With much of the work in «The Order of Things» focusing on the individual and cultural identity, the exhibition also includes a large selection devoted to
vernacular photography from the late - nineteenth and early twentieth century — offering a glimpse into the day - to - day life of a time that we will never know.
Open to participants and audiences of the Open Engagement Conference, the dinner will take place within an exhibition curated by AMERINDA — Recovering Memories:
Vernacular photography from the historical Native American Brooklyn neighborhoods and Contemporary Photography from the New York Movement of Contemporary Native American Art.
Not exact matches
At a time when artists across the board were turning away
from painting and towards
photography and conceptual art, Pacific Coast Highway and Santa Monica addresses the history and impact of artistic styles such as Post-Impressionism and Fauvism, all executed in Hockney's signature
vernacular.
Snapshots of Twentieth Century Life showcases works
from a recent major gift to the Museum's collection donated by
vernacular photography collector Peter Cohen.
He creates works
from a mashup of
vernacular references, employing a variety of medium, including video,
photography, sculpture and painting.
Further drawing the viewer in is that the complexity of the conceptual and compositional elements is coupled with the enchanting, relatable imagery
from Hammond's
vernacular photography.
The exhibition at the Walther Collection, which took place
from the beginning of May 2015 until the fall of 2016, investigated the production and use of serial portraiture, conceptual structures,
vernacular imagery, and time - based performance in
photography from the 1880s to the present, bringing together works
from international artists.
Tapping the traditions of documentary and conceptual
photography, Leonard's project, which she developed during a residency at the Wexner Center in Columbus, Ohio, is positioned within the genealogy of the grand visual archives that extend
from Eugène Atget's Paris «then and now,» to August Sander's Face of Our Time, to Bernd and Hilla Becher's typologies of
vernacular architecture.
The exhibition, curated by Todd Levin, also includes a selection of images
from the Ralph DeLuca Collection of African American
Vernacular Photography.
Category: ART,
PHOTOGRAPHY, VIDEO · Tags: Alma Woodsey Thomas, Betye Saar, Beverly Buchanan, Brenna Youngblood, Carrie Mae Weems, Clementine Hunter, Elizabeth Catlett, Ellen Gallagher, Emmer Sewell, Faith Ringgold, Howardena Pindell, Jennie C. Jones, Joyce J. Scott, Julie Mehretu, Kara Walker, Karon Davis, LaToya Ruby Frazier, Leslie Hewitt, Lorna Simpson, Lorraine O'Grady, Meta Vaux Warrick Fuller, Mickalene Thomas, Minnie Evans, Njideka Akunyili Crosby, Nona Faustine, Ntozake Shange, Power: Work by African - American Women from the Nineteenth Century Until Now, Ralph DeLuca Collection of African American Vernacular Photography, Renee Cox, Renee Stout, Rosie Lee Tompkins, Senga Nengudi, Shinique Smith, Simone Leigh, Sister Gertrude Morgan, Sondra Perry, Sonya Clark, Sprüth Magers Los Angeles, Steffani Jemison, Todd Levin, Xavi
PHOTOGRAPHY, VIDEO · Tags: Alma Woodsey Thomas, Betye Saar, Beverly Buchanan, Brenna Youngblood, Carrie Mae Weems, Clementine Hunter, Elizabeth Catlett, Ellen Gallagher, Emmer Sewell, Faith Ringgold, Howardena Pindell, Jennie C. Jones, Joyce J. Scott, Julie Mehretu, Kara Walker, Karon Davis, LaToya Ruby Frazier, Leslie Hewitt, Lorna Simpson, Lorraine O'Grady, Meta Vaux Warrick Fuller, Mickalene Thomas, Minnie Evans, Njideka Akunyili Crosby, Nona Faustine, Ntozake Shange, Power: Work by African - American Women
from the Nineteenth Century Until Now, Ralph DeLuca Collection of African American
Vernacular Photography, Renee Cox, Renee Stout, Rosie Lee Tompkins, Senga Nengudi, Shinique Smith, Simone Leigh, Sister Gertrude Morgan, Sondra Perry, Sonya Clark, Sprüth Magers Los Angeles, Steffani Jemison, Todd Levin, Xavi
Photography, Renee Cox, Renee Stout, Rosie Lee Tompkins, Senga Nengudi, Shinique Smith, Simone Leigh, Sister Gertrude Morgan, Sondra Perry, Sonya Clark, Sprüth Magers Los Angeles, Steffani Jemison, Todd Levin, Xaviera Simmons
The Order of Things investigates the production and uses of serial portraiture, conceptual structures,
vernacular imagery, and time - based performance in
photography from the 1880s to the present, bringing together works by artists
from Europe, Africa, Asia, and North America.
This body of work stems
from historical painting as a documentary means to capture
vernacular moments in time and space while playing with common motifs in contemporary snapshot
photography.
In these recent works, processions of figures assembled
from fragments of book and magazine
photography and illustration manifest the artist's interest in the cross-pollination of historical and
vernacular imagery.
From street
photography to portraiture,
vernacular albums to documentary reportage, the show includes the Casa Susanna Collection, Paz Errazruiz, Pieter Hugo, Mary Ellen Mark and Dayanita Singh, Larry Clark and Diane Arbus.
The book and show unabashedly forced the art world to deal with color
photography, a medium scarcely taken seriously at the time, and with the
vernacular content of a body of photographs that could have been but definitely weren't some average American's Instamatic pictures
from the family album.
Picture Takers is a group show featuring artwork made
from or inspired by
vernacular photography.