Not exact matches
Missouri Synod theologians had traditionally affirmed the inerrancy of the Bible, and, although such a term can mean many things, in practice it meant certain rather specific things: harmonizing of the
various biblical narratives; a somewhat ahistorical reading of the Bible in which there was little room for growth or development of theological understanding; a tendency to hold that God would not have used within the Bible literary
forms such as myth, legend, or saga; an unwillingness to reckon with possible creativity on the part of the evangelists who tell the
story of Jesus in the Gospels or to consider what it might mean that they write that
story from a post-Easter perspective; a general reluctance to consider that the canons of historical exactitude which we take as givens might have been different for the biblical authors.
The history of great art is mostly the
story of artists toiling under
various forms of censorship.
In the following two chapters, I shall examine more precisely the
various forms that parish
stories assume and show how by observation and inquiry one can explore the setting of a congregation's narrative.
Such a view presupposes the ancient two - or three -
story concept of the universe — with the flat earth in the center, the «heavens» above and usually
various forms of nether regions either in the depths of the earth or below the earth.
The Old Testament is the
story of how violating God's commands consistently resulted in punishment from God, in its
various forms (e.g., drought, famine, plague, warfare, etc., and death).
Even when I taught a course at Vanderbilt University divinity school in 1971 called «
Forms of Religious Reflection,» in which we looked at the limitations and possibilities for religious reflection of
various literary genres (parables, autobiographies, novels, poems, etc.), I did not know that a movement was aborning concerned with
story and autobiography in theological reflection — a movement of which I was soon to feel very much a part.
We may say that a motif which can be detected in a multiplicity of strands of tradition and in
various forms (pronouncement
stories, parables, sayings, etc.) will have a high claim to authenticity, always provided that it is not characteristic of an activity, interest or emphasis of the earliest Church.
The
story had its dim beginnings and it betrays its distant involvement in an ancient myth of creation out of the Near and Middle East which survived in
various forms but best and most fully in the Babylonian Enuma Elish (a title derived from its opening words, «When on high»).4 Here chaos is represented in the goddess Tiamat, a name perhaps echoed in the Hebrew word for «deep» tehom (1:2).
Essentially, the church was
formed by Rome thanks to the salesmanship and editorial skills of Paul, who by his writings and interpretations of the
various fables and
stories surrounding the Jewish rabbi known as Jesus, was able to «de-Jew» those earliest Christian beliefs, thereby making them into something more palatable to the masses, and ultimately to the Roman Emperor Constantine, whose mother converted to the new religion before her death.
The team were encouraged to use a breadth of reporting techniques, utilising multimedia skills to present the
stories in
various forms, such as longer and shorter
form writing, as well as video, audio and pictorially.
Besson then throws
various ticking clocks at us: Lucy has to capture the drugs from the other three mules, with the help of a French narcotics officer named, seriously, Pierre Del Rio (Amr Waked); Lucy has to hook up with legendary brain - guy scientist Professor Norman (Freeman) before her physical
form shuts down entirely; and of course, Mr. Jang is in hot pursuit, although he and his thugs become less and less interesting as the
story goes along.
In the film world, it's been done in
various forms over the years, with perhaps the most popular being Disney's 1976 version of Freaky Friday, which is the same
story told with female protagonists.
It's an extremely edgy black comedy that chronicles the way Harding endured
various forms of abuse and exploitation — from her mother (Allison Janney), her husband (Sebastian Stan), and tabloid media that covered and actively amplified the lurid
story, set at the dawn of the Age of Truthiness.
RC Sherriff's 1928 play Journey's End, which depicts a group of soldiers in the trenches in the First World War, has been adapted in
various forms over the years, although my first experience of the
story was this latest version, directed by Saul Dibb, who most recently made Suite Française.
Credit goes to co writer / director Walt Becker for giving the film the right look and energy for which to build a farce upon, and even if we've seen this
story in
various forms before, the hip music and cast chemistry give the film a feeling of freshness that is crucial.
Summary: As it stands, A Quiet Place is muted in
form but also in its depth compared to progressive and subversive horror
stories from
various mediums.
The dramatic device of a
story unfolding over a single night — with revelations of character and
various crises coming to the fore in the wee hours — carries its own highly familiar baggage, with Long Day's Journey Into Night the pinnacle of the
form and Who's Afraid of Virginia Woolf?
Our plan is grounded in the following two premises: 1) When purposefully synchronized with one another across multiple
forms of media («cross-media»), children's and adolescents» exposure to high quality youth - oriented social and ethical
story content, i.e.
stories of substance specifically about character development, compassion, and courage (CCC), is a powerful way to promote youth academic achievement and ethical values; 2) Especially if these
stories, told and «read» across media, in their
various genres (human interest, biography, history and historical fiction, civic engagement, coming of age, social change, spiritual awakening, moral issues, etc.), are «taught» by «educators» (broadly defined) using an «evidence - based» pedagogy that A) makes use of peer to peer, and adult facilitated group discussion and debate as a primary
form of instruction, and B) takes advantage of access to the texts of the
story that are made available cross-media (narratives, scripts, videos, etc.) to foster students» critical thinking and ethical reflection skills.
Atavist juxtaposes
various digital
forms that lies in the space between long narrative magazine articles and traditional books and e-books — a bit like music singles in iTunes — Atavist presents
stories longer and in more depth than typical magazines, less expensive and more dynamic than traditional books.
Throughout the
story the magical power of language is explored and the idea that
various forms of magical languages exist proved fascinating.
By third grade, we support students in responding to poetry in
various forms, exploring narrative poems that tell
stories, lyrical poems that explore questions and emotions, and humorous poems that make us groan or laugh.
Various family members and guests
form the backbone of the
story as Cliff House draws near to its final days as the family residence.
Again and again in
various forms and shapes I write her
story, colored by my own feelings of love and guilt.»
The
story has appeared in many places and in
various forms, usually with no credit given to Mr. Eiseley.
3/21/2018 -
Stories that Move is a digital toolbox which helps teachers discuss
various forms of discrimination and... More
While we will likely never see the actual game, at least we'll get to experience parts of the
story in
various forms, which is more than we can say for a few Games that Weren't.
The game's introductory trailer showed off the methodical world of the Santa Blanca smuggling operations with narration by the
story's central villain, before revealing the Ghosts presence and the fact of this being a Ghost Recon game, while a subsequent trailer focused on cinematic action and the
various forms of weaponry, vehicles and tactics available to complete your missions.
Over 30 lavishly illustrated pages, Crimp weaves together a sequence of
stories and analysis that includes memories of his work as a junior curator at the institution, a close reading of Daniel Buren's work and particularly the controversial removal of his enormous Painting - Sculpture from the Guggenheim in 1971, and a history of how green and magenta have been juxtaposed in
various cultural
forms.
Resilience:
Form, Narrative, and Installation Inspired by personal
stories, life experiences, and current political climate, this workshop will explore
various methods for designing, engineering, and building a multi-piece sculpture that can be assembled as one.
Embedded in the surface of Untitled [black painting with portal
form] is a sheet of newspaper printed with the foreign exchange rates for Monday, October 8, 1951,
various news
stories, and advertisements, one of which is clearly dated October 9, 1951.
Her artistic research moves from the basics of photographic technique, and develops through
various media taking different
forms according to the places or the
stories in which it develops; from b / w photographic printing to site - specific installation, from video to drawing.
This exhibition will feature new drawings and 12 paintings, where colors and
forms interlace and create
various stories.
The layers of images, text, sound and things perform and activate
various forms of returns, flash - forwards and déja - vus unfolding in this gesture a dense
story of erasures and reappearances, dispossession and resistance, the archaic resonating in the contemporary.
The artists employ
story - based and poetic narratives, engage with popular culture, juxtapose text and image, distill and abstract
various forms, and pay homage to God or denizens of the spirit world.
Serena Perrone employs
various techniques ranging from printmaking and drawing to photography and writing to reflect on personal mythologies, examine differing
forms of nostalgia, recount
stories of destruction, regeneration, transition, enchantment and disenchantment, and capture images of the synchronistic and uncanny ways that magic and wonder are encountered in liminal spaces.
To chart the enduring lack of certainty, read the
various leaks from the forthcoming Intergovernmental Panel on Climate Change report and you'll see roughly the same «maybe» forecast that scientists provided for my 1988 Discover Magazine cover
story on global warming (the climate panel was just being
formed at that time).
Indeed, US culture has been telling these important
stories about scientists as servants of the power elite since the Manhattan Project, and for good reason; science has been beholden
various forms of power for centuries.
I'm a fan of myths... those big and little
stories that persist in
various forms within a culture, and often across cultures.
Various forms of writing will be studied, such as short
stories, novels, poems, plays and non-fiction.