Further, any actual entity involves many prehensions of objects and is essentially a process of synthesizing these various prehensions with
their various subjective forms into a novel unity with one complex form.
Not exact matches
Mays does not comment on the remark (PR 35) that a
subjective form is how that subject prehends its datum, the manner of prehension including
various emotional and attitudinal characteristics.
«E.g., that the feelings which arise in
various phases of a concrescence be compatible for integration; that no element in a concrescence can finally (in the «satisfaction») have two disjoined roles; that no two elements can finally have the same role; that every physical feeling gives rise to a corresponding conceptual feeling: that there is secondary origination of variant conceptual feeling; and that the
subjective forms (valuations) of the conceptual feelings are mutually determined by their aptness for being joint elements in the satisfaction aimed at.
Though conceptual valuation, like concrescence, exemplifies
various categoreal obligations, 14 we should not expect subjectivity in the
form of
subjective aim to apply as long as God is conceived as purely nontemporal.
«The identity presents a combination of extremes, from soft pastel colours and minimal type, to a series of complex illustrations
formed from the mash up of
various visual assets, and vigorous hand - made brushstrokes, textures of varied surfaces, to fragments of photographs taken of day to day life in São Paulo — all pieced together into a
subjective graphic synthesis of the city.»
With a particular interest in the
subjective and objective readings of reality and the
various relationships we
form with technology, their works challenge our prescriptions of knowledge, control, and what it means to be human in an age of advanced technology.