Sentences with phrase «venue space gallery»

In agreeing to curate the 2018 PMA Biennial, Nat May, the former executive director of Portland's groundbreaking alternative arts venue SPACE Gallery, wanted to ensure the exhibition raised awareness of the cultural moment in Maine and America, and focus on artists participating in those conversations.

Not exact matches

The site also includes a 400 - person music venue, an art gallery, a tap room and a beer garden — a «dream space» where they can directly sell their bevy of brews, plus invite some of their favourite bands to play.

He plans to develop the space into an art gallery, a music venue, and a business incubator.

Trade show: Craft Reviewed by: Katie Spragg from Studio Spragg Sectors covered: Handmade craft Dates: 12 - 14 January Venue: Earls Court, London (moving to Olympia next year) Cost of stand: # 780 (including VAT) Size of stand: 2m x 1m space (space is priced by m2) Who were the buyers: A big mix of buyers, from small independent shops and galleries to larger shops such as Heal's.

Because it wasn't glorious enough to be the most coveted kitchen ceramics brand in the Bay Area, the overachievers at Sausalito - based Heath Ceramics recently added on The Boiler Room — an urban, Mission district space that's part gallery, part event venue, where the brand hosts social and cultural gatherings and exhibits for the public.

After renovating the former Venn gallery space, the Queen Street venue is transformed into a jewel in the Perth dining crown.

Improved finances over the last few years have allowed the College, amongst other things, to invest in new IT, refurbish learning and teaching spaces throughout the college, and rejuvenate the site's Jervis Gallery, which has been brought back to life as a venue for events and weddings; the first of which is taking place this summer.

With two performance venues, meeting space, an art gallery, and more, Sunset Cultural Center, Inc. serves the communities of the Monterey Peninsula through artistic and educational programming.

Since earning his MFA from Hunter College in 2000, the artist's work has been exhibited in various venues throughout New York City, including Artists Space, The Brooklyn Museum, PS1 Center for Contemporary Art, El Museo del Barrio, PS122 Gallery, Longwood Art Gallery, Queens Museum of Art, and Bronx Museum of the Arts.

City Gallery at 735 Sixth Avenue (November 1958 — May 1959), Reuben Gallery at 61 Fourth Avenue (October 1959 — June 1960), Delancey Street Museum at 148 Delancey (October 1959 — May 1960), and Judson Gallery at 239 Thompson Street (February 1959 — January 1962) followed an entirely different model, installing art in venues that often served as combined gallery, studio, and living Gallery at 735 Sixth Avenue (November 1958 — May 1959), Reuben Gallery at 61 Fourth Avenue (October 1959 — June 1960), Delancey Street Museum at 148 Delancey (October 1959 — May 1960), and Judson Gallery at 239 Thompson Street (February 1959 — January 1962) followed an entirely different model, installing art in venues that often served as combined gallery, studio, and living Gallery at 61 Fourth Avenue (October 1959 — June 1960), Delancey Street Museum at 148 Delancey (October 1959 — May 1960), and Judson Gallery at 239 Thompson Street (February 1959 — January 1962) followed an entirely different model, installing art in venues that often served as combined gallery, studio, and living Gallery at 239 Thompson Street (February 1959 — January 1962) followed an entirely different model, installing art in venues that often served as combined gallery, studio, and living gallery, studio, and living spaces.

Viktor Popović's work has been shown in such venues as the Museum of Fine Arts, Split Croatia (2000, 2001, 2006, 2008, 2009, 2011 & 2017); Museum of Contemporary Art, Zagreb, Croatia (2010, 2011, 2015 & 2016); Lauba — People and Art House, Zagreb, Croatia (2011, 2012, 2013); Gallery of Fine Arts — Civic Museum Zadar, Zadar, Croatia (2005, 2010, 2011); Portland Art Center, Portland, Oregon, USA (2006); Glyptotheque — Croatian Academy of Sciences and Arts, Zagreb, Croatia (2003, 2006, 2008, 2009, 2012); Croatian Academy of Sciences and Arts — Department of Prints and Drawings, Zagreb, Croatia (2016); Garis & Hahn Gallery, New York, USA (2014); Kunsthalle Wien Project Space, Vienna, Austria (2012); Istria Museum of Contemporary Art, Pula, Croatia (2008, 2010); MUU Gallery, Helsinki, Finland (2009); Galérie Z, Bratislava, Slovakia (2006); Gallery of Arts, Slovenj Gradec, Slovenia (2002); Casal Balaguer, Palma de Mallorca, Spain (2002).

With venues like an abandoned office space towering over Times Square and the general hustle and bustle as collectors and dealers scramble to make a deal, sometimes the spectacle from the groupings of hundreds of galleries that make up Armory Week can take away from its actual focus: the art.

The move signalled the centre's shift to becoming a contemporary arts venue, with improved gallery spaces and facilities.

Martha Clippinger (b. 1983, lives and works in Durham, North Carolina) has shown in a variety of venues including c2c Project Space, San Francisco, CA; Spectre Arts, Durham, NC; Elizabeth Harris Gallery, Hionas Gallery, Leslie Heller Work Space, and Minus Space, all in New York, NY.

Known as Visitor Experience Representatives (VERs), these students activate and enhance the experience at all of the Hammer's public spaces, including entrances, galleries, and program venues.

The winning artworks will be on display at Jerwood Space, London from 16 September — 25 October 2015, followed by a tour to venues across the UK, including Cheltenham Art Gallery and Museum: The Wilson (21 November 2015 — 31 January 2016), Sidney Cooper Gallery, Canterbury (11 February — 9 April 2016), and Falmouth Art Gallery (23 April — 25 June 2016).

Strollers and folding chairs are permitted on Joe's Field (where space is ample), and not in the smaller courtyard venues or galleries (where space is more limited).

The new 6000 sq. ft. premises provides a further two gallery spaces, with the capacity to schedule multiple exhibitions at one time between venues.

E.S.P. TV has worked with various venues and institutions including: The Whitney Museum of American Art, New Museum, Museum of Arts and Design, Printed Matter, Millennium Film Workshop, New School, Recess, Camera Club (New York, NY); Interstate Projects, Spectacle Theater, Issue Project Room, Knockdown Center, Flux Factory, Roulette (Brooklyn, NY); Franklin Street Works (Stamford, CT), Liminal Space (Oakland, CA), Yerba Buena Center for the Arts (San Francisco, CA), Human Resources (Los Angeles, CA), Ballroom Marfa, Marfa Public Radio, (Marfa, TX), Museum of Human Achievement (Austin, TX), S1 (Portland, OR), Nightingale Cinema (Chicago, IL), MoCAD (Detroit MI), General Public (Berlin), STORE (Dresden), Studio XX (Montreal), Kling and Bang Gallery (Reykjavik) and Pallas Projects (Dublin).

Since graduating, Dzama has been included in numerous group shows at venues including the Plug In Gallery, an alternative space in Winnipeg, and The Drawing Center in New York.

By symbolically portraying the gallery space as a talking vehicle, Baghramian evinces the importance of the venue — not only as a locus of idea generation, but also as a conduit that signifies the role of the viewer as a conveyor of ideas into the outside world.

Bas has exhibited works in group exhibitions at significant venues including «The Collectors», Nordic Pavilion, 2009 Venice Biennale (curated by Elmgreen & Dragset); KaDE, Amersfoort, the Netherlands; 6th Busan Biennale, Korea; Aspen Art Museum, Colorado; Haifa Museum of Art, Israel; Deste Foundation Centre for Contemporary Art, Athens; Saatchi Gallery, London; the Whitney Biennial, Whitney Museum of American Art; The Moore Space, Miami; and Museum of Contemporary Art, North Miami.

Now, the questioning is sure to grow louder, as Mr. Roth and his colleagues prepare to open a new gallery - like venue, U.T.A. Artist Space, in a former manufacturing building downtown.

The cross-pollination of artistic venues during this time exemplifies how communities overlap, thrive, and otherwise extend themselves in multitudes of directions — be it through artists» books, periodicals, and publications, in performance spaces, within gallery - like venues, or in public spaces as small as alleyways and as expansive as Times Square.

For the commercial galleries, project spaces, and pop - up exhibition venues that populate the area, it's a dramatic win for the city that many hope will help nourish the continuing growth of the gallery scene (and which jaded Nashvillians hope won't damage the ability of independent spaces to operate in the area).

Peckham / Camberwell Art Venues ASYLUM Art Space (The Chapel, Caroline Gardens, SE15) Flat Time House / Latham Archive (Bellenden Road, SE15) Hannah Barry (Copeland Road industrial Park / Peckham Rye Multi Story Car Park, SE15) Home; Live Art (Flodden Road, SE5) House (Camberwell Church Street, SE5) M2 Gallery (Kings Grove, SE15) Peckham Space (Peckham High Street, SE15) Sassoon Gallery (Blenheim Grove, SE15) South London Gallery (Peckham Road, SE5) The Sunday Painter (Blenheim Grove, SE15)

She has toured through the US and Europe extensively, performing and DJing for a variety of audiences; from underground spaces, established galleries, and museums, to well established venues, festivals, and theaters, such as the Münchner Kammerspiele, Moma PS1, Berlin Biennale, Kunsthalle Bern, and Red Bull Music Academy.

Group show venues include the Museum of Contemporary Arts Quinta Normal, Santiago, Chile; Matucana 100 Art space, Santiago, Chile; Project 722, Brooklyn, NY; The Parlour Bushwick, Brooklyn, NY; Socrates Sculpture Park, Queens, NY; and Plymouth Gallery at the Brooklyn Bridge Park, NY.

The venue, run by a long - time Bushwick artist and gallerist Deborah Brown, is a multi-room gallery space located in the heart of industrial East Williamsburg.

His work has been exhibited at venues throughout Miami including Locust Projects, the Moore Space, and Art Basel Miami Beach, and recently his solo show in New York at Freight + Volume Gallery.

His work has been widely exhibited at venues such as the Sundance Film Festival, Park City, Utah; The Indianapolis Museum of Contemporary Art, Indianapolis; 303 Gallery, New York; Wesleyan University, Middletown, Connecticut; Artsonje Center, Seoul; Context Galleries, Derry; The Hospital, London; PKM Gallery, Beijing; Kunst - Werke, Berlin; Palacio de Bellas Artes, Mexico City; Participant Inc, New York; Centre de Cultura Contemporània, Barcelona; White Box, New York; Galerie Chez Valentin, Paris; Smart Project Space, Amsterdam; The Islip Art Museum, Islip, New York; and Momenta Art, Brooklyn, New York.

Rehm's work in drawing, performance, and video has been shown at national and international venues including: Elephant; Los Angeles, Woman Made Gallery; Chicago, LACE; Los Angeles, Goliath Visual Space; Brooklyn, Paul Robeson Gallery; Rutgers, ARC Gallery; Chicago, Transformer; Washington DC, Interaction IV; Sardinia, Italy, the Archeological Museum; Varna, Bulgaria and at Mains d'Oeuvres; Saint Ouen, France.

Since 2006, he has organized nearly 50 solo and group exhibitions at both MINUS SPACE's gallery in Brooklyn, as well as other collaborating venues on the national and international levels, including in Mexico, Belgium, Australia, and New Zealand.

Member juried exhibits are mounted annually at venues ranging from galleries and museums to online and alternative spaces.

Bayrle integrates dépendance's renewed venue of two exhibition spaces mirrored architecturally into the constellation of two periods in the artist's practice: The left gallery with works from 1990s and the right gallery with new paintings (all 2015).

The vast open space and in its «raw» form is a terrific venue for large - scale paintings such as Schapiro's, and is a gallery to watch in the future just as the Newtown Lane venue is on the list when gallery - goers are in East Hampton.

2006...: ICAL KRBBR PRDLY PRSNTS GART JAS, JON KLSY, JOSF STRA, Portikus, Frankfurt, Germany Looking Back, White Columns, New York Next to Kin, Daniel Buchholz, Cologne, Germany Minotaur Blood, Galerie Fortescue Avenue, London, curated by Gionata Bonvicini La maman et la putain, curated by Eva Svennung, Air de Paris, Paris Our Marvellous Ambition, Vilma Gold Project Space, Berlin Make Your Own Life: Artists In and Out of Cologne, Institute of Contemporary Art, Philadelphia; curated by Bennett Simpson (Additional Venues: Power Plant, Toronto; Henry Art Gallery, Seattle, 2007) Von der Abwesenheit des Lagers, Kunsthaus Dresden

Venues include The Bluecoat Gallery, Liverpool: Belfast Exposed Gallery, Belfast: PSL Project Space Leeds: Johalla Gallery, Chicago: Binaural, Portugal: PNEM Sound Art Festival, Netherlands: Platforma, London: Ex Teresa Arte Actual, Mexico and NYLO, Living Art Museum, Reykjavik.

After organizing off - kilter, guerilla - style shows in unlikely venues (a cubicle in an office building, a hotel room at Hotel Chelsea, his apartment, etc.) in the early»90s, Brown first opened up a brick - and - mortar space in Chelsea, before moving to the West Village where he eventually took over his neighbor's lease and expanded the gallery to consume and entire block — before vacating to move uptown this year.

Thomas Dane Gallery to open Naples space Thomas Dane Gallery is to open a new space in Naples, complementing its two venues in London, in January 2018.

Additional art venues include the student - run Cage Space, Gallery 650, and the Edgewood Sculpture Studio for critiques, artist talks, and informal exhibitions.

The Biennial programme is presented in locations across Liverpool including public spaces and the city's leading art venues: Bluecoat, FACT, Open Eye Gallery, Tate Liverpool, Liverpool John Moores University's Exhibition Research Lab, National Museums Liverpool, RIBA North, the Liverpool Playhouse, Victoria Gallery & Museum (University of Liverpool), and Blackburne House.

His video, photographic, and installation works have been presented internationally at such venues as ConFlux2009 and Proteus Gowanus in New York; Para / Site Art Space and the Microwave Media Festival in Hong Kong; Gallery M in Berlin; BaseKamp in Philadelphia; Big Orbit and the University at Buffalo Art Gallery in Buffalo; Impakt Festival in Utrecht; Invideo Festival in Milan; OneTake Film Festival in Zagreb; FLEXFest in Gainsville; and Mess Hall, 7/3 Split, Dogmatic, Video Mundi, Onion City, CUFF, Hyde Park Art Center, and Gallery 400 at the University of Illinois at Chicago.

He has exhibited throughout the United States, mounting solo and group exhibitions at venues including the San Diego Art Institute, Helmuth Projects, City Gallery, Southwestern College and many other San Diego exhibition spaces, Noysky Projects in Los Angeles, Brazzos Gallery and Circuit 12 Contemporary in Dallas, Winkleman Gallery and Dumbo Arts Center in New York City, Janus Project in Brooklyn, Hartell Gallery in Ithaca, University of Notre Dame in South Bend and MVSEVM in Chicago, among others.

Over the past two decades Pascher's work has been exhibited internationally at many venues, most recently at Aritsts Space (New York), Cuturegest (Lisbon), Kunstmuseum Basel, Steven Wolf Gallery (San Francisco), and Orchard (New York).

This year, Whitechapel Gallery and independent curator Fatoş Üstek explore venues and spaces across East London with a programme that includes Jake and Dinos Chapman, Lawrence Lek, Melanie Manchot and many more thrilling artists.

21c Nashville features a wide range of gallery spaces, all highlighting the work of contemporary artists, and many showcasing cutting - edge audiovisual technology making it a unique venue for board retreats, executive meetings, cocktail gatherings, reception dinners, charitable events, weddings and other special occasions.

Installed throughout the galleries and connecting spaces, the exhibition is presented in parallel with a series of live performances and special events, both at the South London Gallery SLG and at nearby off - site venues as part of SLG Local.

Our gallery program was established to enhance the public's appreciation of the visual arts, provide a venue to exhibit the work of local, regional, and national artists in a professional space, and provide leadership in the arts by presenting a broad spectrum of arts in all media from both emerging and established artists.

Bringing together historic works from public and private collections and including rarely seen works, it utilizes Thomas Dane Gallery as its venue, mapping connections and synergies across both its gallery Gallery as its venue, mapping connections and synergies across both its gallery gallery spaces.