Radiating from its historic base in the Tuileries Garden of the Domaine National du Louvre, a programme inaugurated in 2006, FIAC extended into the Jardin des Plantes and
various spaces of the Museum National d'Histoire Naturelle in 2011, then to the Place Vendôme in 2012 and, for the first time this year, along the banks of the river Seine, thanks to the leading project from the Ville de Paris for 2013, les Berges de la Seine.
Not exact matches
The inside
of the
museum is even more impressive and houses the most important modern art
museum in Europe with more than 50,000 works
of art from 5,000 artists, as well as a library, cinema and
various performance
spaces.
Inspired by the architectural character
of the neighborhood and featuring
various scales
of gallery
space that speak to the diverse needs
of contemporary artists, the design seeks to ensure that artistic dialogue remains at the heart
of the
Museum.»
Since earning his MFA from Hunter College in 2000, the artist's work has been exhibited in
various venues throughout New York City, including Artists
Space, The Brooklyn
Museum, PS1 Center for Contemporary Art, El Museo del Barrio, PS122 Gallery, Longwood Art Gallery, Queens
Museum of Art, and Bronx
Museum of the Arts.
His work is held in
various public collections including the Whitney
Museum of American Art, New York; the Hirshhorn
Museum and Sculpture Garden, Washington, DC; the Albright - Knox Art Gallery, Buffalo; the
Museum of Contemporary Art, Los Angeles; Moderna Museet, Stockholm; and the de la Cruz Collection Contemporary Art
Space, Miami.
«Impulse, Reason, Sense, Conflict; Abstract Art from the Ella Fontanals - Cisneros Collection,» Cisneros Fontanals Art Foundation, Miami, FL, December 3, 2014 — March 29, 2015; catalogue «The Other Side - Mirrors and Reflections in Contemporary Art,» Belvedere, Vienna, Austria, June 18 — October 12, 2014; travels to
Museum of Modern Art Carinthia, Klagenfurt, Austria, November 27, 2014 — March 1, 2015 «CalArts Art Benefit & Auction,» Paula Cooper Gallery and Metro Pictures, New York, NY, April 5 — 19, 2014 2013 «Damage Control: Art and Destruction Since 1950,» curated by Kerry Brougher and Russell Ferguson, Hirshhorn
Museum and Sculpture Garden, Washington, D.C., October 24, 2013 — May 26, 2014; traveled to Mudam, Luxemburg City, Luxembourg, July 12 — October 12, 2014; Kunsthaus Graz, Graz, Austria, November 14, 2014 — February 22, 2015 «Room to Live: Recent Acquisitions and Works from the Collection,»
Museum of Contemporary Art, Los Angeles, CA, October 5, 2013 — January 12, 2014 «Nasher XChange,»
various sites throughout Dallas, TX, presented by the Nasher Sculpture Center, Dallas, TX, October 19, 2013 — February 16, 2014 «For the Time Being: Hidden Behind Plaster,» Staatliche Kunsthalle Baden - Baden, Baden - Baden, Germany, July 20 — October 27, 2013; catalogue «Endless Bummer II: Still Bummin»,» curated by Jan Tumlir, Malborough Gallery Chelsea, New York, NY, May 11 — June 29, 2013 «Speak, Memory,» Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY, May 1 — June 8, 2013 «Made in
Space,» curated by Peter Harkawik and Laura Owens, Night Gallery, Los Angeles, CA, March 16 — April 15; traveled to Gavin Brown's Enterprise, New York, NY, July 11 — August 10, 2013 «Selections from the Permanent Collection,»
Museum of Contemporary Art, Los Angeles, March 3, 2013 — January 27, 2014.
E.S.P. TV has worked with
various venues and institutions including: The Whitney
Museum of American Art, New
Museum,
Museum of Arts and Design, Printed Matter, Millennium Film Workshop, New School, Recess, Camera Club (New York, NY); Interstate Projects, Spectacle Theater, Issue Project Room, Knockdown Center, Flux Factory, Roulette (Brooklyn, NY); Franklin Street Works (Stamford, CT), Liminal
Space (Oakland, CA), Yerba Buena Center for the Arts (San Francisco, CA), Human Resources (Los Angeles, CA), Ballroom Marfa, Marfa Public Radio, (Marfa, TX),
Museum of Human Achievement (Austin, TX), S1 (Portland, OR), Nightingale Cinema (Chicago, IL), MoCAD (Detroit MI), General Public (Berlin), STORE (Dresden), Studio XX (Montreal), Kling and Bang Gallery (Reykjavik) and Pallas Projects (Dublin).
Over the past twenty - five years Bethan Huws has produced a multifaceted body
of work in
various media — watercolors, sculptures, text based works presented both in
museums and in outdoor
spaces and, more recently 35 mm films that she has scripted and directed.
After studying at the Royal College
of Art (London) and HAK (Vienna), Greig Burgoyne has embarked in
various projects and exhibitions, most recently Slipstream a solo show at Five Years (London, 2011), Back to the Future (Hastings
Museum and Art gallery, 2010), The Future
of Nostalgia (Jerwood Project
Space, 2009).
Esparza has performed in a variety
of spaces including AIDS Project Los Angeles, Highways Performance
Space, REDCAT, Human Resources, SOMArts, Vincent Price
Museum, LACE and
various public sites throughout Los Angeles.
Examples
of Laugesen's work can be found in
various private and public collections around the country, including the
Museum of Outdoor Art, Englewood, CO; Cheyenne Mountain Zoo, Colorado Springs, CO; Lowry Community Open
Space, Denver, CO; Children's Garden Montessori, Denver, CO..
For the work's presentation at SFMOMA, Kubisch compiled a sequence
of recordings
of magnetic fields from
various sites, including a security room in the basement
of the
museum; nearby locations such as Yerba Buena Gardens, a parking garage on Natoma Street, and Epicenter, a city - run
space devoted to seismic safety; the Hoover Dam in Nevada; a power plant in Finland; server rooms in Austria, Germany, and Hong Kong; a Louis Vuitton store in Paris; and the Laboratory for Antiquated Video Systems at ZKM Center for Art and Media in Karlsruhe, Germany.
Exhibitions and Productions Bow Arts (2017), «Rhino», London (solo show) Bow Arts (2016), «Desire Caught by the Tail», London (solo show) Wimbledon
Space (2016), «The Golden Face Lift» (solo show) Dyson Gallery (2016), «Act Natural», London (exhibiting artist) Riverlight Gallery (2015), duo exhibition, London (exhibiting artist) The Rag Factory (2014), «Love Kills», London (as Artistic Director
of LUXE / performer) The Chelsea Theatre (2014), «Love Kills», London (as Artistic Director
of LUXE / performer) Floating Island Gallery (2014), group show, (exhibiting artist) Spill Festival (2013), «PORN», Ipswich (exhibiting artist) Departure Foundation (2013), group show, «Unperforming» (exhibiting artist) Testbed Gallery (2013), group show, «acts
of 2», (exhibiting artist and curator) Testbed Gallery (2012), group show, «acts
of», (exhibiting artist and curator) Freud
Museum (2011), group show, Objects
of Desire, London (exhibiting artist) Battersea Arts Centre (2010), Accidental Festival, London (exhibiting artist) Blue Print (2010), group show, In Time, London (exhibiting artist) perFORM (2009), group show, Triangle
Space, London (exhibiting artist) Live Art Lectures (2009), group show, London (exhibiting artist) Disconnected (2009), web - based group show, created and uploaded in London (exhibiting artist) Tate Modern (2008), The Living Currency, London (live performance) Home Sweet Home (2008),
various locales, London (co-founder and exhibiting artist, group show) Blackout (2008), group show, Chelsea Art, London (exhibiting artist) Press Play (2008), group show, Chelsea Art, London (exhibiting artist) Climate
of Change (2007), group show, Southwark Art (exhibiting artist) Heiner Müller Programme (2001), Access Theatre, New York (as Artistic Director
of LUXE / performer) Vengeance, Bloodlust & Afternoon Tea: Armageddon, Cupcakes & the Poisonous Love
of Heiner Müller's «Quartet», «Heartpiece» & «Medeamaterial» (2005) Theatro Technis, London (as Artistic Director
of LUXE / performer) EH JOE (1998), The Kraine, New York (as Artistic Director
of LUXE / performer) Meditation JoJo (1996), Mabou Mines Suite, New York (director and solo performer for video) Dixon Place Funereal (1995),» Funereal», New York, (director and performer) Mabou Mines / Suite (1994), «Funereal», New York (director and performer) H.E.R.E. (1994), «HOME», New York (director and performer) Glendale Studio (1993), «HOME», Arizona (director and performer)
Rather, Soundtracks takes a close look at the relationship between sound and
space in
various ways, primary among them the relationship between sound - based art and the
space of the art exhibition and the
museum.
A well - grounded understanding and use
of the
various spaces within and around the
museum give Sussman and Sanders a virtuosic credit.
Sabba Syal Elahi's art has been featured at
various contemporary art
spaces in Chicago, Los Angeles and Barcelona, and virtually through the International
Museum of Women.
His body
of remix artworks includes published cult novels, pioneering works
of Internet art, digital video and surround sound
museum installations, large - scale video projections in public
spaces, live audio - visual / VJ performance, and most recently, a series
of feature - length «foreign films» shot with different image - capturing devices in
various locations throughout the world.
Sex in Hong Kong at Para Site and offsite venues, Hong Kong; Hans van Dijk: 5000 Names at Ullens Center for Contemporary Art, Beijing; Lu Yang: Kimokawa Cancer Baby at Ren
Space, Shanghai; Rashid Johnson: Magic Numbers at George Economou Collection, Athens; Apichatpong Weerasethakul: Fireworks at Kurimanzutto, Mexico City; Hiroshi Sugimoto: Aujourd» hui, le Monde Est Mort [Lost Human Genetic Archive] at Palais de Tokyo, Paris; The Permeability
of Certain Matters at Spring Workshop, Hong Kong; Meeting Points 7: Ten Thousand Wiles and a Hundred Thousand Tricks at Institute for African Studies, Moscow; The St. Petersburg Paradox at Swiss Institute, New York; Sapporo International Art Festival 2014 at
various venues, Sapporo; Manifesta 10 at State Hermitage
Museum, St Petersburg.
Recent notable group exhibitions include; 3 am: Wonder, Paranoia and the Restless Night, The Bluecoat, Liverpool, UK; travelling to
various UK destinations (2014 - 2013); Site: Place
of Memories,
Spaces with Potential, Hiroshima City
Museum of Contemporary Art, Hiroshima, Japan (2013); Labour and Wait, Santa Barbara
Museum of Art, California, USA (2013); Além da Vanguarda, Bienal Naifs do Brasil, SESC Piracicaba, São Paulo (2012); Mythologies, Cité Internationale des Arts, Paris (2011) and Textiles Art and the Social Fabric, MUHKA,
Museum of Contemporary Art, Antwerp (2009).
In this vein, the Hessel
Museum's architecture has been reconfigured to echo a series
of domestic settings;
various galleries have been converted into
spaces that suggest a living room, bedroom, dining room, hallway, vestibule, and library or study.
«Inspired by the architectural character
of the neighborhood and featuring
various scales
of gallery
space that speak to the diverse needs
of contemporary artists, the design seeks to ensure that artistic dialogue remains at the heart
of the
museum.»
Most MA13 events are free, except where noted (see detailed listing below) and will take place at
various venues throughout Atlanta, including The Sound Table /
Space 2 in the Edgewood Design District, the Atlanta Decorative Arts Center in Buckhead, the High
Museum of Art in Midtown and several showrooms throughout the city.
Over the years, Talley Dunn and her associates have enjoyed the opportunity to work with
various museums and non-profit
spaces, including the Dallas
Museum of Art; the Kemper
Museum of Contemporary Art; the Museo de Arte Contemporáneo de Buenos Aires; the
Museum of Fine Arts, Houston; the Modern Art
Museum of Fort Worth; the New Orleans
Museum of Art; the Honolulu
Museum of Art; the USF Contemporary Art
Museum; the Sheldon
Museum of Art; and the Whitney
Museum of American Art, among others.
The show is presented by Eric Firestone in which a number
of artists from around the world have painted
various planes to be on displayed at the Pima Air and
Space Museum.
Portland, ME (20 + Locations) Congress Street
Various Exchange Street
Various Portland
Museum of Art Maine College
of Art (MECA)
Space Gallery PhoPa Gallery
The installations and sculptures included in the show wind through the
various galleries and transitional
spaces, such as the atrium and stairwells,
of Melbourne's Ian Potter
Museum of Art.
Philipsz projects the sound
of her own warbley voice singing different songs a Capella into
various public
spaces, from bus stations to supermarkets to art
museums.
Beyond the
Museum, an urge to extend her artistic gesture into the world outside the gallery is what inspired Ascension
of Polkadots on the Trees, a project that Kusama has taken to
various public
spaces around the world.
Rick Bahto makes work utilizing
various combinations
of still and motion picture photography, sound, and performance, which has been presented at a variety
of museums, galleries, microcinemas, film festivals, conferences, alternative
spaces, and scenic locations spanning the Northern Hemisphere, including commissions from Monday Evening Concerts and The Huntington, and solo exhibitions at Jancar Jones Gallery, Millennium Film Workshop, Or Gallery, and Videofag.
Individual rooms feature 24 hard - edge abstract paintings, drawings and reliefs by Ellsworth Kelly; 18 figurative and abstract paintings by Gerhard Richter; 14 silkscreens on canvas by Andy Warhol (most from the crucial 1960s); 11 Photorealist artist portraits in
various media by Chuck Close; seven Agnes Martin grid and stripe paintings (installed in a heptagon - shaped room, recalling the sublime
space at the Harwood
Museum in Taos, N.M., where the artist once lived); five geometrically ordered Minimalist sculptures by Carl Andre; and five monumental mixed - media paintings
of a decaying German mythos by Anselm Kiefer (plus one large model airplane in lead, an emphatically heavier - than - air machine conjuring the cruel historical weight
of the failed Luftwaffe and its celebrated pilot artist, Joseph Beuys).
The narrative
of his intellectual and emotive adventure, developed over a period
of 40 years and still under way, unfolds in close relation with the
museum's exhibition
spaces through a selection
of 76 works — comprising paintings, photographs, videos, sculptures and installations — produced by 66 artists
of various generations and cultural and geographical areas.
When Kelley installed his
various videos, props and soundtracks for Day is Done in Gagosian Gallery in 2005 and later at the Broad Contemporary Art
Museum in L.A., there was plenty
of floor
space, tableaux assembled with beautiful symmetry, colored lights that followed those age old rules (pair analogous colors when you want harmony, complimentary for contrast and extra energy).
1990 Information, Terrain, San Francisco, California, US The 60s Revisited - New Concepts / New Materials, Leo Castelli Gallery, New York, US
Various Small Fires in the Gutenberg Galaxy, Galerie Maier - Hahn, Dusseldorf, DE Time Span, Fundacio Caixa de Pensions, Barcelona, ES Aquarian Artists, University
of Rhode Island, Kingston, Rhode Island, US Fragments, Parts, Wholes / The Body and Culture, White Columns, New York, US Che Fare: Concept Art / Minimal / Art Povera / Land Art, Kunsthalle Bielefeld, Bielefeld, DE Kunstenaarsboeken uit de verzameling A.S.P.C., Provinciaal
Museum Hasselt, Hasselt, BE Group Show, Mai 36 Gallerie, Germany: Art Frankfurt, CH MeaMemphis Collezione» 89, Art to Use, Frankfurt A.M., DE Group Show, Galeria Marga Paz, Madrid, ES 5 Galerien zu Gast bei Breuninger, Brigitte March Galerie, Stuttgart, DE The Readymade Boomerang - 8th Biennale
of Sydney, Art Gallery
of New South Wales, Sydney, AU Saga 90, Eric Linard Editions, Grand - Palais, Paris, FR Concept Art, Deichtorhallen, Hamburg, DE Dreams
of Artists, A Metamemphis Collection, 121 Art Gallery, Antwerpen, BE Two Decades
of American Art: The 60s & 70s, Nassau County
Museum of Art, Roslyn Harbor, US RE: Framing / Cartoons, Loughelton Gallery, New York, US; Wexner Center for the Arts, Ohio, US; Gallery A, The Ohio State University, Columbus, Ohio, US Robert Gober, Craigie Horsfield, Lawrence Weiner, Barbara Gladstone Gallery, New York, US Wir Nehmen an der Art, Mai 36 Galerie, Basel Art Fair, Basel, CH Word as Image: American Art 1960 - 1990, Milwaukee Art
Museum, Milwaukee, Wisconsin, US; Oklahoma City Art
Museum, Oklahoma, US; Contemporary Art
Museum, Houston, Texas, US A Group Show, Marian Goodman Gallery, New York, US Selected Prints and Multiples, Mai 36 Gallery, Lucerne, CH Red, Galerie Christine and Isy Brachot, Brussels, BE Un Choix d'Art Minimal dans la Collection Panza, ARC, Paris, FR Children's Aids Project, Daniel Weinberg Gallery, Santa Monica, California, US Interventions / An Exhibition from the Collection
of Delfryd Celf, Art Gallery
of Ontario, Toronto, CA Savoire Faire / Savoire Vivre, Centre International d'Art Contemporain de Montreal, Montreal, CA Art Billboards in the Hague - Southwest, The Hague, NL The Readymade Boomerang Print Portfolio, Galerie Vorsetzen, Hamburg, DE Time
Space Place, Galerie Ghislaine Hussenot, Paris, FR High Season I...
1973 5 Works
of Lawrence Weiner, Modern Art Agency, Napoli, IT Within Forward Motion, Kabinett für Aktuelle Kunst, Bremerhaven, DE Once Upon a Time / C» era una Volta, Galleria Toselli, Milan, IT With Relation to the
Various Manners with
Various Things, Jack Wendler Gallery, London, UK 8 Works
of Lawrence Weiner, Städtisches
Museum Mönchengladbach, DE Six Works
of Lawrence Weiner Presented by Wide White
Space Bruxelles / Antwerpen...,
Space Bruxelles, Antwerp, BE Two Works
of Lawrence Weiner, Galleria Sperone, Torino, IT
Natual Porto Art Show, City
of Porto, Casa da Música, PT Dieu Donné Annual Benefit, Dieu Donné Gallery, New York, US Just Love Me, Mudam Luxembourg, Luxembourg, LU TANK Art Attack Launch: Artists Support Women for Women International, DKNY, London, UK The Crude and the Rare, 41 Cooper Gallery, The Cooper Union, New York, US Contemporary Magic: A Tarot Deck Art Project, The National Arts Club, New York, US Platform 2010 / Projected Image, Artsonje Center, Seoul, KR NY Art Book Fair, Electronic Arts Intermix, MOMA P.S. 1, Long Island City, New York, US Broken Off, screening Estoril Film Festival,
various cinemas in Estoril, PT 12 films and videos by Lawrence Weiner, screening Time / Store, e-flux, New York, US Der erste Impuls Skizzen Zeichnungen 1958 - 2010, Brigitte March International Contemporary Art, Stuttgart, DE Yes Or Yes, Yes Or Yes 2, curated by Lisa Holzer and Chiara Minchio, Nice and Fit, Berlin, DE Deutsche Angst, audio Painting and Sculpture, Lehmann Maupin, New York, US Je crois aux miracles, Collection Lambert en Avignon, Avignon, FR The Winter Show, i8 Gallery, Reykjavik, IS Display: Objects, Buildings and
Space, Palácio Quintela, Lisbon, PT Collection: MOCA's First Thirty Years,
Museum of Contemporary Art, Los Angeles, California, US Contemplating the Void: Interventions in the Guggenheim
Museum, Solomon R. Guggenheim
Museum, New York, US
In the piece, you can watch moments where visitors interact with artworks and artists, including John Baldessari, Marina Abramovic, and Philippe Parreno, interspersed with views
of the
museum's
various spaces: the galleries, cafe, education center, research archive, and bookstore.
Drawing on Rainer's incredible 50 years practice, and its influence
of on a subsequent generation
of practitioners, Dercon's talk examines the
various ways dance and performance is used to intervene and invade the
space of the
museum, exploring historic and contemporary examples that defy categorisation.
For its Intervals project, the San Francisco — based art collective Futurefarmers is creating a site - specific installation on the Rotunda floor
of the
museum and organizing intimate participatory programs for the public in
various spaces around the city
of New York.
In addition, thanks to the hybrid air conditioning and ventilating system, sufficient natural lighting and other state -
of - the - art environment protection technology, the
museum is registered MERV 11, the highest level for complex architecture, providing qualified
space for
various art exhibitions and helping to achieve the best artistic effect.
It began in 2016 as her contribution to a group exhibition at the
Museum Ludwig in Cologne, where it consisted
of an architectural
space resembling a three - dimensional Mondrian grid painting arrayed with
various items.
AS THE LAWRENCE WEINER RETROSPECTIVE at the Whitney
Museum fades to white under multiple coats
of Kilz and latex paint, and his
various exuberant ephemera take up residence at LA MoCA before wending their way back to their rightful property owners; as Tate Modern and the ICA London emerge from momentary spells
of whispered headlines, random sketching, streams
of consciousness, and face slapping; as New York's New
Museum concludes its vestigial assault on the Work
of Art, not to mention the etiquette
of proper
spacing, and as visitors to the new building experience the worst case
of buyer's remorse since the reopening
of the
Museum of Contemporary Art, Chicago; as the Metropolitan
Museum's Dutch paintings readjust to the staid organizing principles
of artist's name, date, and genre rather than hanging according to who bought what from whom (on whose advice) and resold it to so - and - so, who then donated it to the Met; and as the scent
of modesty - prosaic, charcoal filtered, crystalline - emanates from the 2008 Whitney Biennial, now is as good a time as any to talk about money.
While UMOCA takes advantage
of various exhibition rooms within its
space, the
museum's central focus is the sprawling main gallery, visible from the public entrance on the top floor and accessible by traveling down the staircase to the lower level.
Aladag works have been shown internationally in
various solo and group exhibitions at institutions including Kunsthalle Hamburg; Kunstmuseum Stuttgart; Kunstmuseum Wolfsburg; Marta Herford; Haus der Kunst, Munich; Kunsthalle Fridericianum, Kassel; Mathildenhöhe, Darmstadt (all Germany); TBA 21 Thyssen Bornemisza Contemporary, Vienna; Lentos, Kunstmuseum Linz (all Austria);
Museum Tinguely, Basel; Kunsthalle Basel; Basel; Kunsthaus Zürich, Zurich (all Switzerland); Pythagorion Art
Space Schwarz Foundation, Samos, Greece; ARTER Vehbi Koc Foundation, Istanbul, Turkey; MOT —
Museum of Contemporary Art Tokyo, Tokyo, Japan; Hayward Gallery, London, Great Britain; Museo Tamayo in Mexico City, Mexico and many others.
Human existence will be related and elucidated from different perspectives in the
various exhibition
spaces of the
museum.
Sutton's work is held in
various international collections and
museums including TATE, London; Deutsche Bank, London; Aberdeen Art Gallery; Arts Council
of Great Britain; British Council; Cleveland
Museum of Art, USA; Contemporary Art Society, London; Ernst & Young; Fitzwilliam
Museum, Cambridge; Goldman Sachs International, London; Government Art Collection; NSA Collection — Noborimachi
Space of Art, Hiroshima, Japan; Merrill Lynch, London; and the Unilever Plc, London.
Visitors entered through a darkened hallway set up with
various staged light effects, the better to understand the depiction
of shadows as following a reversed logic
of perspective, while the works were arranged in an open - floor plan that allowed for different sections
of the exhibition to overlap, and brought a fresh perspective to the
museum space.
The Groninger
Museum in the Netherlands has gained an enormous installation, filling up much
of their open
space with the household items and
various collectibles
of Waste Not, the collaborative installation created between Chinese contemporary artist Song Dong and his mother, Zhao Xiangyuan.
Inspired by the architecture character
of the neighborhood and featuring
various scales
of gallery
space that speak to the diverse needs
of contemporary artists, the design seeks to ensure that artistic dialogue remains at the heart
of the
Museum,» said Sir David Adjaye.
Artist Statement Working in
various capacities in art
museums over the years, I experienced a side
of institutional
space that the public rarely sees.
The Adler Planetarium in Chicago, the Evergreen Aviation &
Space Museum of McMinnville, Ore., and Texas A&M;'s Aerospace Engineering Department will get
various shuttle simulators.