The exhibition included over 100 pieces made from 1986 until 2013, embracing a wide range of works, from his earliest series to Photograms, cliché -
verres, to the new, digitally manipulated color
photographs.
[1] Then came stark works of broken gelatin (1984), graphic - like arrays of tiles (1985), Polaroids of simple fabric drapes (1988), and then a major widening of his range to include pre-made antique
photographs, outdoor still - life, artificial and natural light sources, and most notably color - filtered meditations on architecture, including Philip Johnson's Glass House in Connecticut and the Maison de
Verre in Paris.