Sentences with phrase «various objects in the exhibition»

Not exact matches

The dimensions of this cooperation are expounded upon in this exhibition, which shows the many elements both artist have in common whilst working across a surprisingly wide spectrum: reliefs, crushed foil structures, clashes of color, pieces of furniture and various objects stemming from the Eighties until today.

The core of the exhibition, however, consists of wall - mounted vitrines that array basic minimalistic and monochromatic porcelain objects — erratically shaped vase - like cylinders and less frequently plates, often a serene blue - green, sometimes lighter or darker — in various combinations.

Through collaboration with various leading museums, galleries and exhibitions in Asia and globally and the UBS Art Collection encompassing over 30,000 objects of the highest quality, we encourage our clients and the public to actively participate in the art.

She continues to pursue her personal interests through various independent endeavors, such as her recent group exhibition Objects Food Rooms at Tanya Bonakdar Gallery in New York.

Exhibitions and Productions Bow Arts (2017), «Rhino», London (solo show) Bow Arts (2016), «Desire Caught by the Tail», London (solo show) Wimbledon Space (2016), «The Golden Face Lift» (solo show) Dyson Gallery (2016), «Act Natural», London (exhibiting artist) Riverlight Gallery (2015), duo exhibition, London (exhibiting artist) The Rag Factory (2014), «Love Kills», London (as Artistic Director of LUXE / performer) The Chelsea Theatre (2014), «Love Kills», London (as Artistic Director of LUXE / performer) Floating Island Gallery (2014), group show, (exhibiting artist) Spill Festival (2013), «PORN», Ipswich (exhibiting artist) Departure Foundation (2013), group show, «Unperforming» (exhibiting artist) Testbed Gallery (2013), group show, «acts of 2», (exhibiting artist and curator) Testbed Gallery (2012), group show, «acts of», (exhibiting artist and curator) Freud Museum (2011), group show, Objects of Desire, London (exhibiting artist) Battersea Arts Centre (2010), Accidental Festival, London (exhibiting artist) Blue Print (2010), group show, In Time, London (exhibiting artist) perFORM (2009), group show, Triangle Space, London (exhibiting artist) Live Art Lectures (2009), group show, London (exhibiting artist) Disconnected (2009), web - based group show, created and uploaded in London (exhibiting artist) Tate Modern (2008), The Living Currency, London (live performance) Home Sweet Home (2008), various locales, London (co-founder and exhibiting artist, group show) Blackout (2008), group show, Chelsea Art, London (exhibiting artist) Press Play (2008), group show, Chelsea Art, London (exhibiting artist) Climate of Change (2007), group show, Southwark Art (exhibiting artist) Heiner Müller Programme (2001), Access Theatre, New York (as Artistic Director of LUXE / performer) Vengeance, Bloodlust & Afternoon Tea: Armageddon, Cupcakes & the Poisonous Love of Heiner Müller's «Quartet», «Heartpiece» & «Medeamaterial» (2005) Theatro Technis, London (as Artistic Director of LUXE / performer) EH JOE (1998), The Kraine, New York (as Artistic Director of LUXE / performer) Meditation JoJo (1996), Mabou Mines Suite, New York (director and solo performer for video) Dixon Place Funereal (1995),» Funereal», New York, (director and performer) Mabou Mines / Suite (1994), «Funereal», New York (director and performer) H.E.R.E. (1994), «HOME», New York (director and performer) Glendale Studio (1993), «HOME», Arizona (director and performeIn Time, London (exhibiting artist) perFORM (2009), group show, Triangle Space, London (exhibiting artist) Live Art Lectures (2009), group show, London (exhibiting artist) Disconnected (2009), web - based group show, created and uploaded in London (exhibiting artist) Tate Modern (2008), The Living Currency, London (live performance) Home Sweet Home (2008), various locales, London (co-founder and exhibiting artist, group show) Blackout (2008), group show, Chelsea Art, London (exhibiting artist) Press Play (2008), group show, Chelsea Art, London (exhibiting artist) Climate of Change (2007), group show, Southwark Art (exhibiting artist) Heiner Müller Programme (2001), Access Theatre, New York (as Artistic Director of LUXE / performer) Vengeance, Bloodlust & Afternoon Tea: Armageddon, Cupcakes & the Poisonous Love of Heiner Müller's «Quartet», «Heartpiece» & «Medeamaterial» (2005) Theatro Technis, London (as Artistic Director of LUXE / performer) EH JOE (1998), The Kraine, New York (as Artistic Director of LUXE / performer) Meditation JoJo (1996), Mabou Mines Suite, New York (director and solo performer for video) Dixon Place Funereal (1995),» Funereal», New York, (director and performer) Mabou Mines / Suite (1994), «Funereal», New York (director and performer) H.E.R.E. (1994), «HOME», New York (director and performer) Glendale Studio (1993), «HOME», Arizona (director and performein London (exhibiting artist) Tate Modern (2008), The Living Currency, London (live performance) Home Sweet Home (2008), various locales, London (co-founder and exhibiting artist, group show) Blackout (2008), group show, Chelsea Art, London (exhibiting artist) Press Play (2008), group show, Chelsea Art, London (exhibiting artist) Climate of Change (2007), group show, Southwark Art (exhibiting artist) Heiner Müller Programme (2001), Access Theatre, New York (as Artistic Director of LUXE / performer) Vengeance, Bloodlust & Afternoon Tea: Armageddon, Cupcakes & the Poisonous Love of Heiner Müller's «Quartet», «Heartpiece» & «Medeamaterial» (2005) Theatro Technis, London (as Artistic Director of LUXE / performer) EH JOE (1998), The Kraine, New York (as Artistic Director of LUXE / performer) Meditation JoJo (1996), Mabou Mines Suite, New York (director and solo performer for video) Dixon Place Funereal (1995),» Funereal», New York, (director and performer) Mabou Mines / Suite (1994), «Funereal», New York (director and performer) H.E.R.E. (1994), «HOME», New York (director and performer) Glendale Studio (1993), «HOME», Arizona (director and performer)

This seminal work, from which this exhibition and catalogue take their name, uses the gallery wall as a screen kissed by various objects in what the artist calls «an emotionally charged event.»

Comprised of various video installations, handcrafted objects, and architectural interventions, Hilary Lloyd's first U.S. solo museum exhibition presents new work created specifically to be experienced in Blaffer Art Museum's upstairs galleries.

Often taking the form of gatherings of objects in various media, from assembled sculptures to drawings and photographs, Donnelly · s exhibitions tease the viewer with their intimations of meaning and orientation within these spaces is seldom straightforward, but is pregnant with possibility.

There, Trecartin presents his newest movie, a video work that situates various projection screens throughout the exhibition space in a way that mirrors the movie's own 5.1 surround sound, engaging with the visual, sonic, and physical fields as a combined object.

In the exhibition space Jurevicius installs his work «wo die kätzschen wachsen» («where the cats are growing»), a large scale sand landscape with catkin bushes, photographs and various objects.

This panel, held in conjunction with the exhibition Robert Heinecken: Object Matter, will explore the various ways in which Heinecken's work has been read, and continues to be relevant, in the dialogue about representations of women and gender in art.

This companion volume to the artist's largest exhibition to date is a feast taken from countless visual documents of Kelley's early formation, such as his involvement with the experimental band Destroy All Monsters (DAM), which also featured Jim Shaw, Cary Loren, and Niagara (born Lynn Rovner) in 1973 while Kelly and Shaw were students at the University of Michigan in Ann Arbor; early performative sculptures and objects; drawings; paintings; handmade dolls and stuffed animal sculptures; photography; videos; and endless inventive installations in various forms and shapes that explore and deal with the themes of self - destruction, repression, class relations, sexuality, religion, politics, and whatever else lies between the grotesque and the sublime, the sacred and the profane.

For his third, self - titled new solo exhibition with London's esteemed Lisson Gallery (running concurrently with major shows in Berlin & Brooklyn), Chinese dissident artist Ai Weiwei has created a monumental new installation of bicycles as part of his ongoing «Forever» series, as well as a number of hand - carved, domestic - scale copies — in various materials including wood, stainless steel and crystal — of some highly personal objects.

Parrworld, a major exhibition that includes his collections of various objects, postcards, and photo books, as well as his own photographs, opened last year at the Haus de Kunst in Munich and is currently traveling.

Drawing from the biblical story of Jonah and the Whale — in which the prophet's resolve and message is galvanized whilst he meditates within the dark body of the great beast that has swallowed him whole — this group exhibition brings together artworks and objects to trace various transformations of meaning, reception, and use over time.

The exhibition also present a wall with different works in various materials, such as: textiles, drawing, watercolor, relief and smaller jewelry - like objects in silver, which are all connected to «Slottet».

Known by most, in the contemporary art scene, for his 16th century inspired allegorical still lives, where his carefully constructed panels contain playful, yet honest objects which remind viewers of death's inevitability, to his various grandiose and remarkably detailed storefront window installations commissioned by the exclusive and internationally renowned Bergdorf Goodman department store; this particular third solo exhibition at Salomon Contemporary, «Interstellar Overdrive «is a hypnotic show all on it's own.

The artist transforms the upper gallery into a video enviroment in which all exhibition spaces are merged into a walk - in sculptural object through various installations.

The second exhibition is mounted in a London commercial gallery (his third solo exhibition with Lisson Gallery) for this Mr Ai has created a monumental new installation of bicycles as part of an ongoing series, «Forever», as well as a number of hand - carved, domestic - scale copies — in various materials including wood, stainless steel and crystal — of some highly personal objects.

Various sculptures in the exhibition — such as Kippenberger's Kippenblinky (1991) and Artschwager's Leaning Chair (2010)-- show how both artists confound our expectations of «everyday» objects (in these instances, a lamp and a chair), elevating the ordinary into the realm of the humorous and the profound.

Inspired by the initial and purposeful creases and folds inherent in the creation of origami objects, each work in this exhibition explores various states of becoming.

The exhibition in MMOMA includes video works («Tightrope», «Gamsutl»), objects («Landscape»), the artefacts from a past epoch which are the artist's collection of Soviet signs (such as «Dagestan», Sport» and «Gostorgovlya»), videos of food - related performances («Caspian Sea», «Crystal Balls» and «Stomach It» amongst others) and various video evidence of the life - asserting practices of Super Taus — Taus Makhacheva's heroic alter - ego.

For Cabinet (NGC Toronto) Jacob combines objects drawn from various collection areas of the National Gallery not ordinarily displayed together, extending the thematic notions of viewership, perception and the light of artistic inspiration embodied in Pictures at an Exhibition.