Sentences with phrase «various other exhibitions»

In addition, in the last few years Babias has curated various other exhibitions such as «The New Europe» at the Generali Foundation, Vienna, in 2005, «Handlungsformate» at the Neuer Berliner Kunstverein, Berlin, in 2005 and «Check - In Europe» at the European Patent Office in Munich in 2006.

She was involved in various other exhibitions, including Out to See at the South Street Seaport and FLOAT at Socrates Sculpture Park in Long Island City.

Not exact matches

Upon tasting various chocolates from Ghana, visitors to the exhibition, commended Ghana for its unique cocoa tastes and flavours over a variety of cocoa beans by cocoa producing countries like Ghana, Cote d'Ivoire, Mexico, Sao Tome and Principe, Cameroon, Mauritius, Togo, and many others, was exciting.

Throughout the year there are various aviation events and exhibitions held to suit all enthusiasts and with various displays you will be sure to have a great time at the Museum getting to know each other a little better.

At any given venue, visitors can expect events such as exhibition openings, artist receptions, insightful art lectures or demonstrations, live music and performances, pop - up artist booths, beer and wine tastings, and various other interactive activities.

Titled «Special Exhibition: The World of Hatoful Boyfriend», it will feature concept art, drawings and various other designs by the creators of the bizarre dating sim.

He has also participated at group exhibitions at the following institutions: The Hammer Museum, Los Angeles, California (2014); The National Museum of Norway, Oslo, Norway (2014); The New Museum, New York, United States (2013); The Palais de Tokyo, Paris, France (2012), among many others.He has participated in various biennials, including: The Sharjah Biennial 12, Sharjah, United Arab Emirates (2015 & 2007); The 30th Biennial of Graphic Arts, Ljubljana, Slovenia (2013); The XIV International Biennial of Sculpture, Carrara, Italy (2012); The 9th Gwangju Biennale, Gwangju, South Korea (2012); Whitney Biennial, New York, United States (2006); Sao Paulo Biennial, Sao Baulo, Brazil (2006); 2nd Guangzhou Trienal, Guangzhou, China (2005); The 50th Venice Biennale, Venice, Italy (2003 & 1999); The 7th International Istanbul Biennial, Istanbul, Turkey (2001), among others.

The Parade as a body of work exists in a similar abject vein as her various other works, yet in this exhibition she focuses on the avian rituals of flocking, mating and pageantry.

The concept of a point of view, a perspective, an act of framing on account of the viewer is as evident in Camera as it is in the Window sculptures presented in the solo show at Frankfurt's Portikus in 1992 — a traveling exhibition with other stations in various places, among them the Renaissance Society in Chicago — with the evocatively shimmering and metaphorical title «Everyone needs at least one window.»

In addition to an internationally oriented program of exhibitions and presentations of artists from Berlin and other German cities, KW regularly cooperates with various partners, including the Venice Biennale (Club Berlin, 1995) and documenta X (Hybrid Workspace, 1997).

In the first exhibition at Observatory, Brooklyn, on view through November 15th, James Walsh presents photos and prints in conjunction with an evening program of projections, performances, poetry, and other events by various artists throughout the run of the show.

Their activities have taken many forms, including an exhibition space in Düsseldorf, Germany, various publishing projects, sustained collaborations with other artists, as well as exhibitions, realized both individually and together with a loose network of artists and cultural producers.

Her Off the Page exhibition at Tinney Contemporary features works that are assemblages which combine various materials with other media, usually beeswax, as well as mixed media paintings with sculptural elements.

While Frankfort's work seems to eschew some of this historical weight in favor of a nuanced linguistic playfulness suggestive of the paintings of various other artists, including Ed Ruscha, Mel Bochner, Suzanne McClelland, and Kay Rosen, it nevertheless both engages with the physicality of paint and retains a certain conceptual directness evocative of Louise Fishman's groundbreaking «Angry Paintings» from 1973 (recently included in the exhibition «WACK!

In his capacity as Director, Beers works with both emerging and established artists and has initiated multidisciplinary projects including the Award for Emerging Art; the annual open group exhibition Contemporary Visions; and various international collaborations with universities, and other galleries.

Reflecting on various reoccurring issues pertaining to race, class, and sociopolitical experiences, some of the work in this exhibition provokes critical thought from viewers while other work conveys humor and nostalgia to evoke interest.

Herring has received various grants and had multiple one - person exhibitions at the Museum of Modern Art, the Solomon R. Guggenheim Museum, and the New Museum of Contemporary Art, among others.

For the 14th Istanbul Biennial, in keeping with her Documenta strategy of hiring agents to advise on the show — she will draft the exhibition with help from various artists, curators and others: «seeking the artistic advice of Cevdet Erek, the intellectual rigor of Griselda Pollock, the sensitivity of Pierre Huyghe, the curatorial imagination of Chus Martinez, the mindfulness of Marcos Lutyens, the acute gaze of Füsun Onur, the political philosophies of Anna Boghiguian, the youthful enthusiasm of Arlette Quynh - Anh Tran, the wise uncertainties of William Kentridge and manifold qualities and agencies to come as the process develops».

This is just one example of how in this exhibition the poetical / political readings of various works can be brought to the fore, and how by way of a theatrical staging they will activate each other and the space in which they are seen.

2009 Cave Painting, organized by Bob Nickas, Gresham's Ghost, New York, USA Infinitesimal Eternity, Yale University School of Art, New York, USA Transitions: Painting at the (other) end of art, Collezione Maramotti, Reggio Emilia, Italy, sponsored by Max Mara Blue, James Graham & Sons, New York, USA Every Revolution is a Roll of the Dice, curated by Bob Nickas, Paula Cooper Gallery, New York, USA Commentary, Paula Cooper Gallery, New York, USA 2008 Reflections, Rhona Hoffman Gallery, Chicago, USA Say Goodbye to... curated by Donna Harkavy and Marion Wilson, The Clifford Gallery at Colgate University, Hamilton, New York, USA White Room; Recent Acquisitions, gifts and works from various exhibitions 1985 - 2008 / from the collection of Bob Nickas, White Columns, New York, USA Empires and Environments, curated by Dominique Nahas and Margaret Evangeline, The Rose Art Museum, Brandeis University, Waltham, USA Ithaca Collects, Herbert Johnson Museum of Art, Ithaca, New York, USA Gray, Dinter Fine Art, New York, USA YOU SAID HE SAID SHE SAID, Seiler + Mosseri - Marlio Galerie, Zürich, Switzerland

Many Local and international creatives have enjoyed the possibility to promote their work at the various exhibitions, group or even solo shows, participating or collaborating in cultural events that have taken place at Fousion Gallery Barcelona or in other spaces in Europe over the last years.

He has also seen tens of thousands of exhibitions, filtering these into his own curatorial projects (which started with a show in his student kitchen during art school) that he now carries out at artistic director of London's Serpentine Galleries, as well as through various other outlets that include 89 +, a joint initiative with Google and Swiss Institute director Simon Castets to showcase work by artists born after 1989.

The artist's previous exhibitions include a recent solo exhibition entitled Lovelady, at the University of Texas, Austin, TX (2014), as well as various other group exhibitions including Mote et Air du Temps, Paris, France (2011), Always the Young Strangers, Higher Pictures, New York, New York (2011), Post-Now, Marty Walker Gallery, Dallas, Texas (2010), and Perspectives 168, Contemporary Arts Museum, Houston (2009).

The exhibition will also feature other documents, including photographs and archives, which will shed light on a little - known aspect of this artist's life and work, that being the influence of the South of France and French painters (such as Paul Cézanne and Jean Lurçat), gleaned during Nash's various journeys to France in the 1920s and 1930s, including a short stay in Arles.

For this exhibition you have also brought in various surface interruptions, sometimes leaving areas blank, and at other times showing multiple scenes in one work.

At MoMA, too, the exhibition has become what its organizers call an «open monographic» one, meaning that, at certain points as it recounts the history of the evolution of Rauschenberg's art and ideas, it branches off and pays special - focus attention to projects he undertook with various collaborators or to the work and thinking of other artists who influenced or inspired him.

Other exhibition highlights include a selection of animations and a well - known series of photographs featuring discreet interventions that the artist has orchestrated in various landscapes and interiors, injecting comedic irony into otherwise everyday banal imagery.

«One goal of the exhibition is to create a feeling that the inner machinery of the digital image is exposed, its various parts seeming to grind against each other,» said Camper.

Yokohama Triennale 2014 / ART Fahrenheit 451: Sailing into the Sea of Oblivion at Yokohama Museum of Art, Shinko Pier Exhibition Hall and various and other venues; Defying Stability: Artistic Process in Mexico 1952 — 1967 at MUAC, Mexico City; Os Gêmeos: A Ópera da Lua at Galpão Fortes Vilaça, São Paulo.

Sansour has attended various other universities in England, America and Denmark, where she has also participated in exhibitions.

[25] Bui has curated other exhibitions at various galleries including recent work by Ron Gorchov at Cheim & Read [26] as well as Exquisite Fucking Boredom, a exhibition of Polaroid images by artist and writer Emma Bee Bernstein at Microscope Gallery.

The museum organizes temporary exhibitions — featuring works both from its collection and on loan from other institutions — concerts, lectures, family programs, workshops, guided tours, and various educational activities.

The artist's first exhibition with Feuer / Mesler on the other hand celebrates her uncompromisingly humorous, sex - positive approach to painting, from titles such as Lick Lick in Brown and Green and Pink Tongues to hinted depictions of various sexual acts.

The exhibition will consider the different ways artists have explored the various aspects of light, from its importance as a source of illumination, as a pure sculptural material, as a mysterious force and as a source of energy that can be conceptually converted into other forms as a means to articulate singular impressions of time and space.

Committed to discovering and cultivating new artists, L - Art Gallery promotes emerging artists through exhibitions, academic seminars and various other educational activities.

Interestingly, while turning the viewer's attention to what one would normally dismiss — and certainly not warrant close inspection — the work takes various forms and affects, not only in relation to the space it is exhibited in and in terms of scale, but also in accordance to its designated context, be it a solo or a group exhibition (in the latter case shaping the viewing experience of other artists» works on display).

I stage situations using various direct and indirect, formal and informal processes — documentary photography, audio and video recording, collaging and manipulating archives, staging performative actions and situations — that are translated into my exhibitions, installations, publications, films and other projects.

In addition to the 511 Gallery and the Dorothy Lemelson Innovation Lab which regularly host the exhibitions of PNCA's Center for Contemporary Art and Culture, PNCA also has numerous other gallery spaces for exhibitions primarily of works by students, but also by alumni and faculty at various times throughout the year.

In recent years, applying techniques of composition to various media, he has presented images, sounds, 3 - dimensional works, and installations, given solo exhibitions and organized many other projects.

The exhibition thus offers a lens on various collecting approaches, with some collectors focusing on the work of particular artists or on specific art historical movements or themes, and others developing their own criteria, whether deliberately or unconsciously.

Before the opening of his own gallery, he presented numerous spectacular exhibitions in various locations such as a cloistered garden in Venice during the Biennale or in a post office in the US, as well as at other renowned galleries.

Her work at REDCAT has included various group exhibitions such as Agency (Assembly: Before and After the Split Second Recorded) and Hotel Theory, co-curated with Sohrab Mohebbi, among others.

This volume is the first to gather together her various approaches to photography, including portraits, collages, Polaroids, and other processes, and will be the foundation for a major traveling exhibition of the work to launch in 2015.

This fresh exhibition combines non-Haitian works from the Rodman Collection with loans from private collections and other sources, extending the traditional of focus to include art from various geographies including Jamaica, Africa, Cuba, and a number of works by self - taught artists from Southern U.S.

Guston, then, like other artists in the exhibition (Edward Hopper, Georgia O'Keeffe, Joseph Stella, for starters) whose work reappears in various contexts, becomes a ligament binding together the diverse moving parts of American art.

Originally an itinerant educational platform, since 2013 Rupert has also operated as a successful Residency center, welcoming artists, theorists, curators and various other practitioners from the fields of contemporary art, creative writing, critical design, architecture, cinema and others in its three programs in an effort to inspire and encourage inter-disciplinary exchange, alternative education and exhibition structure experimentation in Lithuania and abroad.

He has curated exhibitions at King's Cultural Institute, Somerset House and the Whitechapel Gallery, and his writing has been published by the New Statesman, Apollo, White Review, Various Small Fires, Tate, the British Council and others.

The center accommodates various temporary exhibitions each year, which often present, among others, notable artworks from the Pinault Collection.

The exhibition with its various formal outcomes, unfolds in a coherent and involving trajectory, making «emerge» and «mixing» languages of artists who work either with natural and organic materials or digital technology, always striving to suggest other worlds of contamination and con - fusion between natural, cultural, social, and technological ambits.

Alicdan also had multiple group exhibitions with Anting - Anting and various other artists in other cities around the world.