Sentences with phrase «venues including»

The work has since been exhibited in many venues including the Whitney Biennial of American Art, the Walker Arts Center, the Institute of Contemporary Arts in London, the National Museum of Contemporary Art in Athens, and just this year the Norwegian Embassy to Cuba in Havana.
Förg exhibited widely, at venues including the Stedelijk Museum, Amsterdam; The Tel Aviv Museum of Art; and the Los Angeles County Museum of Art.
Mark Amerika has exhibited his art in many venues including the Whitney Biennial, the Walker Art Center, the Denver Art Museum, the Institute of Contemporary Arts in London, ZKM, the Biennale de Montréal, and the American Museum of the Moving Image.
She has also been featured in numerous group exhibitions at venues including Whitechapel Gallery, London; 21st Century Museum of Contemporary Art, Kanazawa, Japan; National Museum of Women in the Arts, Washington, D.C.; Saint Louis Art Museum, Missouri; and the Museum of Fine Arts Boston, Massachusetts.
Her work has been exhibited nationally and internationally at venues including the Soap Factory, MN; Redux Contemporary Art, SC; Midwest Center for Photography, KS; South Bend Museum of Art, IN; Fitchburg Art Museum, MA; and Galeriehaus Nord in Nürnberg, Germany.
Her work has been shown at venues including the Berman Museum of Art, Delaware Art Museum, Philadelphia Photo Arts Center, Delaware Contemporary, EXPO Chicago, Rosenwald - Wolf Gallery at The University of the Arts, Academy of Natural Sciences of Drexel University, and Vox Populi.
She has had solo exhibitions and screenings at venues including Chisenhale Gallery, Tate Britain, and Whitechapel Art Gallery, London, as well as Spike Island, Bristol.
Nagy's work has been exhibited nationally and internationally at venues including the Portland Art Museum, Weatherspoon Art Museum, Southern Exposure in San Francisco, Takt Kunstprojektraum in Berlin, and Samuel Freeman in Los Angeles, among others.
A Helena Rubinstein Curatorial Fellow at the Whitney Museum Independent Study Program (2008 - 09), he has organized exhibitions for venues including Malmö Konstmuseum, Sweden, GAM Torino, Italy; Museo Marino Marini, Florence, Italy; Kunsthalle Helsinki, Finland; Pori Art Museum, Finland; ISCP, New York City; Prague Biennale, Czech Republic.
The group appeared in the 2006 Whitney Biennial and has performed widely, at venues including X Initiative, SculptureCenter, and Ballroom Marfa.
Her work has been exhibited in venues including the Comfort Station Logan Square, Chicago; the Den Theater Chicago; Dfbrl8tr Performance Art Gallery, Chicago; Chicago Home Theater Festival; Woman Made Gallery; Fancy House Gallery, Chicago; the group exhibition Words we Live By, curated by Molar Productions; as well as the Cook County Jail, Chicago.
Her work has been exhibited throughout the United States and internationally at venues including The Studio Museum in Harlem (where she was Artist in Residence), the Oakland Museum of California, and Goodman Gallery in Johannesburg, South Africa.
He has also curated and co-curated multiple exhibitions at venues including The Suburban, Chicago; Lyles & King, New York and Super Dakota, Brussels.
His works have been presented in many local venues including City Center, Dance Theater Workshop, Danspace Project, and Dance New Amsterdam, in Kalamazoo, Michigan, and internationally in Bogotá, Colombia.
Her work has been presented by venues including Joe's Pub, Movement Research, the New Museum and Dixon Place in NYC; PICA's TBA Festival / Cooley Gallery at Reed College in Portland, OR; Pieter in Los Angeles; The Lab in San Francisco, and Festival Theaterformen in Hanover, Germany.
With Flux Factory in Long Island City as the central hub, the Congress» many events and projects will also take place in various venues including Creative Time's «Living As Form» project space at the Essex Street Market (Manhattan), Silvershed (Manhattan), Union Docs (Brooklyn), NurtureArt (Brooklyn) and Bronx River Art Center (Bronx).
Fuchs has been included in several important national and international group exhibitions at venues including the ICA at MECA, Portland, Maine (2017); Texas Gallery, Houston TX (2016, 2010); Sala Diaz, San Antonio, TX (2014, 2001); McClain Gallery, Houston, TX (2012); Lisa Cooley, New York, NY (2010); Inman Gallery, Houston, TX (2010, 2000); Museum of Fine Arts, Houston, TX (2008, 1997); Diverseworks, Houston, TX (2007, 2005, 1999); Arthouse, Austin, TX (2006, 1997); University of Texas, San Antonio, TX (2005); Dallas Contemporary Arts Center, TX (2005); Contemporary Arts Museum, South Florida, Tampa (2002); New Orleans Museum of Art, LA (2001); Modern Art Museum of Fort Worth, TX (2000); Contemporary Arts Museum, Houston, TX (2000, 1998); Arlington Museum of Art, TX (1998); British Council Window Gallery, Prague (1998); Whitechapel Art Gallery, London, UK (1996); Cornerhouse, Manchester, UK (1992 - 93); and the ICA, London, UK (1992 - 93).
Her work has been exhibited in numerous venues including the Aldrich Contemporary Art Museum, the Drawing Center, Carnegie Mellon University, Weisman Art Museum, National Gallery of Art, Birmingham Museum of Art, Weatherspoon Art Museum and the Kemper Museum of Contemporary Art.
Individually and as collaborative partners, the work of both artists has been exhibited extensively online and at venues including Ars Electronica, Linz, Austria; Deitch Projects, New York; the New Museum, New York; the Museum of Contemporary Art, Los Angeles; the Walker Art Center, Minneapolis; and ZKM, Karlsruhe, Germany.
Kim's work has been included in solo and group exhibitions nationally and internationally, at venues including The Getty Center, Los Angeles; Weatherspoon Art Museum, University of North Carolina, Greensboro; Pasadena Museum of California Art, Pasadena, California; Architecture and Design Museum, Los Angeles; Guggenheim Gallery at Chapman University, Orange, California; Wallspace, New York; Frances Lehman Loeb Art Center at Vassar College, Poughkeepsie, New York; Armory Center for the Arts, Pasadena, California; and The National Center for the Arts (CENAR), San Salvador, El Salvador, among others.
Beech has shown her artwork and presented her writing at major international venues including Covenant Transport Move or Die at The Baltic Center for Contemporary Art (2016), and Sanity Assassin, in Neocentric, at Charim Gallery, Vienna, Austria (2016).
Major solo presentations of the artist's work have been staged at institutional venues including Schirn Kunsthalle, Frankfurt (2015); Nam June Paik Art Center, South Korea (2013); Seattle Art Museum (2013); Tate Liverpool (2012); LUMA Foundation, Arles, France (2012); Deste Foundation, Hydra, Greece (2011); Cincinnati Art Museum, Cincinnati (2010); Museo d'Art Contemporanea Roma, Rome (2009); Museum of Modern Art, New York (2007); Aspen Art Museum (2006); Musée d'Art Moderne de la Ville de Paris (2005); The Fabric Museum and Workshop, Philadelphia (2002) and Serpentine Gallery, London (2001).
Her work has been exhibited at venues including Los Angeles Contemporary Exhibits; National Portrait Gallery, Washington, DC; Sarah Lawrence College, New York; Exit Art, New York; the Wexner Center for the Arts, Columbus, OH; the Philadelphia Museum of Art; the Pennsylvania Academy of the Fine Arts, Philadelphia; Sante Fe Art Institute, NM; Bryn Mawr College, Bryn Mawr, PA; Fleisher / Ollman, Philadelphia; and Adams and Ollman, Portland, OR; among others.
Additionally, his work has been shown in group exhibitions internationally at venues including Contemporary Arts Museum Houston; Centre Georges Pompidou, Paris; Musée National d'Art Moderne, Paris; Institute of Contemporary Arts, London; the Museum of Contemporary Art, Los Angeles; and Stedelijk Museum, Amsterdam.
Over the years, Fuchs has had solo exhibits locally, nationally, and internationally at venues including Inman Gallery, Houston, TX (Upcoming — October 2018); the Galveston Art Center, Galveston, TX (2015, 1999); Talley Dunn Gallery, Dallas, TX (2015, 2012); The Suburban, Oak Park, Illinois (2013); Texas Gallery, Houston, TX (2013, 2010, 2005, 2003, 2000, 1997); the Contemporary Arts Museum, Houston, TX (2007); the Fayerweather Gallery at the University of Virginia, Charlottesville (2004); and DiverseWorks, Houston, TX (1998).
Her work, which has roots in Conceptualism and encom - passes photography, installation and graphic design, has been featured in solo exhibitions at venues including the Serpentine Gallery in London (1990), the Museum of Contemporary Art in Los Angeles (1998) and the International Center of Photography in New York (2006).
He has exhibited throughout the United States, mounting solo and group exhibitions at venues including the San Diego Art Institute, Helmuth Projects, City Gallery, Southwestern College and many other San Diego exhibition spaces, Noysky Projects in Los Angeles, Brazzos Gallery and Circuit 12 Contemporary in Dallas, Winkleman Gallery and Dumbo Arts Center in New York City, Janus Project in Brooklyn, Hartell Gallery in Ithaca, University of Notre Dame in South Bend and MVSEVM in Chicago, among others.
His work has been exhibited domestically and internationally in Los Angeles, San Francisco, Minneapolis, Miami, New York and the Netherlands, and he has shown in venues including the Vincent Price Art Museum, Biola University, LA Louver, Showroom MAMA, Providence College Galleries, MACLA, SUR biennial, Chinese American Museum and Euphrat Museum of Art.
Furthermore, Smith has been included in several important national and international group exhibitions at venues including the Contemporary Arts Museum, Houston, TX (2007, 1995); Camp Marfa, Marfa, TX (2007); Casa de Carton, Ingalls & Associates, Miami, FL (2007); Menil Collection Museum, Houston, TX (2006); African American Museum, Dallas, Texas (2015, 2006); Blue Star Contemporary Art Center, San Antonio, TX (2006); Rockland County Center for the Arts, West Nyack, NY (2000); Art Car Museum, Houston, TX (1999); Galveston Art Center, Galveston, TX (1999); Museum of Fine Arts, Houston, TX (1996); Studio Museum in Harlem, Sculpture Garden, New York, NY (1995); Project Row Houses, Houston, TX (1995); Kenkeleba Gallery, New York, NY (1992); Dallas Museum of Art, Dallas, TX (1992); High Museum, Atlanta (1992); Milwaukee Art Museum, Milwaukee, WI (1992); Blaffer Gallery, University of Houston, TX (1992); Deanza College, Euphrat Gallery, Cupertino, CA (1992); United States Information Agency, Washington, DC (1989); Huntington Art Gallery, University of Texas, Austin, TX (1989); Longview Museum of Art, Longview, TX (1989); Bronx Museum, NY (1989); Dallas Museum of Art, Dallas, TX (1989); The Museum of African American Art, Los Angeles, CA (1988); Studio Museum in Harlem, New York, NY (1988); Arnot Museum of Art, Elmira, NY (1973); New York Cultural Center, New York, NY (1973); Newark Museum, Newark, NJ (1973); Rutgers University, NJ (1971); Hudson River Museum, Yonkers, NY (1970) and the Whitney Museum of American Art, New York, NY (1970).
Her work has been exhibited across the U.S. at venues including at LACMA, MOCA / Los Angeles, Armand Hammer Museum, LACE, Machine Project, Acuna - Hansen Gallery, REDCAT Lounge, Paula Cooper Gallery, John Connolly Presents, and the New Museum in N.Y..
She has recorded twelve full - length albums of songs, and has exhibited artworks and performed nationally and internationally at venues including the Queens Museum, New York; the School of the Art Institute in Chicago; the Whitney Museum of American Art, New York; the Henry Art Gallery, Seattle; SculptureCenter, New York; The Clocktower Gallery, New York; Kunsthalle Zurich; the Hessel Museum of Art at Bard College, Annandale - on - Hudson; the Swiss Institute, New York; Human Resources, Los Angeles; The New Museum, New York; the Museum of Contemporary Art Detroit; James Gallery at the CUNY Graduate Center, New York; the Park Avenue Armory, New York; and EMPAC Center for Performance, Troy.
In recent years Herman has been exhibiting work in Chicago galleries and venues including Zolla Lieberman Gallery.
His work has been exhibited internationally at venues including the 2008 Venice Biennale, Venice; Storefront for Art and Architecture, New York; SculptureCenter, New York; Canadian Centre for Architecture, Montréal; Haus der Kulturen der Welt, Berlin; Netherlands Architecture Institute, Rotterdam.
The TMT has been exhibited internationally at venues including: CAC, Vilnius (2003); Art in General, New York (2004); M.I.T., Boston (2005); IASPIS, Stockholm (2006); Kulturezone06, Frankfurt (2006); INSA Art Space, Seoul (2006); and the Design Academy / Van AbbeMuseum, Eindhoven (2007), and the Center for Curatorial Studies at Bard College, Annandale - on - Hudson (2011).
Next year, the contemporary art collection will visit 12 new locations, as well as returning to former venues including the Tate Modern in London and Leicester's New Walk Museum and Art Gallery.
Syms has contributed to the canon of Mundane Afrofuturism with her brave and intelligent pieces and her work has been exhibited and screened during solo exhibitions at prominent venues including Human Resources in Los Angeles, Locust Projects in Miami, Bridget Donahue Gallery, and Armory Center for the Arts in Pasadena, CA.
His work has been the subject of numerous solo exhibitions at venues including the Chronus Art Centre, Shanghai, China (2016), Palazzo Strozzi, Florence, Italy (2016), Fondazione Giorgio Cini, Venice, Italy (2015), Shao Zhong Foundation Art Museum, Guangzhou, China (2014), Minsheng Museum, Shanghai, China (2014), Seattle Art Museum, WA, USA (2013), Today Art Museum, Beijing, China (2013), Kunsthaus Graz, Austria (2012), Xinjiang Arts Centre, Urumqi, China (2012) and Ullens Center for Contemporary Art, Beijing, China (2010).
Present locally - made original artwork in 10 diverse community venues including county offices, cafes, hotels, restaurants, businesses, and medical offices.
Her films have screened at various venues including BAFICI, Bradford International Film Festival, Cinema du Reel, DocLisboa, L'Alternativa, the Rotterdam International Film Festival, Torino International Film Festival, Other Cinema in San Francisco and the Los Angeles Filmforum.
Her work has been exhibited nationally and internationally at venues including the Museum of Modern Art, the New Museum, the Studio Museum in Harlem, the Brooklyn Museum, and the Drawing Center in New York; LAX > < ART, Los Angeles, CA; the Royal Danish Academy of Fine Arts, Denmark; the Rhode Island School of Design Museum, Providence, RI; and the Neue Galerie Graz, Austria.
Musson has been featured in numerous group exhibitions at venues including Contemporary Arts Museum, Houston, TX; Grey Art Gallery, NYU, New York; Galerie Perrotin, Paris, France; Hyde Park Art Center, Chicago, IL; Yerba Buena Center for the Arts, San Francisco, CA; and Cincinnati Contemporary Art Center, OH, among others.
LoVid has performed widely at venues including MoMA, PS1, The Kitchen, Roulette, Aurora Picture Show, NY Underground Film Festival, and FACT.
His resume lists more than 20 solo exhibits during the years 1971 to 2012, in places that include various cities in Florida and in Washington, D.C.. From 1969 to 2013, his art was selected for dozens of group exhibits, at venues including Florida museums and galleries, Chicago, the United Arab Emirates, and Kassel, Germany.
Returning to Moscow, where Ilya Kabakov had been forbidden to show his work, the artists prepare for unprecedented exhibitions of their magical walk - in installations at major venues including the famous Pushkin Museum.
Jonas has had a number of solo exhibitions at prominent venues including Stedelijk Museum in Amsterdam, MoMA in New York, Tate Modern in London and Museo Nacional Centro de Arte Reina Sofia in Madrid.
His works have appeared at local venues including Cris Worley Fine Arts, the Power Station, and 500X Gallery.
Meza has exhibited and performed in North America, South America, and Europe at venues including the Centre for Contemporary Art, Glasgow, Scotland; Helicotrema Festival, Venice, Italy; Walker Art Center, Minneapolis, Minnesota; Museum of Contemporary Art, Santa Barbara, California; Anthology Film Archives, New York, New York; Hipersonica Festival, Sao Paulo, Brazil; Irish Museum of Modern Art, Dublin, Ireland; Sonorities Festival, Belfast, Ireland; Deep Wireless Festival, Toronto, Canada; New Zealand Film Archives, Wellington; Museo MAXXI, Rome, Italy; and the Lisbon Architecture Triennale, Lisbon, Portugal.
Since graduating with a BFA from the Otis College of Art & Design in California, she has exhibited at international venues including the Gagosian Gallery in Los Angeles, South London Gallery, and White Columns and Reena Spaulings, both in New York.
He has lectured and led numerous panel discussions on art, business and legal issues faced by artists, and comics at a varied string of venues including apexart, threewalls, the National Museum Publishing Seminar, the Art Institute of Chicago, the School of the Art Institute of Chicago, and College Art Association.
In years since, Halley's work has been the subject of solo museum exhibitions at venues including capc Musee d'Art Contemporain Bordeaux (1991), Museo Nacional Centro de Arte Reina Sofia (1992), Stedelijk Museum (1992), Des Moines Art Center (1992), Dallas Museum of Art (1995), Museum of Modern Art (1997), Kitakyushu Municipal Museum of Art (1998), Museum Folkwang (1998), Butler Institute of American Art (1999), Museé d'art moderne Saint Étienne Métropole (2014), Santa Barbara Museum of Art (2015), and Schirn Kunsthalle Frankfurt (2016).
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