Sentences with phrase «vast number of artists»

«The vast number of artists and the breadth of genres represented there was unbelievable.»
The clean lines and shapes of its architecture and skyline inspire the area's vast number of artists.
It talks about the vast number of artists who are working undiscovered and just need a break.»
«There are vast numbers of artists and other interested people who have heard about it but have never seen it,» she added.

Not exact matches

November brought our unique «Director's Choice» exhibit, a follow - up to our juried show and a testament to the vast numbers of outstanding artists we have yet to hear of.
The exhibition demonstrates how Russian icon painting and folk art influenced the artist's visual language, and highlights the variety of his oeuvre through the presentation of a vast number of oil paintings, gouaches, drawings, and sculptures.
Walking through this vast behemoth of an exhibition you're reminded that the great majority of British artists aren't working in an idiom that is either traditional or cutting edge — as people like to think — but at an infinite number of points in between.
Someone not long ago summed up concisely (too concisely, I thought at the time) the conflicts of such a mega-event: «As curator, you can never go wrong with such a massive exhibition: with such a vast number of participating artists there will always be at least five whose positions are worth special mention.»
«Colorado is home to a vast and diverse number of artists in all kinds of mediums, and the Arvada Center's Art of the State exhibition is offering a snapshot of that talent.»
The artist has been featured in a vast number of important group exhibitions, festivals and biennales such as numerous Venice Biennales and Documenta 7, 8, and 9, Kassel.
Another is Hanne Darboven (1941 - 2009), the German minimal and conceptual artist whose vast, ever - expanding grids of numbers, musical notations and writings sometimes also incorporate photographs.
The appetite for visual stimulation in our contemporary culture — precipitated by internet technology and globalization that has produced infinite numbers of artists of all sorts in the last decade or two, while disempowering the monopoly of the few in mainstream media by giving rise to endless writers and critics who feel an urgent need to respond to such vast production — has paid greater attention to its temporal condition than any art of the past; I would argue that in the end it's the great work of art and thoughtful writing that compels multiple viewings and readings, hence rendering both immortal.
The inaugural Triennial in 2008 brought together 22 works by significant artists, including Christian Boltanski's sound installation of letters of First World War servicemen being read as one sat upon a bench at the site where these men were shipped off to battle, staring out into the sea, and Tracey Emin's work «Baby Things» — a spattering of bronze - cast baby clothes strewn across the city paying homage to the vast number of teenage mothers that inhabit these seaside towns such as Folkestone, and Margate, Emin's notorious hometown.
Drawing on her experience in organising a vast number of exhibitions focusing on the artist, Chiba will also discuss the significance of Takamatsu's work and the undeniable influence he has had upon the art world in Japan and worldwide.
About the artist Søren Lose (b. 1972) has had several solo shows at home and abroad, where a number of his series have been presented, including Tomorrow Land, Phantasmagorie, Abendland Home; he has, furthermore, participated in a vast number of group shows.
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