Sentences with phrase «various women in film»

Not exact matches

In Media and Entertainment, her focus is on various programs to provide women opportunities in film and onstage, including a $ 5M fund for women filmmakers and playwrightIn Media and Entertainment, her focus is on various programs to provide women opportunities in film and onstage, including a $ 5M fund for women filmmakers and playwrightin film and onstage, including a $ 5M fund for women filmmakers and playwrights.
While the film touches upon its various political and cultural issues (In addition to the give - and - take relationships between reporters and politicians, there's a lot about the overt and subtle sexism that Kat receives as the first and, at the time, only woman serving a newspaper publisher), the film plays mostly and best as a race - against - the - clock thriller of sorts, in which the obstacles are as imposing as the might of the U.S. government and as low - key as deadlines or being beaten to a story by a rival papeIn addition to the give - and - take relationships between reporters and politicians, there's a lot about the overt and subtle sexism that Kat receives as the first and, at the time, only woman serving a newspaper publisher), the film plays mostly and best as a race - against - the - clock thriller of sorts, in which the obstacles are as imposing as the might of the U.S. government and as low - key as deadlines or being beaten to a story by a rival papein which the obstacles are as imposing as the might of the U.S. government and as low - key as deadlines or being beaten to a story by a rival paper.
In a tradition going back almost to the birth of cinema, the Hong Kong film industry in particular has always had a major subgenre devoted to female action heroes, and now, thanks to various streaming services, there's a good cross-section of films featuring sword - wielding or gun - toting, kick - ass women available for American fans» viewing pleasurIn a tradition going back almost to the birth of cinema, the Hong Kong film industry in particular has always had a major subgenre devoted to female action heroes, and now, thanks to various streaming services, there's a good cross-section of films featuring sword - wielding or gun - toting, kick - ass women available for American fans» viewing pleasurin particular has always had a major subgenre devoted to female action heroes, and now, thanks to various streaming services, there's a good cross-section of films featuring sword - wielding or gun - toting, kick - ass women available for American fans» viewing pleasure.
It was especially poignant to see Robinson, a lesbian filmmaker who's been working in the industry for years on various projects including The L Word, present such a radical film to both older audiences who were familiar to the character and young audiences who are growing up with the chance to see a complex women - centric narrative propelled by her.
• Director Sebastián Lelio has been promoting his other film («A Fantastic Woman») and briefly mentioned «Disobedience» in various interviews.
Various women come forward to tell their horrifying stories in this film, and the way they were mishandled by the military is terrifying.
There have been numerous women who've directed episodes of the various Star Trek TV shows, and with Clarkson set to oversee Star Trek 4, the film side of the franchise is finally boldly going where the previous movies have never gone before in this regard.
The first of five days in the film introduces the team and establishes their various personalities and approaches to life, the end goals of which are universally baseball, woman and beer, and not necessarily in that order.
Take It Out In Trade plays like a cross between Russ Meyer and John Waters, full of digressions — at three separate points throughout the film, the main character takes himself on a «vacation» that consist of peeping at naked women through potted plants in front of posters for various far - flung locales — and extensive full - frontal nudity and simulated seIn Trade plays like a cross between Russ Meyer and John Waters, full of digressions — at three separate points throughout the film, the main character takes himself on a «vacation» that consist of peeping at naked women through potted plants in front of posters for various far - flung locales — and extensive full - frontal nudity and simulated sein front of posters for various far - flung locales — and extensive full - frontal nudity and simulated sex.
Over the course of the film, he longs for true love and meets four different remarkably beautiful women at various times in his life: Della, played by Imogen Poots; Karen, played by Teresa Palmer; Helen, played by Freida Pinto; and finally Elizabeth, played by Natalie Portman.
After graduating from Florida State University she worked in New York City for the next ten years in various film industry jobs including a camera woman for CNN, film stage manager, and producer of music videos and commercials.
Natual Porto Art Show, City of Porto, Casa da Música, PT Dieu Donné Annual Benefit, Dieu Donné Gallery, New York, US Just Love Me, Mudam Luxembourg, Luxembourg, LU TANK Art Attack Launch: Artists Support Women for Women International, DKNY, London, UK The Crude and the Rare, 41 Cooper Gallery, The Cooper Union, New York, US Contemporary Magic: A Tarot Deck Art Project, The National Arts Club, New York, US Platform 2010 / Projected Image, Artsonje Center, Seoul, KR NY Art Book Fair, Electronic Arts Intermix, MOMA P.S. 1, Long Island City, New York, US Broken Off, screening Estoril Film Festival, various cinemas in Estoril, PT 12 films and videos by Lawrence Weiner, screening Time / Store, e-flux, New York, US Der erste Impuls Skizzen Zeichnungen 1958 - 2010, Brigitte March International Contemporary Art, Stuttgart, DE Yes Or Yes, Yes Or Yes 2, curated by Lisa Holzer and Chiara Minchio, Nice and Fit, Berlin, DE Deutsche Angst, audio Painting and Sculpture, Lehmann Maupin, New York, US Je crois aux miracles, Collection Lambert en Avignon, Avignon, FR The Winter Show, i8 Gallery, Reykjavik, IS Display: Objects, Buildings and Space, Palácio Quintela, Lisbon, PT Collection: MOCA's First Thirty Years, Museum of Contemporary Art, Los Angeles, California, US Contemplating the Void: Interventions in the Guggenheim Museum, Solomon R. Guggenheim Museum, New York, US
A sequence of ten paintings depict a film test - intended to be used by technicians to calibrate how color is captured and presented on film, not necessarily seen by an audience - of a woman's hand passing in front of various colors of cloth.
In doing so, she creates a complex and multilayered synthesis of various art forms — film, dance, and sculpture — while simultaneously meditating on the process through which art is made, and the shifting sexual dynamics between men and women as embodied in both the sculpture and Halprin's performative re-imagination of iIn doing so, she creates a complex and multilayered synthesis of various art forms — film, dance, and sculpture — while simultaneously meditating on the process through which art is made, and the shifting sexual dynamics between men and women as embodied in both the sculpture and Halprin's performative re-imagination of iin both the sculpture and Halprin's performative re-imagination of it.
The appellant was a barrister who had admitted taking video footage with a camera which had been positioned in a rucksack to film up the skirts of various women and a 14 - year - old girl as they shopped in supermarkets.
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