Sentences with phrase «various spaces of the museum»

Radiating from its historic base in the Tuileries Garden of the Domaine National du Louvre, a programme inaugurated in 2006, FIAC extended into the Jardin des Plantes and various spaces of the Museum National d'Histoire Naturelle in 2011, then to the Place Vendôme in 2012 and, for the first time this year, along the banks of the river Seine, thanks to the leading project from the Ville de Paris for 2013, les Berges de la Seine.

Not exact matches

The inside of the museum is even more impressive and houses the most important modern art museum in Europe with more than 50,000 works of art from 5,000 artists, as well as a library, cinema and various performance spaces.
Inspired by the architectural character of the neighborhood and featuring various scales of gallery space that speak to the diverse needs of contemporary artists, the design seeks to ensure that artistic dialogue remains at the heart of the Museum
Since earning his MFA from Hunter College in 2000, the artist's work has been exhibited in various venues throughout New York City, including Artists Space, The Brooklyn Museum, PS1 Center for Contemporary Art, El Museo del Barrio, PS122 Gallery, Longwood Art Gallery, Queens Museum of Art, and Bronx Museum of the Arts.
His work is held in various public collections including the Whitney Museum of American Art, New York; the Hirshhorn Museum and Sculpture Garden, Washington, DC; the Albright - Knox Art Gallery, Buffalo; the Museum of Contemporary Art, Los Angeles; Moderna Museet, Stockholm; and the de la Cruz Collection Contemporary Art Space, Miami.
«Impulse, Reason, Sense, Conflict; Abstract Art from the Ella Fontanals - Cisneros Collection,» Cisneros Fontanals Art Foundation, Miami, FL, December 3, 2014 — March 29, 2015; catalogue «The Other Side - Mirrors and Reflections in Contemporary Art,» Belvedere, Vienna, Austria, June 18 — October 12, 2014; travels to Museum of Modern Art Carinthia, Klagenfurt, Austria, November 27, 2014 — March 1, 2015 «CalArts Art Benefit & Auction,» Paula Cooper Gallery and Metro Pictures, New York, NY, April 5 — 19, 2014 2013 «Damage Control: Art and Destruction Since 1950,» curated by Kerry Brougher and Russell Ferguson, Hirshhorn Museum and Sculpture Garden, Washington, D.C., October 24, 2013 — May 26, 2014; traveled to Mudam, Luxemburg City, Luxembourg, July 12 — October 12, 2014; Kunsthaus Graz, Graz, Austria, November 14, 2014 — February 22, 2015 «Room to Live: Recent Acquisitions and Works from the Collection,» Museum of Contemporary Art, Los Angeles, CA, October 5, 2013 — January 12, 2014 «Nasher XChange,» various sites throughout Dallas, TX, presented by the Nasher Sculpture Center, Dallas, TX, October 19, 2013 — February 16, 2014 «For the Time Being: Hidden Behind Plaster,» Staatliche Kunsthalle Baden - Baden, Baden - Baden, Germany, July 20 — October 27, 2013; catalogue «Endless Bummer II: Still Bummin»,» curated by Jan Tumlir, Malborough Gallery Chelsea, New York, NY, May 11 — June 29, 2013 «Speak, Memory,» Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY, May 1 — June 8, 2013 «Made in Space,» curated by Peter Harkawik and Laura Owens, Night Gallery, Los Angeles, CA, March 16 — April 15; traveled to Gavin Brown's Enterprise, New York, NY, July 11 — August 10, 2013 «Selections from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, March 3, 2013 — January 27, 2014.
E.S.P. TV has worked with various venues and institutions including: The Whitney Museum of American Art, New Museum, Museum of Arts and Design, Printed Matter, Millennium Film Workshop, New School, Recess, Camera Club (New York, NY); Interstate Projects, Spectacle Theater, Issue Project Room, Knockdown Center, Flux Factory, Roulette (Brooklyn, NY); Franklin Street Works (Stamford, CT), Liminal Space (Oakland, CA), Yerba Buena Center for the Arts (San Francisco, CA), Human Resources (Los Angeles, CA), Ballroom Marfa, Marfa Public Radio, (Marfa, TX), Museum of Human Achievement (Austin, TX), S1 (Portland, OR), Nightingale Cinema (Chicago, IL), MoCAD (Detroit MI), General Public (Berlin), STORE (Dresden), Studio XX (Montreal), Kling and Bang Gallery (Reykjavik) and Pallas Projects (Dublin).
Over the past twenty - five years Bethan Huws has produced a multifaceted body of work in various media — watercolors, sculptures, text based works presented both in museums and in outdoor spaces and, more recently 35 mm films that she has scripted and directed.
After studying at the Royal College of Art (London) and HAK (Vienna), Greig Burgoyne has embarked in various projects and exhibitions, most recently Slipstream a solo show at Five Years (London, 2011), Back to the Future (Hastings Museum and Art gallery, 2010), The Future of Nostalgia (Jerwood Project Space, 2009).
Esparza has performed in a variety of spaces including AIDS Project Los Angeles, Highways Performance Space, REDCAT, Human Resources, SOMArts, Vincent Price Museum, LACE and various public sites throughout Los Angeles.
Examples of Laugesen's work can be found in various private and public collections around the country, including the Museum of Outdoor Art, Englewood, CO; Cheyenne Mountain Zoo, Colorado Springs, CO; Lowry Community Open Space, Denver, CO; Children's Garden Montessori, Denver, CO..
For the work's presentation at SFMOMA, Kubisch compiled a sequence of recordings of magnetic fields from various sites, including a security room in the basement of the museum; nearby locations such as Yerba Buena Gardens, a parking garage on Natoma Street, and Epicenter, a city - run space devoted to seismic safety; the Hoover Dam in Nevada; a power plant in Finland; server rooms in Austria, Germany, and Hong Kong; a Louis Vuitton store in Paris; and the Laboratory for Antiquated Video Systems at ZKM Center for Art and Media in Karlsruhe, Germany.
Exhibitions and Productions Bow Arts (2017), «Rhino», London (solo show) Bow Arts (2016), «Desire Caught by the Tail», London (solo show) Wimbledon Space (2016), «The Golden Face Lift» (solo show) Dyson Gallery (2016), «Act Natural», London (exhibiting artist) Riverlight Gallery (2015), duo exhibition, London (exhibiting artist) The Rag Factory (2014), «Love Kills», London (as Artistic Director of LUXE / performer) The Chelsea Theatre (2014), «Love Kills», London (as Artistic Director of LUXE / performer) Floating Island Gallery (2014), group show, (exhibiting artist) Spill Festival (2013), «PORN», Ipswich (exhibiting artist) Departure Foundation (2013), group show, «Unperforming» (exhibiting artist) Testbed Gallery (2013), group show, «acts of 2», (exhibiting artist and curator) Testbed Gallery (2012), group show, «acts of», (exhibiting artist and curator) Freud Museum (2011), group show, Objects of Desire, London (exhibiting artist) Battersea Arts Centre (2010), Accidental Festival, London (exhibiting artist) Blue Print (2010), group show, In Time, London (exhibiting artist) perFORM (2009), group show, Triangle Space, London (exhibiting artist) Live Art Lectures (2009), group show, London (exhibiting artist) Disconnected (2009), web - based group show, created and uploaded in London (exhibiting artist) Tate Modern (2008), The Living Currency, London (live performance) Home Sweet Home (2008), various locales, London (co-founder and exhibiting artist, group show) Blackout (2008), group show, Chelsea Art, London (exhibiting artist) Press Play (2008), group show, Chelsea Art, London (exhibiting artist) Climate of Change (2007), group show, Southwark Art (exhibiting artist) Heiner Müller Programme (2001), Access Theatre, New York (as Artistic Director of LUXE / performer) Vengeance, Bloodlust & Afternoon Tea: Armageddon, Cupcakes & the Poisonous Love of Heiner Müller's «Quartet», «Heartpiece» & «Medeamaterial» (2005) Theatro Technis, London (as Artistic Director of LUXE / performer) EH JOE (1998), The Kraine, New York (as Artistic Director of LUXE / performer) Meditation JoJo (1996), Mabou Mines Suite, New York (director and solo performer for video) Dixon Place Funereal (1995),» Funereal», New York, (director and performer) Mabou Mines / Suite (1994), «Funereal», New York (director and performer) H.E.R.E. (1994), «HOME», New York (director and performer) Glendale Studio (1993), «HOME», Arizona (director and performer)
Rather, Soundtracks takes a close look at the relationship between sound and space in various ways, primary among them the relationship between sound - based art and the space of the art exhibition and the museum.
A well - grounded understanding and use of the various spaces within and around the museum give Sussman and Sanders a virtuosic credit.
Sabba Syal Elahi's art has been featured at various contemporary art spaces in Chicago, Los Angeles and Barcelona, and virtually through the International Museum of Women.
His body of remix artworks includes published cult novels, pioneering works of Internet art, digital video and surround sound museum installations, large - scale video projections in public spaces, live audio - visual / VJ performance, and most recently, a series of feature - length «foreign films» shot with different image - capturing devices in various locations throughout the world.
Sex in Hong Kong at Para Site and offsite venues, Hong Kong; Hans van Dijk: 5000 Names at Ullens Center for Contemporary Art, Beijing; Lu Yang: Kimokawa Cancer Baby at Ren Space, Shanghai; Rashid Johnson: Magic Numbers at George Economou Collection, Athens; Apichatpong Weerasethakul: Fireworks at Kurimanzutto, Mexico City; Hiroshi Sugimoto: Aujourd» hui, le Monde Est Mort [Lost Human Genetic Archive] at Palais de Tokyo, Paris; The Permeability of Certain Matters at Spring Workshop, Hong Kong; Meeting Points 7: Ten Thousand Wiles and a Hundred Thousand Tricks at Institute for African Studies, Moscow; The St. Petersburg Paradox at Swiss Institute, New York; Sapporo International Art Festival 2014 at various venues, Sapporo; Manifesta 10 at State Hermitage Museum, St Petersburg.
Recent notable group exhibitions include; 3 am: Wonder, Paranoia and the Restless Night, The Bluecoat, Liverpool, UK; travelling to various UK destinations (2014 - 2013); Site: Place of Memories, Spaces with Potential, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2013); Labour and Wait, Santa Barbara Museum of Art, California, USA (2013); Além da Vanguarda, Bienal Naifs do Brasil, SESC Piracicaba, São Paulo (2012); Mythologies, Cité Internationale des Arts, Paris (2011) and Textiles Art and the Social Fabric, MUHKA, Museum of Contemporary Art, Antwerp (2009).
In this vein, the Hessel Museum's architecture has been reconfigured to echo a series of domestic settings; various galleries have been converted into spaces that suggest a living room, bedroom, dining room, hallway, vestibule, and library or study.
«Inspired by the architectural character of the neighborhood and featuring various scales of gallery space that speak to the diverse needs of contemporary artists, the design seeks to ensure that artistic dialogue remains at the heart of the museum
Most MA13 events are free, except where noted (see detailed listing below) and will take place at various venues throughout Atlanta, including The Sound Table / Space 2 in the Edgewood Design District, the Atlanta Decorative Arts Center in Buckhead, the High Museum of Art in Midtown and several showrooms throughout the city.
Over the years, Talley Dunn and her associates have enjoyed the opportunity to work with various museums and non-profit spaces, including the Dallas Museum of Art; the Kemper Museum of Contemporary Art; the Museo de Arte Contemporáneo de Buenos Aires; the Museum of Fine Arts, Houston; the Modern Art Museum of Fort Worth; the New Orleans Museum of Art; the Honolulu Museum of Art; the USF Contemporary Art Museum; the Sheldon Museum of Art; and the Whitney Museum of American Art, among others.
The show is presented by Eric Firestone in which a number of artists from around the world have painted various planes to be on displayed at the Pima Air and Space Museum.
Portland, ME (20 + Locations) Congress Street Various Exchange Street Various Portland Museum of Art Maine College of Art (MECA) Space Gallery PhoPa Gallery
The installations and sculptures included in the show wind through the various galleries and transitional spaces, such as the atrium and stairwells, of Melbourne's Ian Potter Museum of Art.
Philipsz projects the sound of her own warbley voice singing different songs a Capella into various public spaces, from bus stations to supermarkets to art museums.
Beyond the Museum, an urge to extend her artistic gesture into the world outside the gallery is what inspired Ascension of Polkadots on the Trees, a project that Kusama has taken to various public spaces around the world.
Rick Bahto makes work utilizing various combinations of still and motion picture photography, sound, and performance, which has been presented at a variety of museums, galleries, microcinemas, film festivals, conferences, alternative spaces, and scenic locations spanning the Northern Hemisphere, including commissions from Monday Evening Concerts and The Huntington, and solo exhibitions at Jancar Jones Gallery, Millennium Film Workshop, Or Gallery, and Videofag.
Individual rooms feature 24 hard - edge abstract paintings, drawings and reliefs by Ellsworth Kelly; 18 figurative and abstract paintings by Gerhard Richter; 14 silkscreens on canvas by Andy Warhol (most from the crucial 1960s); 11 Photorealist artist portraits in various media by Chuck Close; seven Agnes Martin grid and stripe paintings (installed in a heptagon - shaped room, recalling the sublime space at the Harwood Museum in Taos, N.M., where the artist once lived); five geometrically ordered Minimalist sculptures by Carl Andre; and five monumental mixed - media paintings of a decaying German mythos by Anselm Kiefer (plus one large model airplane in lead, an emphatically heavier - than - air machine conjuring the cruel historical weight of the failed Luftwaffe and its celebrated pilot artist, Joseph Beuys).
The narrative of his intellectual and emotive adventure, developed over a period of 40 years and still under way, unfolds in close relation with the museum's exhibition spaces through a selection of 76 works — comprising paintings, photographs, videos, sculptures and installations — produced by 66 artists of various generations and cultural and geographical areas.
When Kelley installed his various videos, props and soundtracks for Day is Done in Gagosian Gallery in 2005 and later at the Broad Contemporary Art Museum in L.A., there was plenty of floor space, tableaux assembled with beautiful symmetry, colored lights that followed those age old rules (pair analogous colors when you want harmony, complimentary for contrast and extra energy).
1990 Information, Terrain, San Francisco, California, US The 60s Revisited - New Concepts / New Materials, Leo Castelli Gallery, New York, US Various Small Fires in the Gutenberg Galaxy, Galerie Maier - Hahn, Dusseldorf, DE Time Span, Fundacio Caixa de Pensions, Barcelona, ES Aquarian Artists, University of Rhode Island, Kingston, Rhode Island, US Fragments, Parts, Wholes / The Body and Culture, White Columns, New York, US Che Fare: Concept Art / Minimal / Art Povera / Land Art, Kunsthalle Bielefeld, Bielefeld, DE Kunstenaarsboeken uit de verzameling A.S.P.C., Provinciaal Museum Hasselt, Hasselt, BE Group Show, Mai 36 Gallerie, Germany: Art Frankfurt, CH MeaMemphis Collezione» 89, Art to Use, Frankfurt A.M., DE Group Show, Galeria Marga Paz, Madrid, ES 5 Galerien zu Gast bei Breuninger, Brigitte March Galerie, Stuttgart, DE The Readymade Boomerang - 8th Biennale of Sydney, Art Gallery of New South Wales, Sydney, AU Saga 90, Eric Linard Editions, Grand - Palais, Paris, FR Concept Art, Deichtorhallen, Hamburg, DE Dreams of Artists, A Metamemphis Collection, 121 Art Gallery, Antwerpen, BE Two Decades of American Art: The 60s & 70s, Nassau County Museum of Art, Roslyn Harbor, US RE: Framing / Cartoons, Loughelton Gallery, New York, US; Wexner Center for the Arts, Ohio, US; Gallery A, The Ohio State University, Columbus, Ohio, US Robert Gober, Craigie Horsfield, Lawrence Weiner, Barbara Gladstone Gallery, New York, US Wir Nehmen an der Art, Mai 36 Galerie, Basel Art Fair, Basel, CH Word as Image: American Art 1960 - 1990, Milwaukee Art Museum, Milwaukee, Wisconsin, US; Oklahoma City Art Museum, Oklahoma, US; Contemporary Art Museum, Houston, Texas, US A Group Show, Marian Goodman Gallery, New York, US Selected Prints and Multiples, Mai 36 Gallery, Lucerne, CH Red, Galerie Christine and Isy Brachot, Brussels, BE Un Choix d'Art Minimal dans la Collection Panza, ARC, Paris, FR Children's Aids Project, Daniel Weinberg Gallery, Santa Monica, California, US Interventions / An Exhibition from the Collection of Delfryd Celf, Art Gallery of Ontario, Toronto, CA Savoire Faire / Savoire Vivre, Centre International d'Art Contemporain de Montreal, Montreal, CA Art Billboards in the Hague - Southwest, The Hague, NL The Readymade Boomerang Print Portfolio, Galerie Vorsetzen, Hamburg, DE Time Space Place, Galerie Ghislaine Hussenot, Paris, FR High Season I...
1973 5 Works of Lawrence Weiner, Modern Art Agency, Napoli, IT Within Forward Motion, Kabinett für Aktuelle Kunst, Bremerhaven, DE Once Upon a Time / C» era una Volta, Galleria Toselli, Milan, IT With Relation to the Various Manners with Various Things, Jack Wendler Gallery, London, UK 8 Works of Lawrence Weiner, Städtisches Museum Mönchengladbach, DE Six Works of Lawrence Weiner Presented by Wide White Space Bruxelles / Antwerpen..., Space Bruxelles, Antwerp, BE Two Works of Lawrence Weiner, Galleria Sperone, Torino, IT
Natual Porto Art Show, City of Porto, Casa da Música, PT Dieu Donné Annual Benefit, Dieu Donné Gallery, New York, US Just Love Me, Mudam Luxembourg, Luxembourg, LU TANK Art Attack Launch: Artists Support Women for Women International, DKNY, London, UK The Crude and the Rare, 41 Cooper Gallery, The Cooper Union, New York, US Contemporary Magic: A Tarot Deck Art Project, The National Arts Club, New York, US Platform 2010 / Projected Image, Artsonje Center, Seoul, KR NY Art Book Fair, Electronic Arts Intermix, MOMA P.S. 1, Long Island City, New York, US Broken Off, screening Estoril Film Festival, various cinemas in Estoril, PT 12 films and videos by Lawrence Weiner, screening Time / Store, e-flux, New York, US Der erste Impuls Skizzen Zeichnungen 1958 - 2010, Brigitte March International Contemporary Art, Stuttgart, DE Yes Or Yes, Yes Or Yes 2, curated by Lisa Holzer and Chiara Minchio, Nice and Fit, Berlin, DE Deutsche Angst, audio Painting and Sculpture, Lehmann Maupin, New York, US Je crois aux miracles, Collection Lambert en Avignon, Avignon, FR The Winter Show, i8 Gallery, Reykjavik, IS Display: Objects, Buildings and Space, Palácio Quintela, Lisbon, PT Collection: MOCA's First Thirty Years, Museum of Contemporary Art, Los Angeles, California, US Contemplating the Void: Interventions in the Guggenheim Museum, Solomon R. Guggenheim Museum, New York, US
In the piece, you can watch moments where visitors interact with artworks and artists, including John Baldessari, Marina Abramovic, and Philippe Parreno, interspersed with views of the museum's various spaces: the galleries, cafe, education center, research archive, and bookstore.
Drawing on Rainer's incredible 50 years practice, and its influence of on a subsequent generation of practitioners, Dercon's talk examines the various ways dance and performance is used to intervene and invade the space of the museum, exploring historic and contemporary examples that defy categorisation.
For its Intervals project, the San Francisco — based art collective Futurefarmers is creating a site - specific installation on the Rotunda floor of the museum and organizing intimate participatory programs for the public in various spaces around the city of New York.
In addition, thanks to the hybrid air conditioning and ventilating system, sufficient natural lighting and other state - of - the - art environment protection technology, the museum is registered MERV 11, the highest level for complex architecture, providing qualified space for various art exhibitions and helping to achieve the best artistic effect.
It began in 2016 as her contribution to a group exhibition at the Museum Ludwig in Cologne, where it consisted of an architectural space resembling a three - dimensional Mondrian grid painting arrayed with various items.
AS THE LAWRENCE WEINER RETROSPECTIVE at the Whitney Museum fades to white under multiple coats of Kilz and latex paint, and his various exuberant ephemera take up residence at LA MoCA before wending their way back to their rightful property owners; as Tate Modern and the ICA London emerge from momentary spells of whispered headlines, random sketching, streams of consciousness, and face slapping; as New York's New Museum concludes its vestigial assault on the Work of Art, not to mention the etiquette of proper spacing, and as visitors to the new building experience the worst case of buyer's remorse since the reopening of the Museum of Contemporary Art, Chicago; as the Metropolitan Museum's Dutch paintings readjust to the staid organizing principles of artist's name, date, and genre rather than hanging according to who bought what from whom (on whose advice) and resold it to so - and - so, who then donated it to the Met; and as the scent of modesty - prosaic, charcoal filtered, crystalline - emanates from the 2008 Whitney Biennial, now is as good a time as any to talk about money.
While UMOCA takes advantage of various exhibition rooms within its space, the museum's central focus is the sprawling main gallery, visible from the public entrance on the top floor and accessible by traveling down the staircase to the lower level.
Aladag works have been shown internationally in various solo and group exhibitions at institutions including Kunsthalle Hamburg; Kunstmuseum Stuttgart; Kunstmuseum Wolfsburg; Marta Herford; Haus der Kunst, Munich; Kunsthalle Fridericianum, Kassel; Mathildenhöhe, Darmstadt (all Germany); TBA 21 Thyssen Bornemisza Contemporary, Vienna; Lentos, Kunstmuseum Linz (all Austria); Museum Tinguely, Basel; Kunsthalle Basel; Basel; Kunsthaus Zürich, Zurich (all Switzerland); Pythagorion Art Space Schwarz Foundation, Samos, Greece; ARTER Vehbi Koc Foundation, Istanbul, Turkey; MOT — Museum of Contemporary Art Tokyo, Tokyo, Japan; Hayward Gallery, London, Great Britain; Museo Tamayo in Mexico City, Mexico and many others.
Human existence will be related and elucidated from different perspectives in the various exhibition spaces of the museum.
Sutton's work is held in various international collections and museums including TATE, London; Deutsche Bank, London; Aberdeen Art Gallery; Arts Council of Great Britain; British Council; Cleveland Museum of Art, USA; Contemporary Art Society, London; Ernst & Young; Fitzwilliam Museum, Cambridge; Goldman Sachs International, London; Government Art Collection; NSA Collection — Noborimachi Space of Art, Hiroshima, Japan; Merrill Lynch, London; and the Unilever Plc, London.
Visitors entered through a darkened hallway set up with various staged light effects, the better to understand the depiction of shadows as following a reversed logic of perspective, while the works were arranged in an open - floor plan that allowed for different sections of the exhibition to overlap, and brought a fresh perspective to the museum space.
The Groninger Museum in the Netherlands has gained an enormous installation, filling up much of their open space with the household items and various collectibles of Waste Not, the collaborative installation created between Chinese contemporary artist Song Dong and his mother, Zhao Xiangyuan.
Inspired by the architecture character of the neighborhood and featuring various scales of gallery space that speak to the diverse needs of contemporary artists, the design seeks to ensure that artistic dialogue remains at the heart of the Museum,» said Sir David Adjaye.
Artist Statement Working in various capacities in art museums over the years, I experienced a side of institutional space that the public rarely sees.
The Adler Planetarium in Chicago, the Evergreen Aviation & Space Museum of McMinnville, Ore., and Texas A&M;'s Aerospace Engineering Department will get various shuttle simulators.
a b c d e f g h i j k l m n o p q r s t u v w x y z