Featuring a selection of American
vernacular photographs recently donated to the Museum, this exhibition explores how amateur photographers circumvented and at times unsettled assumptions about what a portrait might be.
Featuring a selection of American
vernacular photographs recently donated to the Museum by New York collector Peter Cohen, this exhibition explores how amateur photographers circumvented and at times unsettled assumptions about what a portrait might be.
American School, 19th / 20th Century Box of Approximately 500
Vernacular Photographs, Including Portraits, Niagara Views, Sports Activities, and Travel Subjects.
Working from found vintage and
vernacular photographs, Lyle seamlessly composes works that
These works are paired alongside selected
vernacular photographs from the Pilara Foundation Collection, illustrating another instance in which found pictures can offer new meaning through a simple change of context.
Portland Art Museum opens exhibition of
vernacular photographs of, by, and for African Americans
Interdisciplinary artist using
vernacular photographs, tourist ephemera, and American landmarks.
From mounting Jackson Pollock's first solo museum exhibition in 1945 to exhibiting
vernacular photographs and championing the emerging Mission School scene in the mid-1990s, SFMOMA has consistently broken new ground, expanding the conventional wisdom of what an art museum should present and collect.
New York — On Thursday, October 19, Swann Auction Galleries» sale of Art & Storytelling: Art & Photobooks combined works spanning the lifetime of the medium into an auction intended to «highlight the interrelationships between fine art, documentary and
vernacular photographs,» according to Daile Kaplan, Vice President and Director of Photographs & Photobooks at Swann Galleries.
The diverse works on view include rare early pictures, major examples of the Pictorialist art movement by figures such as Peter Henry Emerson and George Seeley, and a broad range of twentieth - century art and
vernacular photographs.
Peter J. Cohen is a New York - based collector of snapshots and
vernacular photographs.
«I love the combination of anonymous
vernacular photographs and important historical works,» said Jack Shear, photographer, collector and exhibition co-curator.
American and European Schools, 19th / 20th Century Eleven Framed
Vernacular Photographs, Including Several Aerial Views and Portraits, and the Lion of Lucerne by Giorgio Sommer.
Not exact matches
There is an inventive world of
vernacular bot - stopping solutions on personal websites: an email address ending with «oryx,» with a note to remove the «genus of antelope» before sending; a very simple joke for which you must choose the obviously correct punchline; a
photograph you must briefly describe («am I in the house or on the beach?»)
Individual collections include: examples of British
vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist
photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.
Earlier this year «System and Vision» at David Zwirner, in cooperation with Berlin's Galerie Susanne Zander, examined the obsessive work of
vernacular artists such as Morton Bartlett, a doll maker who
photographed his creepy creations; Prophet Royal Robertson, an artist of brimstone - burnt apocalyptic fervor; and George Widener, a living artist whose mixed - media pieces entail complex mathematical and calendrical calculations.
The 2014 titles include Tony Oursler / Vox
Vernacular and Unfamiliar Streets: The
Photographs of Richard Avedon, Charles Moore, Martha Rosler and Philip - Lorca diCorica.
Individual collections include: African art and samurai armour owned by Arman; examples of British
vernacular culture from Peter Blake; the eclectic contents of two rooms from Hanne Darboven's family home in Hamburg; Edmund de Waal's Japanese netsuke; Damien Hirst's skulls, taxidermy and medical models; Indian paintings from Howard Hodgkin; Dr. Lakra's record covers and scrapbooks, Sol LeWitt's Japanese prints, modernist
photographs and music scores; 20th century British postcards and Soviet space dog memorabilia from Martin Parr; Jim Shaw's thrift store paintings; Hiroshi Sugimoto's 18th century French and Japanese anatomical prints and books; Andy Warhol's cookie jars; more than 1,000 scarves and other textiles by the American designer Vera Neumann from Pae White; and a collection of thousands of objects assembled by Martin Wong and subsequently acquired by Danh Vo.
Beverly Buchanan (born 1940) examines southern
vernacular architecture in her vibrant and expressive sculpture, paintings and
photographs.
«Vik, 2 Years Old,» a 2014
photograph by Brazilian - American photographer Vik Muniz — This large - scale
photograph (approximately 8 by 6 feet), which entered the collection through the High's 2016 Collectors Evening, is from the artist's «Album» series, for which Muniz builds replicas of familiar moments with small pieces of discarded
vernacular snapshots pasted together to form scenes.
Although his
photographs are nowhere near as original as his art, they're solid examples of a midcentury American style that zeroed in on the
vernacular, the ephemeral, and the everyday.
Mies's model, as depicted in a series of
photographs he took in 1922, is a transparent monolith that towers above a swarm of
vernacular housing he designed to appear horrifying and decrepit.
Works by renowned masters of the medium exist side - by - side with
vernacular and scientific
photographs.
Peter B. Leighton, for example, is interested in the ways we epitomize the past, and so he works with vintage
vernacular photography to seamlessly construct new images with found
photographs.
By placing colorful dots over faces, obscuring portions of scenes, or juxtaposing stock
photographs with quixotic phrases, he injects humor and dissonance into
vernacular imagery.
The gallery shows works by 20th century master photographers, lesser - known mid-century photographers, the Pictorialists, select contemporary artists, as well as unique
vernacular and anonymous
photographs and selected 19th century works.
Evie McKenna takes
photographs of
vernacular gardens, which explore the interaction of organic elements and the built environment.
Included in the show will be a group of related
photographs by the artist, as well as a selection of
vernacular sculptural objects that set a new imaginative context for Sommer's work.
With its title, the harsh lighting and slightly larger than life size, the
photograph plays with the
vernacular style and inherent contradictions of the family snapshot.
Using the written word as a foundation for
photographs, she constructs images by building letters and phrases out of
vernacular materials such as cardboard, wood, and cinder blocks, calling attention to the ways language and imagery are put together.
Vernacular examples from the sale include a remarkable suite of fifty unbound silver print
photographs by Martin Chambi showing scenes of Peru in the 1920s.
The British
vernacular, meanwhile, is the subject of Stuart Whipps's
photographs, slideshows and videos (Spike Island, Bristol, 9 Jul to 18 Sep).
Drawing inspiration from such sources as local architecture, amateur
photographs, and state fair banners, their work runs the aesthetic spectrum from sleek to handcrafted, underscoring the diverse manifestations of the
vernacular within our lived environment and its impact on artists working today.
Arriving in Seattle from Amsterdam shortly after World War II, he began
photographing a newly discovered landscape of billboards,
vernacular architecture, and neon signs.
The book and show unabashedly forced the art world to deal with color photography, a medium scarcely taken seriously at the time, and with the
vernacular content of a body of
photographs that could have been but definitely weren't some average American's Instamatic pictures from the family album.
Her practice borrows from simultaneous visual traditions, including photographic and figurative portraiture, social documentary aesthetics, and
vernacular family - album
photographs.
«In Our Glory» provides great context and insight to the use of
vernacular family
photographs in Hewitt's work.
The
photographs were all images of non-idealized landscapes, a mundane American
vernacular — sprawling repetitive suburban areas, anonymous «strip» malls, one and two - story structures along highways, liminal urban areas — each bearing witness to a potential social critique.
Theatre also features architectural drawings and
photographs that, across decades, have documented American
vernacular suburban architecture.
Using personal
photographs of southern
vernacular architecture, namely from Georgia (where the artist was raised) and Hale County, Alabama (a location associated with much of Walker Evans» depression - era
photographs), Poor's -LSB-...]
«I went into that landscape, in Tuscaloosa and Hale counties primarily, and began to
photograph the things that caught my eye, the
vernacular architecture in particular, the country graveyards, which were beautiful things.