Norton's project in PAFA's Historic Landmark Building uses paintings in the collection as sounding boards for a group of new works that reflect variously on issues like the historic portrayal of women in art, paternalism and colonialism, and
the vernacular forms of folk culture.
Adam McEwen (1965) is an English conceptual artist, living and working in New York City, best known for his artworks that appropriate
vernacular forms of everyday consumer products and objects and repurpose them in new, unexpected contexts.
However, most of this work springs from an expressionistically freeform compositional approach which, in the case of Martin, was unabashedly influenced by
the vernacular forms of black Southern artists like Thornton Dial and Lonnie Holley, who had little choice but to employ the most abject of materials.
Raised in a culturally rich community steeped in
vernacular forms of creativity — bottle trees and fences decorated with eggshells — and characterized by a strong ethos of saving and recycling, Outterbridge was quite literally surrounded by used and discarded objects valued for their potential afterlife.
Apply the tools of learning normally reserved for studying a foreign language to
this vernacular form of expression, and make this study a recognized, sanctioned part of the curriculum.
Not exact matches
The poems in this case were canzoni, or odes, long lyrics
of considerable artifice, which in De vulgari Eloquentia Dante claimed to be the highest possible literary
form in the
vernacular, lofty («tragic» is Dante's word for this) and serious.
By the time
of the Arab domination
of Egypt the Coptic
form of Christianity had become the national religion
of Egypt and the liturgy and other religious literature had been put into Coptic, the
vernacular.
These techniques have been key to correlating Rapping (or rhyming, spitting, emceeing, MCing) is a musical
form of vocal delivery that incorporates rhyme, rhythmic speech, and street
vernacular
For David (Joe Seo), the doubtful protagonist
of Spa Night, these encounters are an introduction to the bathhouse's kinesthetic
vernacular, but for writer - director Andrew Ahn, such exchanges also reflect
forms of being and becoming that occur outside its walls.
Though the DB11, introduced in 2016, was kissed with a touch
of contemporary design language in the
form of aerodynamic curlicues and a subtly pointed tail, it also kept a foot planted in the grand touring
vernacular intended to satisfy the tweedy old world set.
Mining the unconscious, works like Pleasantville and Golden Arches fuse
vernacular structures with corporate imagery and ethereal swathes
of bright color and elongated
form.
It explores the role
of vernacular forms in some 40 works by more than two dozen contemporary artists, which run the aesthetic gamut: the hand - crafted work
of Aaron Spangler juxtaposes with Lari Pittman's carnivalesque day - glo paintings; Marc Swanson's glittering trophy heads with Rachel Harrison's urban relics.
The show presented a new body
of work — formal studies
of the female
form, including large, expressive line paintings
of the body rendered in blue paint on raw canvas — that marked a radical departure from Emin's
vernacular up until that moment.
Over the course
of nearly six decades, William Eggleston — often referred to as the «father
of color photography» — has established a singular pictorial style that deftly combines
vernacular subject matter with an innate and sophisticated understanding
of color,
form, and composition.
It periodizes and cross references artistic sensibilities in order to elicit multiple conceptual relationships, as well as breaks with prevailing binaries
of center and periphery,
vernacular and academic, urban and non-urban
forms, indigenous and diasporic models
of identification.
Druecke sees a parallel between Garden Path and his series
of bronze plaques: «It's interesting to see how effectively the path inhabits its
form, inviting engagement through its
vernacular function — visitors have been walking on it since I began installing it several weeks ago — but complicating that engagement with aesthetic considerations that tend to lead one away from individual sculptures at Lynden rather than toward them.»
Ronny Quevedo's artistic practice is an examination
of the
vernacular languages and aesthetic
forms generated by displacement, migration, and resilience.
His work is distinguished by rigorous formal and structural analyses
of neglected
forms of vernacular culture, informed by his large collections
of objects representative
of consumer desires, religious fervor, and a constantly evolving counterculture.
The sculpture in this show furthers the artist's use
of vernacular craft
forms and materials in abstract yet iconic objects.
«Vik, 2 Years Old,» a 2014 photograph by Brazilian - American photographer Vik Muniz — This large - scale photograph (approximately 8 by 6 feet), which entered the collection through the High's 2016 Collectors Evening, is from the artist's «Album» series, for which Muniz builds replicas
of familiar moments with small pieces
of discarded
vernacular snapshots pasted together to
form scenes.
Without formal training (in Lockett's case, deliberately so) and working largely with found materials, Lockett, Dial, Holley and peers like Joe Minter took their visual language from traditional black Southern
vernacular art
forms like the scrap quilt and the yard show but adapted it to speak
of personal philosophies, social issues and the African - American experience.
The introduction establishes the importance
of Black artisans in colonial New Orleans and references the emergence
of iconic cultural
forms including jazz,
vernacular architecture, politically significant moments in New Orleans history (Plessy v. Ferguson), and food.
This potent mixture
of the past and present reveals a rich contemporary
vernacular that explores the fundamentals
of painting (line and
form, the space between illusion and matter, etc.) with new texture.
Cleaned and label - free, the bottles are presented as an archive
of the community's consumption (and the fascinating history
of cognac within the African American community), using a display
form inspired by Puerto Rican
vernacular architecture that combines decoration, comfort and security.
The Spectacular
of Vernacular addresses the role of vernacular forms in the work of 26 artists who utilize craft, folklore and roadside kitsch to explore the role of culturally specific iconography in the increasingly global wor
Vernacular addresses the role
of vernacular forms in the work of 26 artists who utilize craft, folklore and roadside kitsch to explore the role of culturally specific iconography in the increasingly global wor
vernacular forms in the work
of 26 artists who utilize craft, folklore and roadside kitsch to explore the role
of culturally specific iconography in the increasingly global world
of art.
Phillipson excels in her use
of vernacular forms and the ability to seize the language
of spectacle, to produce playful irony and reveal deeper truths by amplification, repetition and saturation.
Already by the mid-1960s in screenprint and lithography Ruscha was exploiting the multiple meanings in signage (Hollywood, Standard gas stations) and other
forms of text, with its innate ties to print, and making poetry
of banal
vernacular imagery.
Birch's visual style, a
form of conceptual Southern
Vernacular painting, is a syncretic blend
of representation and abstraction that utilizes African diasporic retentions — cultural traits that have persisted across history — to create a record
of the past's symbolic traces on the present, in order to preserve them for the future.
They — along with many other artists whose works could easily have fit in this exhibition — are
vernacular cosmopolitans
of a kind, moving in - between cultural traditions, and revealing hybrid
forms of life and art that do not have a prior existence within the discrete world
of any single culture or language.
The notion
of vernacular — a
form of everyday parlance specific to a social group or region — manifests in his work through a graphic and discursive style developed in the context
of globalized art production.
With painterly brushwork and sketchily drawn
forms, artists such as John Sloan, George Bellows, and Everett Shinn restituted the value
of vernacular with subjects not necessarily considered artistic, such as grimy streets, popular entertainment, and children at play.
Jackson's Grape Drink Box (Anacostia Los Angeles Topeka McKinney) is a materially complex work that uses
vernacular and technical materials to show the permeation
of color and
form into social life, and includes elements
of photography that are embedded to look like afterimages.
The patterns
of windows and the ubiquity
of rectangular
forms divided by triangles
of light became part
of the
vernacular of modern painting.
For this project, her second large - scale painting installation and first public artwork, Balco uses the
vernacular of painting —
form and color — to stage interventions in existing architectural spaces that transform the way we think about public and private space.
Over the course
of nearly six decades, American artist William Eggleston has established a singular pictorial style that deftly combines
vernacular subject matter with an innate and sophisticated understanding
of color,
form, and composition.
In an era
of virtual neighborhoods and fast - paced Internet communication, The Spectacular
of Vernacular addresses the role of vernacular forms in the work of 27 artists who utilize craft, incorporate folklore, and revel in roadside kitsch to explore the role of culturally specific iconography in the increasingly global wor
Vernacular addresses the role
of vernacular forms in the work of 27 artists who utilize craft, incorporate folklore, and revel in roadside kitsch to explore the role of culturally specific iconography in the increasingly global wor
vernacular forms in the work
of 27 artists who utilize craft, incorporate folklore, and revel in roadside kitsch to explore the role
of culturally specific iconography in the increasingly global world
of art.
Exploring the position
of the artists who have been associated with a fixed social identity, the exhibition is structured around platforms that allude to a
vernacular architectural wooden
form used in hot climates to spend summer nights outdoors.
His research and eventual film work will explore how the influence
of these committed intellectuals reverberated widely in the post-war cultural arena, eventually giving rise to an emerging discipline
of «cultural studies», that, in its focus on popular art
forms and
vernacular traditions, posed considerable challenges to the established academic elite
of that time.
The sculptures employ strategies reminiscent
of her paintings such as rhyming
forms and layered surfaces which reveal and conceal underlying patterns, bringing her acclaimed
vernacular of color and movement into three dimensions.
Vertical roll, black, neon and strobe light; dancers, musicians, computer language, television broadcast and satellite transmission
form the visual and aural
vernacular of his tapes and films, recently gathered under the title, Channel Mix.
The
vernacular wood frame
of his Church at Head Tide (1938) exemplifies this concentration upon local
forms: the black outlines surrounding the structure — increasingly prevalent in Hartley's work after the early 1930s — metaphorize this inward turning.
Deller's multi-faceted practice incorporates
forms of social investigation and archival research, often celebrating British popular and
vernacular culture.
His work is distinguished by rigorous formal and structural analyses
of neglected
forms from
vernacular culture, informed by his large collections
of objects representative
of consumer desires, religious fervour, and a constantly evolving counterculture.
Termed an outsider artist, a
vernacular artist, and a folk artist, among other labels, Dial, who was African American, was one
of just a few self - taught artists who, over the past century, began making art well beyond the borders
of the predominantly urban, white mainstream art world but who would eventually find a
form of success within it.
In the common
vernacular of corporate law, however, the «oppression remedy» is applied to 3
forms of mistreatment
of shareholders.
«Several factors work together to tie the center into the Hawaiian
vernacular: open spaces, shade and shadow play created by distinctive roof
forms, use
of the beautiful ocean and mountain views, lush landscaping, and a variety
of lighting sources,» Tindall says.
Vernacular examples from the region inspire the
forms and material palette
of this new «old» structure.