Beyond the largely non-objective painting
style itself, the constructs he
builds change the
vernacular of Abstract Expressionism.
Highlights from this conceptually minded show, organized by Guggenheim curator Sara Raza, include Kadar Attia's replica of a North African city that he's constructed with couscous, salt and glue to comment on French modernist architect Le Corbusier's appropriation of the region's
vernacular style of design and Mariam Ghani's video installation that contrasts two modernist
buildings in Afghanistan and Germany: one depicted in a state of ruin while the other is being redeveloped.