Sentences with phrase «vernacular culture in»

It will thereby shed light on the burgeoning vernacular culture in Rome after the sack of 1527.

Taking Domanović's interest in both the development of technology and the history of vernacular cultures in the former Yugoslavia, Lina Džuverović draws parallels between the unregulated, chaotic developments of urban spaces and the incongruities of the fast - shifting nature of the Internet.

Not exact matches

We had an unprecedented political election, Samsung phones were blowing up in people's hands, #Brexit entered our vernacular and some larger - than - life pop culture legends passed away.

SIL's Language and Culture Archives houses over 60,000 works of various kinds, including scholarly publications, Bible translations, and vernacular literacy materials in addition to SIL's flagship publication, the Ethnologue — an online database of the world's more than 7,000 living languages.

Following on the British government's decision in favour of promoting English rather than Oriental or Vernacular education in India, and to seek the help of private agencies in the task, the Missions started Christian colleges for imparting education in Western culture and modern science with the teaching of English literature at the centre of secular courses and spiritually interpreted by the teaching of Christian Scripture.

Krishna in the north become the objects of bhakti's impassioned devotion, and bhakti poetry, brimming with love for the Lord flowers in the vernacular languages which, to some extent, take over from the language of «high» culture, Sanskrit.

They show also that the root of the malaise of the Church, and of Christendom as a culture, did not lie and does not lie in structures, canon law, liturgy, or the use of the vernacular, necessary and urgent though reform in these spheres may have been.

Later, as Christians became more powerful in the culture, they had to decide whether to translate the «holy» language of the Church into the vernacular, using the new technology of the printing press.

Sure, at SOME point in time, they learned the vernacular of the culture (christianeze or churchianity) but once they became pros at «church sub-culture» and politics, they put it on cruise control.

We could say that when missionaries adopted the specificity of vernacular languages and cultures as vehicles for the gospel, they were extending the principle of Jewish particularity, the paradigm by which God has chosen to instruct the world in righteousness.

He is not necessarily talking in these quotes about teaching theology through story, but by looking at his practice, I think that he would argue that the most basic «vernacular» of any culture is story.

In Hebrew culture muwcar was vernacular for «let us reason with one another» implying a mutual discussion for learning purposes.

LESSON # 1: THE MISNOMER USE OF THE ADMONISHMENT «YOU KNOW BETTER» — Spun in the drawl of the Southern vernacular used in the film, the phrase of «you know better» is dealt to Richard Loving often in the film under the incorrect expectation of conformity to the majority culture or upbringing present in community and among his race.

The film's line, «I see dead people,» has also entered the pop culture vernacular and has been voted one of the top 100 movie lines in more than one poll.

Danny DeVito and Richard Dreyfuss starred as feuding aluminum siding salesman in 1963 Baltimore, and once again Levinson demonstrated his flair for capturing the vernacular of a particular species of American male, effusive about work, food and pop culture, clueless about the women around them.

McDonagh would probably be the first to admit that his all - guns - blazing parable of midwestern revenge and arguable redemption wasn't deeply embedded in the culture and vernacular of small - town Missouri.

That's because, writes Vatterott, in her chapter, «The Cult (ure) of Homework,» the concept of homework «has become so engrained in U.S. culture that the word homework is part of the common vernacular.»

Individual collections include: examples of British vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.

One of Marks's summer 2015 exhibitions examined the Hairy Who, a faction of Chicago Imagists whose work drew directly from vernacular art, comics, and ecstatic pop culture, and who, in the 1960s, helped introduce Darger, Martín Ramírez, whose drawings appeared this year on a series of U.S. postage stamps, and Joseph Yoakum, a creator of fantastical landscapes, to the mainstream art world.

All of the works featured in the exhibition — ranging from video games, single channel video, kinetic sculpture, and prints, to pen plotter drawings — have been created by means of technological tools with an emphasis on the mixing and matching of both professional and amateur technologies, as well as the vernaculars these technologies encourage within culture at large.

«That Sidibé was a «popular» photographer rather than a satirical pop commentator on vernacular culture — which is to say he was a photographer firmly grounded in his environment who combined work - for - hire portraiture with his own exploratory documentation of the quotidian excitement of his Bamako neighborhood — made him one among several recording angels of a new generation of urban Africans, of which the other most important Malian example was his elder, Seydou Keita.

These artists, including Ed Paschke, Jim Nutt, and Joseph Yoakum, shared Brown's interest in using pop culture and its vernacular as source material.

The success of the nurses, the Nurse of Greenmeadow especially, is due to the celebration of vernacular culture combined with a heightened awareness of art history, Abstract Expressionism in particular, and the artist's understanding of color composition and atmosphere.

As a descendent of Marcel Duchamp and Andy Warhol, and after Pop art had magnified critical interest in consumerist culture, Prince's «rephotographs» could be seen as a cynical representation of reality, and as a piercing inquiry into the ethos of the American vernacular.

Individual collections include: African art and samurai armour owned by Arman; examples of British vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Edmund de Waal's Japanese netsuke; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Jim Shaw's thrift store paintings; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.

CAMH Receives AAM Reaccreditation The Deconstructive Impulse Perspectives 177 McArthur Binion CAMH awarded NEA Grant Perspectives 176 Glen Fogel Donald Moffett The Extravagant Vein The Spectacular Of Vernacular Perspectives 175 Marc Swanson Steel Lounge Underground CAMH Announces New Curator Stan VanDerBeek The Culture Intercom CAMH announces launch of redeveloped website Perspectives 174 Re Generation Perspectives 173 Clifford Owens Answers to Questions John Wood and Paul Harrison CAMH announces 2011 exhibition schedule Film screening and discussion of Wojnarowicz's A Fire in My Belly

Annotating Art's Histories series Featuring internationally renowned scholars and curators at the critical edge of current research in art history, visual culture, and the humanities, Pop Art and Vernacular Cultures is the third volume in the Annotating Art's Histories series.

Artist and critic Brian O'Doherty coined the term «vernacular glance» in 1973 to describe Rauschenberg's relationship to image culture.

Other books in the series Cosmopolitan Modernisms Pop Art and Vernacular Cultures Exiles, Diasporas & Strangers

Romancing The Fragment presents works that are invested in materialist histories, reconstructing our vernacular visual languages in various forms, freezing its fragments and revealing our contemporary culture in ruin.

An English and Spanish word that broadly describes images and objects produced in the Americas and typical of American cultures, here it is specifically intended to evoke both North American vernacular art collecting traditions and a unique hemispheric perspective that reaches across national borders.

Wide ranging in approach, his work is unified by his regular use of American vernacular culture — including books, posters, newspapers and magazines, records, old films, and other vintage items — which he draws from his vast collections source material.

He has turned up at the Schomburg Center for Research in Black Culture, as a «vernacular artist,» and in a Whitney Biennial heavy on political art, where I never so much as took note of it.

In its quotation of vernacular culture, «52 Variables» is Pop.

Featuring internationally renowned scholars and curators at the critical edge of current research in art history, visual culture, and the humanities, Pop Art and Vernacular Cultures is the third volume in the Annotating Art's Histories series.

They — along with many other artists whose works could easily have fit in this exhibition — are vernacular cosmopolitans of a kind, moving in - between cultural traditions, and revealing hybrid forms of life and art that do not have a prior existence within the discrete world of any single culture or language.

The origins of the blues lie in the vernacular culture of African Americans living in the Mississippi Delta and New Orleans around the turn of the twentieth century — people for whom slavery was a recent memory and basic civil rights were far in the future.

In his use of mass - produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to SurrealisIn his use of mass - produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealisin an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism.

Her research explores turn - of - the - century vernacular photography and the material culture of memory in the United States.

Cruz - Diez joined the conversation via pre-recorded video, with comments about his unknown images of vernacular culture on folklore rituals in his native Venezuela.

In a culture in which art is increasingly globalized in its look and dissemination, The Spectacular of Vernacular considers work that can be heavily narrated, highly personal, and laboriously produceIn a culture in which art is increasingly globalized in its look and dissemination, The Spectacular of Vernacular considers work that can be heavily narrated, highly personal, and laboriously producein which art is increasingly globalized in its look and dissemination, The Spectacular of Vernacular considers work that can be heavily narrated, highly personal, and laboriously producein its look and dissemination, The Spectacular of Vernacular considers work that can be heavily narrated, highly personal, and laboriously produced.

Originally employed as a linguistics term, vernacular is now broadly applied to categories of culture, standing in for «regional,» «folkloric,» or «homemade» — concepts that contemporary artists have investigated since the late 1950s as part of a deeper consideration of the relationship between art and everyday life.

In a similar manner, collages and drawings by William Cordova amalgamate images to represent the body's relationship to vernacular architecture, sound, pop culture, and politics.

As the catalogue explains, Diebenkorn forged strong allegiances to sources in American art and popular culture before fully responding to Matisse's influence; the teacher who introduced him to Sarah Stein was in fact a disciple of Edward Hopper, and it was the example of Hopper's hard - won, vernacular images that guided Diebenkorn's early engagement with the harsh literalism of the American scene, which was often hostile to modernism.

MG As much as your work engages with non-Western traditions, it is also very much rooted in American culture, where there is a long legacy of sculptures built out of found objects — not only in «high art,» but even more so in vernacular expressions, of which your work seems keenly aware.

Originally employed as a linguistics term, vernacular is now broadly applied to categories of culture, standing in for «regional,» «folkloric,» or «homemade» - concepts that contemporary artists have investigated since the late 1950s as part of a deeper consideration of the relationship between art and everyday life.

La Ferme du Buisson reveals the artistic practice of multimedia artist Kapwani Kiwanga in anthropology, investigating popular and vernacular culture as well as the legacies of anti-colonial struggles.

Borrowing from art history, literature and vernacular culture Donzeaud addresses social interactions and narratives, both virtual and IRL, evolving in a staged environment but ever so close to home.

The artist's work has been included in extensive group exhibitions, including Iran Modern, Asia Society, New York (2013); Spectacular of the Vernacular, Minneapolis Institute of Arts, MN (2011); Word Into Art: Artists of the Modern Middle East, British Museum, London (2006); Far Near Distance: Contemporary Positions of Iranian Artists, House of World Cultures, Berlin (2004); Carnegie International, Pittsburgh, PA (1988); Sculptur Projekte Muster» 87, Germany (1987); International Survey of Recent Painting and Sculpture, Museum of Modern Art, New York (1984); 74th Annual American Exhibition, Art Institute of Chicago, IL (1982); Biennial of American Art; Whitney Museum of American Art, New York (1981); 39th Venice Biennale, American Pavilion, Italy (1980); Information, Museum of Modern Art, New York (1970); and Documenta 5 (1972), 7 (1982) and 8 (1987), Kassel, Germany.

The exhibition's placement on the fourth floor of the Museum — between galleries featuring paintings by Robert Rauschenberg, Jasper Johns, Jackson Pollock, and Andy Warhol — underscores the continuation of prewar avant - garde practices in America and the unique legacy of Evans's explorations of signs and symbols, commercial culture and the vernacular.