Sentences with phrase «ver imagens»

To learn more about the artist, see images of his works and read informations on his career, Para saber mais sobre o artista, ver imagens de suas obras e informações sobre sua carreira, access Fernando Piola's page.

Not exact matches

Speaking to Imagen radio, State prosecutor Ismael Quintanilla has narrated the forward's ordeal and explained — in detail — how he managed to seize the initiative and escape.

Brazil, courtesy of distributor Imagen Films, have now mocked up their own, making it six all up.

We are hoping to hear some big thing for Battlefield V and we more than likely imagen that they will announce their Battle Royale mode during the live reveal.

Her work has been exhibited in the Centro de la Imagen in Santo Domingo, El Museo del Barrio, Guttenberg Arts, Rush Arts Gallery, MoCADA, Grace Exhibition Space and Trestle Gallery, among other spaces.

Her work has been shown in Lambdalambdalamda, Kosovo; Centro de la Imagen, México; Et al., San Francisco; Otras Obras, Tijuana; amongst others.

Youssef's work has been presented in numerous solo and group exhibitions at venues including The Villa Medici, Rome; La Maison Rouge, Paris; The British Museum, London; Galleria dell» Accademia, Florence; MMK Museum für Modern Kunst, Frankfurt; Centro de la Imagen, Mexico City; North Carolina Museum of Art, North Carolina; BALTIC Centre for Contemporary Art, Newcastle; Michael Stevenson Gallery, Cape Town; Galeria Leme, São Paulo; Gemäldegalerie, Staatliche Museen zu Berlin; Centre de Cultura Contemporánea de Barcelona, MACBA, Barcelona; Victoria & Albert Museum, London; Institut du Monde Arabe, Paris; Kunstmuseum, Bonn; Smithsonian National Museum of African Art, Washington, D.C; The Third Line, Dubai; The Kennedy Center, Washington DC; Centro Andaluz de Arte Contemporáneo, Sevilla; and Aperture Foundation, New York.

His work with Adam Ames in Type A has been exhibited extensively around the world, including at such institutions as The Museum of Contemporary Art Denver, The Indianapolis Museum of Art, The Aldrich Contemporary Art Museum, The DeCordova Sculpture Park + Museum (Lincoln, MA), The Walker Art Center (Minneapolis, MN), Centrum Beeldende Kunst (Rotterdam, The Netherlands), Centro de la Imagen (Mexico City, Mexico), UCLA Hammer Museum (Los Angeles, CA) and The Johnson Museum at Cornell University (Ithaca, NY) in addition to many galleries.

Since 1990 Cruzvillegas has taught, lectured, given tutorials, and coordinated seminars and workshops at the DIA Art Foundation, Malmö Art Academy, Ruskin College / Oxford, Duke University, NYU, Glasgow School of Art, CalArts, the New Museum, California College for the Arts, the Nasher Museum of Art, the Museum of Contemporary Art Chicago, Tate Modern, the Guggenheim Museum, the University of Houston, Universidad Nacional Iberoamericana, Universidad de Guanajuato, Tamayo Museum, Centro de la Imagen, Centro Nacional de las Artes, Universidad de Sonora, Universidad de Las Américas, San Francisco Art Institute, UCLA, UCSD, ENAP - UNAM, and La Esmeralda, among others.

This is the first presentation of Damiani's in the southeast region of the United States, though her work has been exhibited internationally: IV Poly / Graphic Triennial San Juan (2015), Vienna Biennale (2015), Venice Biennale (2015), MUAC Museo Universitario Arte Contemporaneo (Mexico City, 2015); Garage Museum of Contemporary Art (Moscow, 2015), MOCAD Museum of Contemporary Art Detroit (Detroit, 2015); Americas Society (New York, 2014), BIM Bienal de la Imagen y Movimiento (Buenos Aires, 2014), Mercosul Biennial (Porto Alegre, 2013), Museo Tamayo (Mexico City, 2013), MAC Museo de Arte Contemporaneo (Lima, 2013), among many others.

On the ocassion of his recent solo show «Juan Dávila: Imagen Residual / After Image» at Matucana 100 in Santiago de Chile, we spoke to Juan Dávila (Santiago de Chile, 1946) about some of the themes that have articulated his prolific artistic trajectory like the idea of belonging, nationhood, gender, his relationship to the Chilean avant - garde, Latin America, jouissance and painting.

2012 Que pensar, que desear, que hacer, Colección de Arte Contemporáneo Fundación La Caixa, Barcelona, Spain Flatland (Redux), Fundação Cidade de Guimarães, Portugal The Fabricated Object, Sumarria Lunn Gallery London, UK; Ha Gamle Prestegard, Nærbø, Norway Representation and the Body, Wetterling Gallery, Stockholm, Sweden Tirar del Hilo (La imagen especular), Colección ARTIUM, Vitoria, Spain IV Bienal de Arte Contemporáneo, Fundación ONCE, Madrid, Spain Royal Academy Summer Exhibition, Royal Academy of Arts, London, UK In abstraction, the body, Anna Schwartz Gallery, Sydney, Australia Delimitations — An Exhibition of Contemporary Spanish Art, Herzliya Museum of Contemporary Art, Israel Made In Britain: Contemporary Art from the British Council Collection 1980 — 2010, National Arts Gallery of Albania, Tirana, Albania; Benaki Museum, Athens, Greece

The Centro de la Imagen in Mexico City hosted an exhibition from April 8 to May 31, and the AGO has displayed the work of The Grange Prize shortlist since April 1 and will continue to showcase the photographs until June 26.

Sloane has exhibited at Honey Ramka, SRO Gallery, Radiator Gallery, SPRING / BREAK ART SHOW, The Parlour Bushwick, The Last Brucennial, The Nightclub, Miami, Newman Popiashvilli Gallery, Galeria La Refaccionaria, Mexico DF, X Teresa Actual, Mexico DF, El Centro de La Imagen, Mexico DF, White Box, Neue Galerie Graz, ZKM Center for Art and Media Technology, Karlsruhe, Germany, Tel Aviv Artist Studio Gallery, DESTE Foundation, Athens, Greece, Museo de Arte Carillo Gil Mexico DF, Museo Universitario del Chopo Mexico DF, Brooklyn Museum among other spaces in the US, Europe and Mexico.

His works have been shown in group exhibitions such as «Imagens Mestiças» (Instituto Tomie Otake, São Paulo, Brazil) and «Do valongo à favela» (Museu de Arte do Rio, Rio de Janeiro, Brazil).

She has had solo shows at Galer» a Acceso A and the Centro de la Imagen in Mexico City, and her work has been included in many group shows in Mexico, Spain, Colombia and Argentina.

Rosler has published fifteen books of photography, art, and writing, most recently Imágines públicas: La funcíon política de la imagen (Gustavo Gili, Barcelona, 2007).