson, which employed various kinds of unusual illumination that conspired with a restless crowd to make the just - completed interior seem virtually endless.

In «Shabby but Thriving,» commissioned by the New Museum, Burns premieres a new two - channel video staged within an installation that explores the subjugation and agency of various bodies.

Named after John Akomfrah's three - channel video installation from 2012, the exhibition is curated by Klaus Biesenbach, Lucy Gallun, Thomas Lax, Christian Rettemeyer, Yasmil Raymond, and Elizabeth Henderson from various departments at the museum.

Curated by German artist Carsten Nicolai, who has collaborated on various occasions with Murkudis in the past, and Peter Gorschlüter, deputy director of the MMK, «At Close Range: Kostas Murkudis and the MMK Collection» features a series of impressive sound and film installations that offer a different perspective on the designer's work.

Luckily for the viewers, the artworks selected for the show include some historical installations zealously guarded by the artist in his own private collection — these rare pieces will be presented to the public alongside other works brought in from various private and public collections, joined by the artworks from the Museum's own permanent program.

Hauser and Wirth, Somerset, 21 March — 21 June 2015 I'm looking forward to visiting Hauser & Wirth Somerset this weekend for the opening of its Architecture Season, which features various site - specific / architectural interventions and events, from a sound piece from Turner Prize - winner Susan Phillipsz to the installation of last year's Serpentine Gallery Pavilion, designed by the Chilean architect Smiljan Radic, in the site's idyllic grounds.

Their «New Sculpture» pushed beyond Minimalism and called all previous conceptions of the art form into question by employing unusual materials that had never before been used.Throughout his career, Sonnier has experimented with materials as varied as latex, satin, bamboo, found objects, satellite transmitters, and video.In 1968, the artist began working with neon, which quickly became a defining element of his work.The linear quality of neon allows Sonnier to draw in space with light and color, while the diffuseness of the light enables his work to interact on various architectural planes.Sonnier's architectural neon installations in public spaces have earned him wide acclaim in an international context.

The work selected for this show present the various viewpoints from mugshots of the artists» family members in Tyanna Buie's large works on paper, to the artist - as - collaborator and documentarian of addressing the struggles of family members neighbors and victims in the black and white photography by Carlos Javier Ortiz and the video installation and archive by Tirtza Even.

Recasting Site Recasting Site, installation view, artwork by Robert de Saint Phalle and various artists from the Ramapo College Rodman Collection and Fromer Collection

Lynn Hershman Leeson's black - and - white images from the 1980s and»90s, included here amongst a large and perhaps purposely slightly cluttered installation of other works on paper by fellow California artists like Bruce Conner, are yet another example of portraiture and the image of the figure, popping its head (pun intended) into the mass of shapes and images that cover the various booths at Untitled.

In this installation drawn from the Seattle Art Museum's permanent collection, artists including David Salle, Eric Fischl, Richard Pettibone, Jessica Jackson Hutchins, Brian Jungen and others grapple with these concerns in various ways — by returning to figuration in painting, rethinking modernist masterworks in more humble scale, or reconnecting art and craft in their work.

Finch's talk at the New School will focus on the artist's various public and large - scale installations like A Certain Slant of Light (2014 - 15), a site - specific installation at the Morgan Library inspired by its collection of medieval Books of Hours; Trying to Remember the Color of the Sky on That September Morning (2014), a commission for the National September 11 Memorialand Museum composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation on New York's High Line featuring an existing series of windows which Finch transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

My Bed Artist: Tracey Emin born 1963 Date: 1998 Classification: installation Medium: Box frame, mattress, linens, pillows and various objects Dimensions: Overall display dimensions variable Lent by The Duerckheim Collection 2015 © Tracey Emin

DOMAIN FIELD, 2003 Stainless steel bars, 4.76 mm x 4.76 mm, Various sizes: 287 elements, derived from moulds of local inhabitants of Newcastle - Gateshead aged 2.5 - 84 years Installation view, GCCC, Moscow, Russia, 2009 Photograph by Roman Suslov

Two works by pioneering video artist Nam Jun Paik, one a robotic sculptural installation including various screens, the other a subtle video manipulating images of The Beatles, fail to captivate when set amongst the work of the other more contemporary artists who seem to whiz and bang comparatively.

Inaugurating Parasolstice — Winter Light, a series of outdoor projects to be realised by various international artists, The summer shelter retreats darkly among the trees by American artist James Yamada is a dramatic installation in the foundation's outdoor space.

DOMAIN FIELD, 2003 Stainless steel bars, 4.76 mm x 4.76 mm, Various sizes: 287 elements, derived from moulds of local inhabitants of Newcastle - Gateshead aged 2.5 - 84 years Installation view, BALTIC Centre for Contemporary Art, Gateshead, 2003 Photograph by Jerry Hardman -

The LES Studio Program and Public Works further this objective by offering fully - funded studio space and project support to artists of all disciplines (painting, photography, sculpture, video, installation, new media, or other forms), backgrounds and at various stages in their careers.

The show features work by 29 artists total — Carrie Mae Weems, Rashid Johnson, Robert Irwin and Louise Nevelson, to name a few — who explore the color black through various media, including sculpture, painting, video, photography, installation and, in Mutu's case, performance.

Alongside the work that Dwan showed in her East and West Coast galleries, there are also maquettes for gallery invitations, old - fashioned - looking ledger books with installation plans, and various guest books — one of which was open to a page with signatures by, for example, Marcel Duchamp, Lucy Lippard, and Clement Greenberg.

The venue houses multiple shows of various media and organizes specific onsite installations and programs by crossover cooperation and experimental mode of language, to put on display more cutting - edge and exciting artwork.

The exhibition charts a kind of narrative itinerary ranging from various works that present intimate correspondence between scammers and victims to so - called «trophy» photographs extracted by vigilante scam - baiters and several video works that feature real or fictional protagonists of scams, including the major new installation «The Rumor of the World» (2014).