Sentences with phrase «various paintings in this exhibition»

Not exact matches

The exhibition in the main gallery space has been hung with an attention to the various color keys that Dodd has explored with her thin paint and underlying geometric structure.

The exhibition focuses on this most saccharine hue in various media including: painting, sculpture, photography, video, drawing and assemblage by both established and emerging artists.

LONDON - Presenting works made between 2008 and 2017 in various media, including sculpture, painting, film, installation, photograms and posters, the exhibition asserts McElheny's view that «reconstructing history» can be a creative process itself and that aesthetics are always political.

The exhibition will display a selection of 218 pieces reflecting various artistic disciplines, in which painting is specifically represented.

More than thirty years after her death, the oeuvre of American painter Alice Neel attracts ever greater interest, and seems only ever more relevant: the substantial and moving exhibition of her paintings currently at the Gemeentemuseum in The Hague is the latest indication of this groundswell of attention, including various shows and catalogs in addition to a fine biography by Phoebe Hoban and a biographical film directed by Neel's grandson, Andrew Neel.

Each of the 27 artists participating in the exhibition stands out with a thoroughly elaborated personal idiom within a various range of media; painting, drawing, sculpture, photography, video and embroidery.

The exhibition features three paintings by the same title where the obese nude model is shown from a high angle, asleep in various poses.

While Frankfort's work seems to eschew some of this historical weight in favor of a nuanced linguistic playfulness suggestive of the paintings of various other artists, including Ed Ruscha, Mel Bochner, Suzanne McClelland, and Kay Rosen, it nevertheless both engages with the physicality of paint and retains a certain conceptual directness evocative of Louise Fishman's groundbreaking «Angry Paintings» from 1973 (recently included in the exhibition &lapaintings of various other artists, including Ed Ruscha, Mel Bochner, Suzanne McClelland, and Kay Rosen, it nevertheless both engages with the physicality of paint and retains a certain conceptual directness evocative of Louise Fishman's groundbreaking «Angry Paintings» from 1973 (recently included in the exhibition &laPaintings» from 1973 (recently included in the exhibition «WACK!

For those unfamiliar with their work, the exhibition at Maureen Paley's is typical of their mode of presentation in being more of an environment or a set — vividly coloured wall paintings with strong formal and graphic elements unite and frame the various sculptural and pictorial components into an integrated whole.

After her contribution in various theatre productions she focusses on painting since 1992, her works were shown in various solo and group exhibitions in Zürich, Basel, Hamburg, Wien, Berlin.

The paintings in the exhibition retain their relationship to their original habitats, as well as their various means of extraction.

The exhibition shows various paintings and pastels from the 1960s up to now, in which eroticism, desire, violence and humour are recurring motifs.

Following that is the very popular and much anticipated annual group exhibition «The Summer Show,» which opens June 17 and features more than 40 works in various media — including painting, sculpture, works on paper, photography, video and installation — by gallery and guest artists.

Various Private Collections - New York, NY; Detroit, MI: Memphis, TN; Nashville, TN; St.Petersburg, FL; Washington, DC; Oxford, MS; Seattle, WA, Los Angeles, CA; Little Rock, AR; Boston, MA; Raleigh, NC SELECTED BIBLIOGRAPHY Artscope, «Centerfold», Volume 4, Numer 2, May / June 2009 ArtSEEN, «Drawing Conclusions», Volume 5, Spring 2007 NY ARTS, «Artist's Voice», Volume 12, Issue 5/6, May / June 2007 The Washington Post, «Portraiture's Harsh Lessons» by Blake Gopnik, June 25, 2006 The Atlanta Journal - Constitution, «Colorful Melange Blends Well», by Jerry Cullum March 12, 2006 The Commercial Appeal, «A Splash of Great Painting» by Frederic Koeppel, January 21, 2005 The Star - Ledger, «Connecting Art and the Everyday» by Dan Bischoff, Sunday, August 1, 2004 Art Papers, Exhibition Review «Homegrown» by Linda Johnson Dougherty, Volume 26, Issue 1; Jan. / Feb. 2002 The Spectator, «The Spaces Between: Brian Bishop's «The Longest Year»» by Glenn Perkins, December 26, 2001 New York Times, «Among a Show of Drawings, Looking for Ones with Bite» by William Zimmer, May 14, 2000 The Memphis Flyer,»... Offering up an earful and eyeful» by Cory Dugan, March, 1998 New American Paintings, Open Studio Competition, 1998 CURRENT EMPLOYMENT Professor of Art and Chair, Department of Art + Music, Framingham State University, Framingham, MA click here to download a comprehensive cv in pdf format.

The exhibition to accompany the launch of the fourth edition of Young Masters Art Prize, will include a selection of previous winners and shortlisted artists of the 2009 — 2014 Prize together with guest artists whom in various ways reflect on the history of art through a variety of media including ceramics, painting, photography, multimedia and video.

Far from ignoring the lessons of Duchamp, such a treatment of paint was derived from an understanding of his predecessor's artistic strategies, to which Rauschenberg had his first in - depth exposure in the spring of 1953 at Sidney Janis's exhibition, Dada 1916 — 1923.8 Throughout that year, he explored various precedents set by the older artist.

Organized by Wexner Center curator Christopher Bedford, the exhibition features 45 works in a variety of media spanning the years 2000 - 2010, with an emphasis on his highly textured, multilayered paintings made with various kinds of papers, found materials, nylon string, caulking, and more.

Though the work in the exhibition utilizes various genres and media, the strength of much of Thomas's work is clearly rooted in a deep investment in the history of painting, its long tradition of masters and masterpieces, and the generations of audiences that have accepted its tropes and icons.

During the exhibition, the scientific lab will interact with the visitors Following the investigations of the neuroscientist Vittorio Gallese who along with Giacomo Rizzolati discovered mirror neurons and how they response to colors in various artworks both in real paintings and reproduced images on screens.

The mirror conversation between Ryan and Olive is perfectly represented in the playful construction of this project in the diptych Please be eager / Please be patient / Please collaborate - The day that me and Daddy talked about the exhibition in Italy and made our paintings, Olive's Studio, Saxmundham, Sunday the 17th of May, 2015 by Olive May Gander + Please be eager / Please be patient / Please collaborate - Olive presenting me with a birthday present of a small brown cardboard box decorated with tape and drawings, containing an emergency art kit consisting of various small pens, pencils, tapes, stickers and glues, Saxmundham, Thursday the 21st of May, 2015 by Ryan Gander.

Various exhibitions of the Sixties in recent years have shown her contribution to painting of this period and now place Boty in the mainstream of British Pop Art.

The artist has participated in various group exhibitions including Engender at Kohn Gallery, Los Angeles, The Edge of Doom at H I L D E, Los Angeles, Human Condition at John Wolf, Los Angeles, On Painting at Kent Fine Art, New York, Friend of the Devil at Jack Hanley Gallery, Immediate Female at Judith Charles Gallery.

Around the mid-1800's, the time that the French Impressionism lost its edge and became a valuable style, with various exhibitions happening in America presenting the European painters, the American painters began to gather in artistic colonies that centered on outdoor paintings, which later influenced a movement of garden art in America.

As well as painting, Fiona demonstrates her painting techniques at Art Shows, exhibitions and for various art societies throughout the UK, and you can also see her on SKY TV's Painting in Watepainting, Fiona demonstrates her painting techniques at Art Shows, exhibitions and for various art societies throughout the UK, and you can also see her on SKY TV's Painting in Watepainting techniques at Art Shows, exhibitions and for various art societies throughout the UK, and you can also see her on SKY TV's Painting in WatePainting in Watercolour.

For her exhibition in the project gallery, Bozzi has created a series of fourteen small - scale, gouache on paper paintings that present landscapes at various times of day and season, each an intimate study in capturing the play of light and color.

Structured chronologically, the exhibition consists of works on paper from various stages of the artist's career, beginning with summary pencil scrawls of the early 1950s, when Twombly was a student at Black Mountain College in North Carolina, and ending with three works from 2008 filled almost to bursting with blood - red spirals of acrylic paint.

-- 13.05.2011 5th floor, Gallery of Contemporary Art Site - specific exhibition of 10 young prominent Danish artists, who work in various media: video, sound, sculpture, painting and installation.

The exhibition includes intimately scaled works Frankenthaler made while studying with Hofmann and large canvases that reference the sea and landscape of Provincetown, painted in her various studios there.

Curator Dean Daderko, who included Merris in the Contemporary Arts Museum Houston 2013 group exhibition Outside the Lines, explains the artist's approach as follows, «Through his various experiments with painting, abstraction, nature and culture, Merris» sense of play and curiosity is palpable and contagious, arousing and satisfying our curiosity.

These long rolls of painted canvas have been styled in various ways in previous exhibitions, including being hung or draped so as to resemble heavy bolts of lurid fabric.

The exhibition features Schmidt's series of hand - painted silhouette cutouts that explore depictions of the female in various cultures and in moments throughout history.

Circinus & Horologium is a three person exhibition featuring new works by Daniel Ingroff, Lia Lowenthal and Danielle McCullough in various media: drawing, painting, textile and photography.

The exhibition presents works whose center is surrounded by a painterly space of sea and water — depicted in various thechniques, including painting, print, photography and video.

The mission of Whitespace is to expand and introduce the viewer to current trends in contemporary art by creating international exhibitions by major mid-career contemporary artists using various mediums: including painting, sculpture, photography, drawing and video.

A broad ranging accompanying program on the Düsseldorf School of Painting developed in cooperation with various institutions will complete the exhibition program.

Jean Koeller's paintings and those of her students made the «Seasons II» exhibition at the Synesthesia Gallery a delight through October 12 and Marianist Brother Joe Barrish celebrated «Buildings, Barns and Bouquets» with his coloristic verve in various media.

Prompted by what they viewed as a «gulf in consciousness» between the exhibition's organisers and the collective, they painted slogans onto various photos and texts, as well as read a statement.

In Spain, the Prado's major summer exhibition «El Greco and Modern Painting» marks 400 years since the artist's death, and examines how various artists of the 19th and 20th centuries adopted him as a proto - modernist.

In this exhibition, over twenty paintings from the artist's various stages of his career share one element, which is women, one of Copley's many recurring themes.

In this exhibition, the Pennsylvania - and Istanbul - based Yetter showed three paintings and three mixed - media works in which various influences, from data to German Expressionism, are discernable but discomfiting restlessnesIn this exhibition, the Pennsylvania - and Istanbul - based Yetter showed three paintings and three mixed - media works in which various influences, from data to German Expressionism, are discernable but discomfiting restlessnesin which various influences, from data to German Expressionism, are discernable but discomfiting restlessness.

The four artists who are included in an exhibition at the Po Kim / Sylvia Wald Foundation on Lafayette Street maintain a perpetual dialogue about painting and frequently show their work together in various parts of Germany.

Horyon Lee's paintings were exhibited in various solo and group exhibitions.

With an eye toward projected demographic trends such as these, the group exhibition The Future of America at the Hudgens Center for the Arts through April 28, brings together work by seven lens - based artists documenting various communities and subcultures among American teenagers and children: black cowboys and cowgirls, boys wearing fatigues and armed with paint guns, adolescent girls in their bedrooms.

This companion volume to the artist's largest exhibition to date is a feast taken from countless visual documents of Kelley's early formation, such as his involvement with the experimental band Destroy All Monsters (DAM), which also featured Jim Shaw, Cary Loren, and Niagara (born Lynn Rovner) in 1973 while Kelly and Shaw were students at the University of Michigan in Ann Arbor; early performative sculptures and objects; drawings; paintings; handmade dolls and stuffed animal sculptures; photography; videos; and endless inventive installations in various forms and shapes that explore and deal with the themes of self - destruction, repression, class relations, sexuality, religion, politics, and whatever else lies between the grotesque and the sublime, the sacred and the profane.

The exhibition, which is curated by the Guggenheim's associate curator Lauren Hinkson, places Albers's well - known paintings alongside less - studied photographs (many exhibited publicly for the first time in this exhibition) that he took while visiting various ancient ruins in Mexico.

For Frieze NY 2018, Various Small Fires presents a selection of Billy Al Bengston's (b. 1934) «moon paintings», the first grouped exhibition of this series outside of California since their debut at James Corcoran Gallery (Santa Monica) in 1990.

The artist's first exhibition with Feuer / Mesler on the other hand celebrates her uncompromisingly humorous, sex - positive approach to painting, from titles such as Lick Lick in Brown and Green and Pink Tongues to hinted depictions of various sexual acts.

A certain kind of creative ruthlessness connects the various artists represented in «Low Life Slow Life,» from the raw ugliness of Robert Mallary's «Little Hans» (1963), a sculpture made of resin - dipped tuxedos, to the sheds - present in the exhibition but sealed shut - containing all the paintings acknowledged as his own by McCarthy's friend, Al Payne, who died during the show's preparation.

From the press release: The first museum exhibition devoted to the Indian influences in Clemente's work and how they relate to the artistic practices and traditions of various regions in India features approximately 20 works, including paintings from the last 30 years, and four new, larger than life - size sculptures created especially for the exhibition.

The collection of medieval and early Renaissance manuscripts is displayed in rotating exhibitions covering various topics, such as life in the Middle Ages, religion, and the development of painting techniques.