Sentences with phrase «venue of a travelling exhibition»

Sojourn is the fourth and final venue of a travelling exhibition, which originated at the Museum Haus Esters, Kunstmuseen Krefeld, Germany, and which has changed and evolved in response to the space and context of each subsequent venue.

Not exact matches

World Travel Market Exhibition Director Simon Press said: «The TOT region is the fastest - growing area on WTM, and I am delighted the recent expansion of host venue ExCeL has given the region the opportunity to expand.

In 1949, she became the first designer to have a one - person show at The Museum of Modern Art, New York; the exhibition Anni Albers: Textiles subsequently traveled to 26 venues throughout the United States and Canada.

Two of the works, both entitled Free - Hanging Room Divider, date from 1949, the year Anni Albers became the first textile artist to have a one - person show at The Museum of Modern Art; the exhibition Anni Albers: Textiles subsequently traveled to 26 venues throughout the United States and Canada.

The DMA is the premiere venue for the major traveling exhibition and the first comprehensive survey to be organized in the United States on the work of contemporary American artist Jim Hodges, a former TWO x TWO for AIDS and Art honoree.

This body of work was featured in a major exhibition organized by The Museum of Modern Art, New York (by Kynaston McShine) in 1963 that traveled to 11 venues in the United States and 11 venues in Latin America.

Other recent solo exhibitions include Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 04, including Saratoga Springs, Berkeley, Houston, Andover, Los Angeles, Chicago and ending its run at the Studio Museum in Harlem; Life's Link at the Savannah College of Art and Design Museum of Art in 2012; Fred Wilson: Works 2004 — 2011 at the Cleveland Museum of Art in 2013; and Fred Wilson: Local Color, Studio Museum in Harlem in 2013.

In January, addresses the Massachusetts Board of Education at the statehouse to request increased support for arts in the public school system and to propose several approaches to arts in the core curriculum; during summer, collaborates with Townsend and guest artists Richard Rosenblum, Richard Baker, Paul Bowen, James Balla, George Marsh, and Varujan Baghosian at the New Provincetown Print Project; solo exhibition: Monotypes by Michael Mazur for the Inferno, University of Iowa Museum of Art, Iowa City (travels through 1997 with Mazur and Pinsky giving lectures on their collaboration at eight venues).

One of the major exhibitions was MCA Chicago's «This Will Have Been: Art, Love & Politics» (2012), a show that traveled to other venues that surveyed the decade's social and political developments that changed the character of the art world.

Take your time: Olafur Eliasson, a survey exhibition organized by SFMOMA in 2007, travelled until 2010 to various venues, including the Museum of Modern Art, New York.

Otero has been the subject of several solo exhibitions, including Angel Otero at the Contemporary Art Museum, Raleigh, North Carolina (2012 - 13), and Material Discovery at the SCAD Museum of Art, Savannah College of Art and Design in Georgia, which subsequently traveled to the museum's venue in Hong Kong.

Her exhibitions were the most visited worldwide that year, with three major museum presentations simultaneously traveling through Japan, Asia, and Central and South America?all of which have drawn record - breaking attendances at every venue.

This important monograph is published on the occasion of a travelling exhibition with venues in Dublin, Eindhoven, Dijon, Rhode Island and the New Museum in New York.

Traveling to seven venues, Kehinde Wiley's «A New Republic» exhibition is currently at the Toledo Museum of Art.

He was included in large survey exhibitions throughout the decade of the 1980s, including the Sao Paolo Biennale (1985), Whitney Biennial (1987), Documenta 8 (1987), Australian Biennale (1988), Carnegie International (1988), and numerous single - venue and travelling museum exhibitions across the United States and Europe.

The traveling exhibition program has lent numerous shows to art venues both domestically and internationally, and continues to extend the scope of the collection and its educational mission beyond the Syracuse University campus.

Traveling exhibition Odyssey: The Photographs of Linda Connor will be at the following venues: • Palm Springs Art Museum, December 12, 2009 - April 4, 2010 • Museum of Art, Rhode Island School of Design, Providence, July 2 - October 10, 2010 • Southeast Museum of Photography, Daytona, November 20, 2010 - February 11, 2011 Exhibition tour by Hal Fischer Associates Ms. Connor's work is in over 40 major collections, including the Museum of Modern Art, the Art Institute of Chicago, the San Francisco Museum of Modern Art, the High Museum of Artexhibition Odyssey: The Photographs of Linda Connor will be at the following venues: • Palm Springs Art Museum, December 12, 2009 - April 4, 2010 • Museum of Art, Rhode Island School of Design, Providence, July 2 - October 10, 2010 • Southeast Museum of Photography, Daytona, November 20, 2010 - February 11, 2011 Exhibition tour by Hal Fischer Associates Ms. Connor's work is in over 40 major collections, including the Museum of Modern Art, the Art Institute of Chicago, the San Francisco Museum of Modern Art, the High Museum of ArtExhibition tour by Hal Fischer Associates Ms. Connor's work is in over 40 major collections, including the Museum of Modern Art, the Art Institute of Chicago, the San Francisco Museum of Modern Art, the High Museum of Art, Atlanta.

Colo's work has been exhibited at numerous venues, most recently as part of the exhibition Radical Presence, organized at the Contemporary Art Museum, Houston, and which traveled to the Walker Art Center, the Yerba Buena Center for the Arts in San Francisco, and the Studio Museum in Harlem (2013 - 2015).

Other venues which have hosted solo exhibitions include the kestnergesellschaft, Hanover (2009); de Appel Arts Centre, Amsterdam (2007); Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent (2005; traveled to Parasol unit foundation for contemporary art, London; and the Royal Hibernian Academy, Dublin); Cleveland Museum of Art, Ohio (2005); Kunsthalle Bremerhaven, Germany (2004); and Museum für Gegenwartskunst, Basel (2004).

The intriguing complexity and richness of these shows is based on an organic curatorial model where the exhibitions, once they travel, change and grow in every new venue.

His major museum exhibitions include a ten - year survey at the Whitney Museum of American Art, New York in 1975; «Richard Tuttle: Perceived Obstacles» (Stiftung Schleswig - Holsteinische Landesmuseen, Schloss Gottorf, Schleswig, Germany, toured to two other venues, 2000 - 2001); and a two - year traveling retrospective, «The Art of Richard Tuttle» (San Francisco Museum of Modern Art, San Francisco, touring to the Whitney Museum of American Art, New York; Museum of Contemporary Art, Chicago; and three other venues, 2005 - 2007).

Pendleton's work has been widely exhibited internationally in venues including MoMA, the New Museum, The Kitchen (all New York), Stedelijk Museum (Amsterdam), Museum of Contemporary Art (Chicago), Whitechapel Gallery (London); Galerie Eva Presenhuber (Zurich); and the Museum of Contemporary Art (Denver), where his traveling solo exhibition «Becoming Imperceptible» was recently on view.

Remington had a 20 year (1963 - 1983) Retrospective exhibition which opened at the Newport Harbor Museum in California in 1983, and traveled to the Oakland Museum of Art and several other venues.

Earlier solo exhibitions include the Walker Art Center, Minneapolis and Nelson - Atkins Museum of Art, Kansas City which co-organized and exhibited Joel Shapiro: Outdoors, the first major outdoor exhibition of the artist's bronzes (1995 - 96); Joel Shapiro organized by IVAM Centro Julio Gonzalez, Valencia, Spain that later traveled to the Louisiana Museum of Modern Art, Denmark, Kunsthalle Zurich and Musee des Beaux - Arts, Calais, France (1990 - 91); Joel Shapiro, an exhibition of drawings and sculpture, was organized by the Stedelijk Museum, Amsterdam and later exhibited at the Kunsthaus Düsseldorf and Staatliche Kunsthalle, Baden - Baden, Germany (1985 - 86); a major mid-career survey organized by The Whitney Museum of American Art, New York with subsequent venues at the Dallas Museum of Fine Arts, the Art Gallery of Ontario, Toronto and San Diego Museum of Contemporary Art (1982 - 84); and Joel Shapiro: Sculpture and Drawing at The Whitechapel Art Gallery, London that later traveled to the Museum Haus Lange, Krefeld, Germany and Moderna Museet, Stockholm (1980).

Wilson's work has been the subject of numerous solo and group exhibitions worldwide, including the critically acclaimed Mining the Museum: An Installation by Fred Wilson, sponsored by the Contemporary Museum at The Maryland Historical Society, Baltimore (1992 - 93) and Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 4, including Andover, Berkeley, Chicago, Houston, Los Angeles, Saratoga Springs, and ending its run at the Studio Museum in Harlem.

During the 2000s renovation, a «series of exhibitions of more than 1,000 major artworks from American Art's permanent collection traveled to 105 venues across the United States,» which were «seen by more than 2.5 million visitors».

More recent exhibitions include Josef Albers: A Retrospective organized by the Solomon R. Guggenheim Museum, New York (1988) with later venues in Finland and Germany; Josef Albers: Glass, Colour and Light, a traveling exhibition with venues in Europe and the U.S. organized by the Peggy Guggenheim Collection, Venice (1994 - 96); and Albers and Moholy - Nagy: from the Bauhaus to the New World organized by the Tate Modern, London (March 9 — June 4, 2006), which debuted at the Whitney Museum of American Art from November 2, 2006 — January 21, 2007.

The resulting exhibition focusing on the riots, 66 Signs of Neon (1966), traveled to nine venues between 1966 and 1969.

Several recent exhibitions have tackled topics of space exploration and colonization, most notably Space Is the Place, a 2006 — 08 exhibition that traveled to multiple venues throughout the US (Alex Baker and Toby Kamps, curators and editors, Space is the Place, Independent Curators International and Cincinnati Contemporary Arts Center, 2007), and Space: About a Dream, a 2011 exhibition at Kunsthalle Wien (Cathérine Hug, curator and editor, Space: About a Dream, Verlag für Moderne Kunst Nürnberg, 2011).

Not only is it one of the Hammer's most historically significant exhibitions, presenting vital new scholarship about Los Angeles» black artists, but it traveled to two additional venues — MoMA PS1 in New York and Williams College Museum of Art in Massachusetts — that resulted in additional research content that could be presented and preserved in the archive.

Since that time, Ryman's work has been the subject of over 85 solo exhibitions in 11 countries including a 1993 - 94 international, traveling retrospective jointly organized by the Tate Gallery, London, and The Museum of Modern Art, New York, whose venues also included the Museo Nacional Centro de Arte Reina Sofia, Madrid; the San Francisco Museum of Modern Art; and the Walker Art Center, Minneapolis.

Olana organized this traveling exhibition of Olana's masterpieces which toured 6 venues from June 2005 through June 2007.

Via the Smithsonian's Traveling Exhibition Service, «Romare Bearden: A Black Odyssey» has been crisscrossing the country; it ends a stint next week at the Reynolda House Museum of American Art in Winston - Salem before traveling to six otheTraveling Exhibition Service, «Romare Bearden: A Black Odyssey» has been crisscrossing the country; it ends a stint next week at the Reynolda House Museum of American Art in Winston - Salem before traveling to six othetraveling to six other venues.

He is currently in a traveling exhibition titled 50 Years of Hyperrealistic Painting that was showcased in a number of venues including: Museum Thyssen - Bornemisza in Madrid, Birmingham Museum & Art Gallery, and Museo de Bellas Artes in Bilbao.

Artists: Leonor Antunes, Allora & Calzadilla, Marieta Chirulescu, Abraham Cruzvillegas, Minerva Cuevas, Jimmie Durham, Daniel Guzmán, Jonathan Hernández, Gabriel Kuri, Dr. Lakra, Gabriel Orozco, Damián Ortega, Gabriel Sierra, Adrián Villar Rojas, Danh Vo, and Haegue Yang Exhibition title: from here to there, kurimanzutto travels to Jessica Silverman Gallery Venue: Jessica Silverman Gallery, San Francisco, US Date: January 12 — March 5, 2016 Photography: images copyright and courtesy the artists and Jessica Silverman Gallery, San Francisco Jessica Silverman Gallery is pleased to present an exhibition of works by artists affiliated with Mexico City's famed kurimanzuttExhibition title: from here to there, kurimanzutto travels to Jessica Silverman Gallery Venue: Jessica Silverman Gallery, San Francisco, US Date: January 12 — March 5, 2016 Photography: images copyright and courtesy the artists and Jessica Silverman Gallery, San Francisco Jessica Silverman Gallery is pleased to present an exhibition of works by artists affiliated with Mexico City's famed kurimanzuttexhibition of works by artists affiliated with Mexico City's famed kurimanzutto gallery.

New Views will also serve as the only U.S. venue for an international traveling exhibition curated by Renato Anelli, Professor at the Institute of Architecture and Urban Planning - University of São Paulo and curatorial advisor for New Views.

In 1949 Albers became the first designer to have a one - person show at The Museum of Modern Art, New York; the exhibition Anni Albers: Textiles subsequently traveled to 26 venues throughout the United States and Canada.

Coinciding with her exhibition at Lehmann Maupin, a selection from the portfolio will be exhibited at the Los Angeles Museum of Contemporary Art's Pacific Design Center venue in West Hollywood, California before traveling to several museums throughout the United States.

Eliasson is behind many major exhibitions and projects around the world, such as «The Weather Project» at Tate Modern's Turbine Hall in 2003, «Take Your Time: Olafur Eliasson» organized by SFMOMA in 2007, which travelled until 2010 to major venues such the Museum of Modern Art, New York, and «Riverbed» at Louisiana Museum of Modern Art, Denmark in 2014.

Lovell?s major installations and exhibitions include: Visitation: The Richmond Project, which traveled to the University of Wyoming in Laramie, the Columbus Museum in Georgia, and the Museum of Contemporary Art in Sydney, Australia; Deep River, which was first exhibited at Hunter Museum of American Art in Tennessee then travelled to the Jepson Center for the Arts in Georgia and the Cummer Museum in Florida; and Whispers From the Walls, which received much critical acclaim and toured nationally, appearing at venues including the Seattle Art Museum and New York?s Studio Museum in Harlem.

The exhibition was «A Decade of Democracy: Witnessing South Africa» funded by Sondela, and it opened in New York at the Brooklyn Museum and traveled to other venues in the United States before coming back to South Africa the following year.

On view at the Bronx Museum from November 4, 2015 through Feb 14, 2016, this exhibition will travel to additional venues starting in the spring of 2016.

Since her first solo exhibition in 1958, Martin has been the subject of over 80 exhibitions, including in recent years Agnes Martin: The Nineties and Beyond, The Menil Collection, Houston (2002); Agnes Martin: Paintings and Drawings 1974 - 1990, organised by the Stedelijk Museum, Amsterdam, with subsequent venues in France and Germany (1991 - 92); Agnes Martin, organised by Whitney Museum of American Art, New York, travelling to Milwaukee, Miami, Houston and Madrid (1992 - 94).

Since that time, Ryman's work has been the subject of over 100 solo exhibitions in 12 countries including a 1993 - 94 international, traveling retrospective jointly organized by the Tate Gallery, London, and The Museum of Modern Art, New York, whose venues also included the Museo Nacional Centro de Arte Reina Sofia, Madrid; San Francisco Museum of Modern Art; and Walker Art Center, Minneapolis.

The exhibition traveled to venues including the National Gallery of Art in Washington D.C.; The Metropolitan Museum of Art, New York; Jeu de Paume, Paris, France; Fundacíon MAPFRE, Madrid, Spain.

(Catalogue; a six — year traveling exhibition organized by the artist, whose works change at each venue with addition of works influenced by the country visited)

Her solo traveling exhibition, Nancy Holt: Sightlines commenced in 2010 at Columbia University, then was shown in Germany and several United States venues before its final destination in 2012 at the Utah Museum of Fine Arts.

MCASD is the only West Coast venue to present this traveling exhibition, organized by the Institute of Contemporary Art / Boston.

The Art Gallery of South Australia runs a busy program of temporary exhibitions and contributes a number of travelling art shows to regional art venues.

Due to the complexities involved in presenting and traveling exhibitions of this nature, Dark / Light will create a rare opportunity to view important work which finds few venues for presentation.