Sentences with phrase «various museum installations»

Not exact matches

The Museum is a different experience with each season, with different plantings for each season blending with various stone and gravel installations in different parts of the Museum.

Through The Contemporary's Museum Without Walls program, Grachos has arranged the long - term loan of outdoor sculpture from the museum's existing collection for display at various parks throughout Austin, including the monumental installation of Ai Weiwei's Forever Bicycles at Waller Museum Without Walls program, Grachos has arranged the long - term loan of outdoor sculpture from the museum's existing collection for display at various parks throughout Austin, including the monumental installation of Ai Weiwei's Forever Bicycles at Waller museum's existing collection for display at various parks throughout Austin, including the monumental installation of Ai Weiwei's Forever Bicycles at Waller Creek.

This travelling show from Anchorage Museum in Alaska, highlights work by eleven, contemporary Indigenous artists of various tribal affiliations whose works include ink drawings, video, digital photography, multi-media installation and textiles.

Urs Fischer and various artists, YES, 2011 — ongoing Unfired clay sculptures modeled on - site by multiple authors Dimensions variable Installation view, «Urs Fischer,» The Geffen Contemporary, The Museum of Contemporary Art, Los Angeles, 2013 © Urs Fischer.

For the second installation, the so - called PeaRoeFormance at the Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK) in Vienna, Rhoades reassembled The Grand Machine using working tables and chairs, scaffolding, and various machinery.

Weaver is constructing a fictive history for the Black Bottom community using a variety of fake elements: handmade museum vitrines, handmade maps and documents of the community, various faux sculptures and textiles, as well as installation and audio components.

The Bass Museum of Art Miami presents «Constructing New Berlin», a multi-generational survey, including approximately eighteen Berlin - based artists of various nationalities working in painting, sculpture, photography, film installation, video - installation, sound, and performance art.

Various research materials from René d'Harnoncourt Papers, REG 393, Museum of Modern Art Archives, New York, including installation view and floor plan of Timeless Aspects of Modern Art, 1948.

Cory Arcangel (b. 1978), Various Self Playing Bowling Games (aka Beat the Champ), 2011 (installation view, Whitney Museum of American Art, New York).

fierce pussy projects included wheat pasting posters on the street, renaming New York City streets after prominent lesbian heroines, re-designing the restroom at the LGBT community center, printing and distributing stickers and t - shirts, a greeting card campaign, a video PSA and more recently, various installations and exhibitions in galleries and museums.

Comprised of various video installations, handcrafted objects, and architectural interventions, Hilary Lloyd's first U.S. solo museum exhibition presents new work created specifically to be experienced in Blaffer Art Museum's upstairs gallmuseum exhibition presents new work created specifically to be experienced in Blaffer Art Museum's upstairs gallMuseum's upstairs galleries.

Opens March 3, 2011 Making Histories: Changing Views of the Collection explores how a museum collection constructs and embodies histories to be reconsidered over time, offering various views into the museum's own history and its collections right up to the present day, through monographic installations of individual works or bodies of work by key artists and designers, thematic surveys, archival research projects, special projects and recent acquisitions.

Comprised of various video installations, handcrafted objects, and architectural interventions, Hilary Lloyd presents new work created specifically to be experienced in Blaffer Art Museum's upstairs galleries.

Haegue Yang An Opaque Wind Park in Six Folds 2016 Clay bricks, mortar, aluminum turbine vents, steel, soil, stone, cork, various plants 318 x 1769 x 1233 cm Sonae Serralves Commission 2016 Courtesy of the artist Installation view of An Opaque Wind Park in Six Folds, Serralves Museum of Contemporary Art, Porto, Portugal, 2016 Photo: Filipe Braga © Fundação de Serralves

His body of remix artworks includes published cult novels, pioneering works of Internet art, digital video and surround sound museum installations, large - scale video projections in public spaces, live audio - visual / VJ performance, and most recently, a series of feature - length «foreign films» shot with different image - capturing devices in various locations throughout the world.

Tehching Hsieh, One Year Performance 1985 - 1986 (statement) January 21 — May 18, 2009 This is the inaugural installation in an ongoing series that will bring performance documentation, original performance pieces, and live reenactments of historic performances to various locations throughout the Museum.

The film shows various works from conception to installation including «Spoonbridge and Cherry» in Minneapolis, «Dropped Bowl with Scattered Slices and Peels» in Miami, «Knifeship» at the Guggenheim Museum in New York and «Binocular Building» in Venice, California.

Mariana Castillo Deball will organise an artistic installation using items from various related museum collections in Berlin at the historic Hamburger Bahnhof.

In «Shabby but Thriving,» commissioned by the New Museum, Burns premieres a new two - channel video staged within an installation that explores the subjugation and agency of various bodies.

Named after John Akomfrah's three - channel video installation from 2012, the exhibition is curated by Klaus Biesenbach, Lucy Gallun, Thomas Lax, Christian Rettemeyer, Yasmil Raymond, and Elizabeth Henderson from various departments at the museum.

Luckily for the viewers, the artworks selected for the show include some historical installations zealously guarded by the artist in his own private collection — these rare pieces will be presented to the public alongside other works brought in from various private and public collections, joined by the artworks from the Museum's own permanent program.

In this installation drawn from the Seattle Art Museum's permanent collection, artists including David Salle, Eric Fischl, Richard Pettibone, Jessica Jackson Hutchins, Brian Jungen and others grapple with these concerns in various ways — by returning to figuration in painting, rethinking modernist masterworks in more humble scale, or reconnecting art and craft in their work.

Finch's talk at the New School will focus on the artist's various public and large - scale installations like A Certain Slant of Light (2014 - 15), a site - specific installation at the Morgan Library inspired by its collection of medieval Books of Hours; Trying to Remember the Color of the Sky on That September Morning (2014), a commission for the National September 11 Memorialand Museum composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation on New York's High Line featuring an existing series of windows which Finch transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

The installations and sculptures included in the show wind through the various galleries and transitional spaces, such as the atrium and stairwells, of Melbourne's Ian Potter Museum of Art.

His films have been shown at the Big Screen Project, the Anthology Film Archives, Arte Americas, El Museum Del Barrio and various installations in Philadelphia, Chapel Hill and Miami.

As an ongoing installation, this exhibition highlights various artistic periods and media from the museum's collection.

Recent completion of a series of wall paintings and mural installations at various venues: Pace London, MMK Frankfurt and the Museum Ludwig in Cologne, has led to a further articulation of Ostendarp's fields in extreme proportions, as well a reading of the subject / object connection within his own work.

The narrative of his intellectual and emotive adventure, developed over a period of 40 years and still under way, unfolds in close relation with the museum's exhibition spaces through a selection of 76 works — comprising paintings, photographs, videos, sculptures and installations — produced by 66 artists of various generations and cultural and geographical areas.

CAAM presents the first museum exhibition of the work of Los Angeles artist Genevieve Gaignard, who deftly uses installation, photographic self - portraiture, and sculpture to explore race, femininity, and class — and their various intersections.

While we have various installation shots for those held in Palazzo Grassi, no documentation so far has been found for the two Stedelijk Museum exhibitions.

[4][5] Since the 1970s, Kusama has continued to create art, most notably installations in various museums around the world.

When I first exhibited the oil pump sculptures at the Migros Museum in Zurich, they tied into the overall installation that included a military bunker, films and various sculptures portraying a decaying consumer society.

Though the entire collection is not permanently on view at the museum, selected works from the collection are always in the galleries as part of various exhibitions and installations.

The statue has been the site of various protests and art actions over the years, including in 1971 when six Native Americans were arrested for defacing the statue with paint, in 1991 as a symbolic part of David Hammons's «Public Enemy» installation at the Museum of Modern Art, and in 2015 as part of Black Youth Project 100's Black Out Tour that highlighted racist histories at AMNH.

Seen here: an installation view of various untitled works at the Hammer Museum.

For its Intervals project, the San Francisco — based art collective Futurefarmers is creating a site - specific installation on the Rotunda floor of the museum and organizing intimate participatory programs for the public in various spaces around the city of New York.

The World of Edward Hopper: Selections from the Collection of the Whitney Museum of American Art, March 5 — August 29, 1982 This exhibition, prepared for travel only, is documented by correspondence with the various venues at which it was shown, as well as checklists, material relating to expenses, installation photographs, and a manuscript for the show's catalogue.

By the second half of the decade, Steinbach's work gained increasing attention in both America and Europe, and was included in various international shows: «New Sculpture», at the Renaissance Society of Chicago and «Prospect 86», at the Kunstverien in Frankfurt, in 1986; «El arte y su doble», at the Fundacion Caja de Pensiones, Madrid, «Les courtiers du desire», at the Pompidou Center, Paris, and the Group Material installation at Documenta 8, Kassel, in 1987; «Horn of Plenty», at the Stedelijk Museum, Amsterdam, and «A Forest of Signs», at the Museum of Contemporary Art, Los Angeles, 1988.

For this work, Respectable Thief, Mosquito begins with a set of text fragments that recur and recombine across the Project's three elements: a single performance staged in various locations throughout the Museum; a video installation; and several visual and sonic interventions across MoMA's existing media platforms, including the display screens in the lobby, Kids audio tour, and select social media channels.

PHOTOGRAPHY INSTALLATION LIGHT BOXES MUSEUM SHOWS RUSSIA ISRAEL ITALY Artist Lena Liv takes her shots in the early morning, capturing various Moscow subway stations before people crowd the architecture.

In 2001, for Douze - Twelve, commissioned by the Musée des Beaux - Arts et de la Dentelle in Calais [9] and later shown at Documenta 11, Höfer photographed all 12 casts of Auguste Rodin's The Burghers of Calais in their installations in various museums and sculpture gardens.

The Groninger Museum in the Netherlands has gained an enormous installation, filling up much of their open space with the household items and various collectibles of Waste Not, the collaborative installation created between Chinese contemporary artist Song Dong and his mother, Zhao Xiangyuan.

Each artist engaged the museum's collection and architecture in different ways, creating diverse projects — both aesthetically and conceptually — and employing various media and approaches from wall - drawing, rubber - painting, bicycle spoke sculpture, and digital photography to video projection and yarn installation.

Making Histories: Changing Views of the Collection explores how a museum collection constructs and embodies histories to be reconsidered over time, offering various views into the museum's own history and its collections right up to the present day, through monographic installations of individual works or bodies of work by key artists and designers, thematic surveys, archival research projects, special projects and recent acquisitions.

The Museum is a different experience with each season, with different plantings for each season blending with various stone and gravel installations in different parts of the Museum.