Sentences with phrase «venues as»

29 Jan 2014 IMMA and VISUAL present a major exhibition of the work of Irish artist Patrick Scott IMMA and VISUAL Centre for Contemporary Art, Carlow, are delighted to present a major exhibition of the work of Irish artist Patrick Scott, showing across the two venues as a single exhibition.

Since the early 1990s, Sheikh's work has been the subject of international exhibitions at venues as diverse as Swiss churches and the United Nations.

As director of this year's Istanbul Biennial, Carolyn Christov - Bakargiev staged art around the city in such unconventional venues as a former hammam, hotel rooms and, pictured here, a former Greek primary school.

With the turn of the millennium, however, this has gradually changed and she has since exhibited solo shows in such venues as Air de Paris, Paris (2015); Peres Projects, Berlin (2014); Migros Museum für Gegenwartskunst, Zürich (2014); Berlinische Galerie, Berlin (2014); New Museum, New York (2009) and Kunsthalle Wien, Vienna (2006).

Her work has appeared in numerous solo and group exhibitions at such national and international venues as the Fabric Workshop and Museum, the Corcoran Gallery of Art, the Museum of Contemporary Art, Miami, and the National Museum of Modern Art, Tokyo.

Her work has been exhibited at such venues as Ampersand International Arts, San Francisco, CA; Deutsches Polen - Institut, Darmstadt, Germany; Senko Studio, Viborg, Denmark; and The National Portrait Gallery, London, United Kingdom.

Rokko Aoyama has exhibited her sculpture and installation artworks regionally over the past 10 years including such venues as the Arvada Center and Artyard and won the Joseph Fellowship Award for her 2003 - 2004 residency at Anderson Ranch in Snowmass, Colorado.

IMMA and VISUAL Centre for Contemporary Art, Carlow, are delighted to present a major exhibition of the work of Irish artist Patrick Scott, showing across the two venues as a single exhibition.

A good idea is for artists to take advantage of as many online venues as are available.

In addition to Spin, articles in such unlikely venues as Vogue, Harper's Bazaar, and Forbes have touted LA's «hot» art scene, fed by its schools.

Wiese's work has been exhibited throughout the United States at such venues as Machine Project in Los Angeles, The Museum of Contemporary Art, San Diego and Socrates Sculpture Park in New York.

His work has been exhibited and seen in venues as diverse as galleries, craft fairs, museum shows, and gay biker bars.

She has been writing, directing and performing her work for over thirty - five years in venues as various as Tate Britain; Royal Court; Queen Elizabeth Hall; the Adelaide Festival and Lincoln Center, New York.

A graduate of the École Nationale Supérieure des Arts Décoratifs in Paris, Michel's work has been shown internationally at such venues as Fonds Régional d'Art Contemporain, Reims, France, and the Museum of Modern Art, New York, NY.

He has exhibited work in recent major group exhibitions at such venues as the Venice Biennale (2015, 2007) and the Museum of Contemporary Art, Los Angeles (2012).

A veteran of solo exhibitions at such respected American venues as The Drawing Center in New York, the Berkeley Art Museum and The Art Institute of Chicago, he has established himself as one of the most distinctive and independent artists on today's international sculpture scene.

In 2005, Linyekula and Studio Kabako participated in a MAPP residency, in which they traveled to the US to perform at such venues as the Bates Dance Festival, Yerba Buena Center for the Arts, and Portland Institute of Contemporary Art.

It was the sixth edition of the festival and the first under the artistic direction of Sarah McCrory; as one has come to expect from such biennial undertakings, exhibitions and installations were spread throughout the city, occupying spaces ranging from major public institutions to such quirky, out - of - the - way venues as an underground parking garage, a vendor's stall in a dilapidated shopping center, and a crumbling Edwardian community bathhouse.

Their work has been shown in such venues as the Museum of Modern Art, NY; the Hirshhorn Museum, Washington DC; the Stedelijk Museum, Amsterdam; Documenta IX; the Whitney Biennial, 1997; and the State Hermitage Museum in St. Petersburg among others.

She has participated in group exhibitions at venues as diverse as Silver Eye Center for Photography in Pittsburgh to the Italien Palatset in Vaxjo, Sweden.

He has also shown his work at such venues as The Museum of Modern Art, the Kunsthalle Fridericianum, the Reina Sofia, the Kunsthalle Wien, the Schirn Kunsthalle, the De Appel Foundation, the Chicago MCA, and the Palais de Tokyo.

His work has also been included in group shows at such venues as The Museum of Modern Art, New York, the Kunsthalle Fridericianum, Kassel, the Reina Sofia, Madrid, the Kunsthalle Wien, the Schirn Kunsthalle, Frankfurt, the De Appel Foundation, Amsterdam, the Chicago MCA, the Seattle Art Museum, and at the Jeu de Paume and the Palais de Tokyo, both in Paris.

Her work has been included in group exhibitions at such venues as Yerba Buena Center for the Arts, San Francisco (2015); Whitney Museum of American Art, New York (2013); and the Hammer Museum, Los Angeles (2011).

Her work has been shown widely, including exhibitions at such venues as Institute of Contemporary Art, Portland, ME, Korea University, Seoul, South Korea, and Sesi Gallery of Contemporary Art, Sao Paolo, Brazil.

Flavin's work would continue to be presented internationally over the course of the pursuant decades at such venues as the Saint Louis Art Museum (1973); Kunsthalle Basel; Museum Boijmans Van Beuningen, Rotterdam (both 1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others.

He has performed and exhibited nationally and internationally from venues as diverse as The Site Gallery, Royal Academy of Arts, Tate Modern, The Victoria and Albert Museum, UK, Mousonturm, Germany, Tilburg Dance Academy, The Netherlands, The Queens Gallery, India to museums and other public sites.

Craig Havens» work has been exhibited internationally in such venues as the Armory Biennial, Los Angeles, California in 2011, the Goethe Institute Johannesburg, South Africa in 2012, and Recyclart / Vitrine 21, Brussels in 2013.

Perhaps best known for his over-the-top environments that encourage viewers to interact with elements of his childhood, Rolon (who is represented by Paul Kasmin Gallery and Salon 94) has been exhibited in prominent venues as diverse as Miami's Bass Museum of Art and the 2007 Venice Biennale, in which he was one of five artists representing Ukraine.

Her work has been seen in such venues as Alexander and Bonin, New York; ICA, Boston; Feature Inc., New York; Tony Wright Gallery, Chicago and Galerie Les Filles Du Calvaire, Paris among many others.

Moyer «s work has been widely exhibited both nationally and internationally, including such venues as PS1 / Institute on Contemporary Art, the Palm Beach ICA, Yerba Buena Center for the Arts, the Weatherspoon, Cooper - Hewitt and Tang Museums, Shedhalle, Zurich, Le Magasin, Grenoble, and the Project Centre, Dublin, among others.

Since then her photographs have been published in many magazines, such as French Elle, V Magazine, Italian Vanity Fair, and Glamour, and have been exhibited at such prestigious venues as the Metropolitan Museum of Art, the Whitney Museum of American Art, and London's Victoria and Albert Museum.

In recent years, both within and outside Japan, interest in the post — World War II Gutai art movement has increased considerably, with major museum exhibitions appearing at such venues as the Museo Cantonale d'Arte in Lugano, Switzerland, the National Art Center in Tokyo, and the Guggenheim Museum in New York, as well as solo and group shows at commercial galleries in New York (Paula Cooper, McCaffrey Fine Art, Hauser & Wirth, Galerie Richard), London (Hauser & Wirth), Antwerp (Axel Vervoordt) and elsewhere.

Kenneth Webb has enjoyed several retrospective exhibitions, at such venues as: Mall Galleries, London (1972); Alexander Gallery, Bristol (1972); Kenny Gallery, Galway (1990), and was the subject of a 1999 award winning film documentary «Kenneth Webb - A Life in Colour» Made by Donal Haughey.

She has lectured widely at such venues as Artists Space, New York; Dak» Art Biennale, Dakar, Senegal; National Gallery of Canada, Ottawa; Tate Britain and Tate Modern, London; WIELS, Brussels, Belgium; and Witte de With Center for Contemporary Art, Rotterdam.

He has had numerous international solo exhibitions at such venues as the Los Angeles County Museum of Art, Los Angeles (2014); the Museum Ludwig, Cologne (2014); the Centre Pompidou, Paris (2013 - 2014); the Museo Tamayo Arte Contemporaneo, Mexico City, Mexico (2012); Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain and the Art Institute of Chicago, Chicago, IL (2010); Tate Modern, London, England (2006); Moderna Museet, Stockholm, Sweden and the Irish Museum of Modern Art, Dublin, Ireland (2005); Castello di Rivoli Museo d'Arte Contemporanea, Turin (2004); the Solomon R. Guggenheim Museum, New York and DIA Center for the Arts, New York (2003); the Van Abbemuseum, Eindhoven (2001); the Museum of Contemporary Art, Chicago (2000); and the Musée d'Art Moderne de la Ville de Paris (1998).

IMMA25 Culture Crawl Culture Night On 18th September, IMMA25 had an art and science themed bus tour around various museums, art galleries and special venues as part of Culture Night 2015.

Her work has been included in group exhibitions in such venues as the New Museum, the Whitney Museum of American Art, PS1 / MOMA, the Brooklyn Museum, the Reina Sofia in Madrid, the Kunst Werke, the Zentrum für Kunst und Medientechnologie, Haus der Kunst, and the Kunsthalle Shirn in Germany, the Neue Gallerie am Landes Museum Joanneum in Austria, the Deste Foundation in Greece, and the Museum of Modern Art, Busan, in Busan, South Korea.

In recent years, her work has been exhibited internationally, including such venues as Sotheby's and Saatchi Gallery (London), Eretz Israel Museum (Tel Aviv), the Henry Moore Gallery at the Royal College of Art (London), and the Orangerie du Senate (Paris), among others.

Hennings exhibited widely between the late 1910s and the early 1930s at such important venues as the Pennsylvania Academy of the Fine Arts in Philadelphia, the National Academy of Design in New York, and the Corcoran Gallery of Art in Washington, D.C., as well as the Art Institute.

Takal has since shown in numerous solo, duo, and group shows at such venues as: Night Gallery and SADE in Los Angeles; Alter Space, San Francisco; Jeffrey Stark, New York; and Interstate Projects, Brooklyn.

Notable solo exhibitions have been held at such venues as The Riverside Art Center, Riverside Illinois and Johalla Projects, Chicago.

In addition to contributing to Foggy Bottom's Sculpture Biennial (DC), she has also exhibited in such venues as Hillyer Art Space (DC), District of Columbia Arts Center (DC), Artisphere (VA), Arlington Arts Center (VA), Brentwood Arts Exchange Gateway Arts Center (MD), and in an MFA Biennial at Delaware Center for the Contemporary Arts (DE).

Her work has been shown in such venues as Robert Miller Gallery, PPOW, DC Moore, Artists Space, The Pennsylvania Academy of Fine Art, The New Museum, ICA Boston, MCA Chicago, ICA Philadelphia, The Sculpture Center, The American Academy for Arts and Letters, The Aldrich Museum, The Jewish Museum, Moore College of Art, Fine Arts Center, U. Mass., The Queens Museum of Art, Tufts University Art Gallery, The Fleming Museum of Art, Artpark, Creative Time, and The Fabric Workshop.

Born in 1969, he has had numerous solo exhibitions and exhibited widely internationally, including such major recent venues as the 54th Venice Biennale, Italy, and the 14th Asian Art Biennale, Bangladesh.

He has also participated in group exhibitions at such international venues as the Zachęta — Narodowa Galeria Sztuki, Warsaw; Bienal do Mercosul, Porto Alegre; Positions, Art Basel Miami Beach; the Stedelijk Museum Bureau Amsterdam; SESC Pompeia, São Paulo; Kunsthalle Göppingen (Germany); and Galleria Francesca Minini, Milan.

His work has been seen in such venues as Sue Scott Gallery, New York, NY; Daimler Contemporary, Berlin, GE; Stene Projects, Stockholm, SE; Zurcher Studios, New York, NY; MUMOK, Vienna, AU; The Jordan Schnitzer Museum of Art, University of Oregon, Eugene, OR; The Krannert Art Museum, Champaign, IL; White Columns, New York, NY and David Castillo, Miami, FL among many others.

The Rose's exhibition included large - scale canvases like Love and Violence (1965)-- in which a man grabs a woman by the throat, while frames from a horror film unfold below against a blood - red background — as well as photo and video documentation from the 1960s through the 1980s of Drexler's theater pieces, which premiered at such avant - garde New York venues as the Judson Poets» Theater and Theater for the New City.

He has also shown his work at such venues as The Museum of Modern Art, the Kunsthalle Fridericianum, the Reina Sofia, the Kunsthalle Wien, the De Appel Foundation, the Chicago MCA, and the Palais de Tokyo.

His work has been included in shows at such prestigious venues as the DeAppel Foundation; the South London Gallery; The Rooseum; The Kölnischer Kunstverein; the Palais de Tokyo; and the Louisiana, among many others.

He has been featured in group exhibitions at such venues as the CCA Wattis Institute, San Francisco; Guangdong Times Museum, Guangzhou, China; Museum of Contemporary Art, Los Angeles; Museum of Modern Art, New York; Neuer Berliner Kunstverein, Berlin; Orange County Museum of Art, Newport Beach, California; San Francisco Museum of Modern Art; and the Solomon R. Guggenheim Museum, New York; among many others.