The exhibition also features an example of Ligon's work in video: an abstracted
version of a film adaptation of Uncle Tom's Cabin, directed by Thomas Edison in 1903.
Not exact matches
The tale
of the Trojan War has captivated generations
of audiences while evolving from its origins as an oral epic to written
versions and, finally, to several
film adaptations.
The third
of nine
adaptations of the
film to date, the 1933 Little Women is nonetheless one
of the better
versions of the book, and it can be forgiven a lot due to its age and era.
Like most Wilde plays, it has been made into
film and for television numerous times, although this
version isn't a strict
adaptation, causing the name to be changed, rightfully, to use a part
of the play's secondary title, «A Play About a Good Woman».
Barry Petersen previously shot Zoolander and the
film version of Starsky and Hutch, along with the recent
adaptations of 21 Jump Street.
Few famous novels have been
filmed as often as Alexandre Dumas» The Count
of Monte Cristo — and few
versions are as enjoyable as this 1934
adaptation starring Robert Donat.
Prior to that, he produced and starred in Phil Morrison's black comedy ALL IS BRIGHT alongside Paul Rudd and lent his vocal talents to the English - language
version of the Oscar - nominated French animated feature, ERNEST & CELESTINE, and the highly anticipated feature -
film adaptation of THE LITTLE PRINCE, directed by Mark Osborne.
It is hard sometimes to shake the feeling that this live - action Disney
adaptation is relying too much on the 1991 animation, to the point that it almost feels like an extended
version of that
film; but even so, it offers a fresh and modern look at the classic story that makes it worth it.
I also had the misfortune
of experiencing the new
film version of «Les Misérables», which fails to hide the weaker aspects
of the source material and, with the exception
of a single sequence, never brings any imagination to the screen
adaptation.
By the late teens he was helming a series
of notable films starring William Farnum, ranging from historic adaptations (a seven - reel version of A Tale Of Two Cities [1917] and a ten - reel Les Miserables [1918]-RRB- to Zane Grey westerns (Riders of the Purple Sage [1918], The Rainbow Trail [1918]-RRB
of notable
films starring William Farnum, ranging from historic
adaptations (a seven - reel
version of A Tale Of Two Cities [1917] and a ten - reel Les Miserables [1918]-RRB- to Zane Grey westerns (Riders of the Purple Sage [1918], The Rainbow Trail [1918]-RRB
of A Tale
Of Two Cities [1917] and a ten - reel Les Miserables [1918]-RRB- to Zane Grey westerns (Riders of the Purple Sage [1918], The Rainbow Trail [1918]-RRB
Of Two Cities [1917] and a ten - reel Les Miserables [1918]-RRB- to Zane Grey westerns (Riders
of the Purple Sage [1918], The Rainbow Trail [1918]-RRB
of the Purple Sage [1918], The Rainbow Trail [1918]-RRB-.
After a number
of films, TV series and stage
adaptations, Arthur Ransome's beloved 1930 novel gets an all - new movie
version.
But it's unfair to judge on a book on its cover (or title) and after seeing Matthew Vaughn's
film adaptation which releases this weekend, I can honestly say that Kick - Ass is much better than I first expected and Vaughn's big - screen
version of the graphic novel features sharp writing, brilliant performances, and
of course, indulgent action sequences and story - telling.
Spielberg is reportedly directing a
film version of Roald Dahl's children's book «The BFG» as well as a movie
adaptation of Ernest Cline's science fiction book «Ready Player One.»
The
film often riffs on George Bernard Shaw's «Pygmalion,» the musical
adaptation, «My Fair Lady,» and most
of all the 1938 movie
version, which featured a sly romantic ending and,
of course, Leslie Howard, another Brit heartthrob who could act.
Indeed, the director had set his sights on remaking Murnau's shuddery unauthorized Dracula
adaptation, shooting both German and English language
versions and applying his own unique cinematic aesthetic to the oft
filmed tale
of the bloodsucking undead.
Also new on DVD: M. Night Shyamalan's The Last Airbender (Paramount), an
adaptation of the animated TV series and one
of the most critically reviled
films of the year, the feature
film version of Beverly Cleary's Ramona And Beezus (Fox), Cats & Dogs: The Revenge
of Kitty Galore (Warner), Marina de Van's Don't Look Back (IFC) with Sophie Marceau and Monica Bellucci, The Lightkeepers (Image) with Richard Dreyfuss and Blythe Danner, Lau Kar - Leung's classic martial arts movie Shaolin Mantis (Vivendi) and the newly remastered The Endless Summer: Director's Special Edition (Monterey).
While the book became a bestseller and a counterculture classic
of the time, Douglas produced a Broadway
adaptation with himself in the lead role
of Randle P. McMurphy and spent years trying to get a
film version off the ground.
After teasing a number
of different ambitious projects in 2017 — including an adaptation of Fernando Morais» nonfiction book The Last Soldiers Of The Cold War: The Story Of the Cuban Five and a slightly re-cast version of Idol's Eye, his perpetually stalled Chicago mob thriller — Assayas ultimately went with a previously unannounced project about the French publishing industry as his next fil
of different ambitious projects in 2017 — including an
adaptation of Fernando Morais» nonfiction book The Last Soldiers Of The Cold War: The Story Of the Cuban Five and a slightly re-cast version of Idol's Eye, his perpetually stalled Chicago mob thriller — Assayas ultimately went with a previously unannounced project about the French publishing industry as his next fil
of Fernando Morais» nonfiction book The Last Soldiers
Of The Cold War: The Story Of the Cuban Five and a slightly re-cast version of Idol's Eye, his perpetually stalled Chicago mob thriller — Assayas ultimately went with a previously unannounced project about the French publishing industry as his next fil
Of The Cold War: The Story
Of the Cuban Five and a slightly re-cast version of Idol's Eye, his perpetually stalled Chicago mob thriller — Assayas ultimately went with a previously unannounced project about the French publishing industry as his next fil
Of the Cuban Five and a slightly re-cast
version of Idol's Eye, his perpetually stalled Chicago mob thriller — Assayas ultimately went with a previously unannounced project about the French publishing industry as his next fil
of Idol's Eye, his perpetually stalled Chicago mob thriller — Assayas ultimately went with a previously unannounced project about the French publishing industry as his next
film.
He was Saoirse Ronan's love interest Eddie in How I Live Now, the 2013
film version of Meg Rosoff's novel, and played the lead role in Sadie Jones» television
adaptation of her own novel The Outcast.
Terence Davies»
adaptation of the 1952 Terence Rattigan play is the second
filmed version of The Deep Blue Sea.
Features commentary by
film scholar Dana Polan, a new interview with Gloria Grahame biographer Vincent Curcio, a 20 - minute piece with filmmaker Curtis Hanson produced for the 2002 DVD release, a condensed
version of the 1975 documentary I'm a Stranger Here Myself (this runs about 40 minutes), and the radio
adaptation of the original novel produced for «Suspense» in 1948, plus a fold - out booklet with an essay by Imogen Sara Smith.
The
film is the second French - language
adaptation of the classic fable following Jean Cocteau's 1946
version.
Mamoulian's
version of Dr. Jekyll and Mr. Hyde is widely regarded as the pre-eminent
film adaptation of Robert Louis Stevenson's novella The Strange Case
of Dr. Jekyll and Mr. Hyde, first published in 1886.
The
film features younger
versions of the Robert De Niro and Samuel L. Jackson characters from another Leonard
adaptation, Jackie...
This newly pieced together
version of Clive Barker's own
adaptation of his book Cabal, created from footage found on a VHS work print, the «Cabal Cut»
of Nightbreed is not quite a «lost masterpiece» but it's interesting to see the painstaking work gone into restoring the
film to what more closely resembles Barker's vision.
Charlie Kaufman has written some
of the most original movies
of the last decade, but «
Adaptation» is probably his best thanks to an incredible (and surprisingly reserved) performance from Nicolas Cage, who plays a fictionalized
version of the screenwriter as he struggles to finish the script for the very
film that the audience is watching.
Writer Jason Fuchs and director Joe Wright (Atonement, Hanna) have created a Peter Pan «origin» story that lacks any touch
of whimsy or enchantment from the original books or the numerous
film adaptations: the 1953 Disney animated classic, the 1991 Steven Spielberg / Robin Williams / Dustin Hoffman vehicle, the underrated 2003 live action
version from director P.J. Hogan, or even last year's Live TV broadcast featuring Allison Williams as Peter.
Rob Marshall, who's known for directing the 2002 Oscar - winning
film adaptation of the hit Broadway musical, «Chicago,» also helmed the movie
version of «Into the Woods.»
Though the late - 19th century setting
of Jules Verne's Around the World in 80 Days is an important character (and perhaps the most important one), the book has a kind
of timeless, universal appeal that made a
film version in the»50s relevant and entertaining and could make a new
adaptation feel the same.
As I mentioned in my review here, this
film adaptation is probably the best
version of the book that we could have hoped for, warts and all.
Two
film adaptations, both alike in writer in the world
of cinema where we lay our scene, from silent movies to colourful modernised
versions,...
The
film is introduced with the atypical title «William Friedkin's
Film Of Tracy Letts» «Killer Joe,» «suggesting that it'll be a no - frills adaptation of the play, but that's not quite true; it's plenty faithful to the stage version, but Friedkin and Letts (the latter of whom adapted the screenplay himself) do a pretty good job in making the play cinematic, certainly more so than either «Carnage» or «A Dangerous Method,» adding some striking locations (including an abandoned rollercoaster) and even a chase scen
Of Tracy Letts» «Killer Joe,» «suggesting that it'll be a no - frills
adaptation of the play, but that's not quite true; it's plenty faithful to the stage version, but Friedkin and Letts (the latter of whom adapted the screenplay himself) do a pretty good job in making the play cinematic, certainly more so than either «Carnage» or «A Dangerous Method,» adding some striking locations (including an abandoned rollercoaster) and even a chase scen
of the play, but that's not quite true; it's plenty faithful to the stage
version, but Friedkin and Letts (the latter
of whom adapted the screenplay himself) do a pretty good job in making the play cinematic, certainly more so than either «Carnage» or «A Dangerous Method,» adding some striking locations (including an abandoned rollercoaster) and even a chase scen
of whom adapted the screenplay himself) do a pretty good job in making the play cinematic, certainly more so than either «Carnage» or «A Dangerous Method,» adding some striking locations (including an abandoned rollercoaster) and even a chase scene.
In fact, the new Producers derives from Brooks» 2000 Tony - winning, Broadway stage musical
adaptation of his earlier
film (and Brooks, enjoying his septugenarian impresario rebirth, has written ten songs for an upcoming stage musical
version of Young Frankenstein).
May 10, 2018 • A stellar cast, a faithful
adaptation, and a director with a rhythmic sense
of pacing ensure that this
film version of Anton Chekhov's play takes flight.
From Danish director Thomas Vinterberg, who gave us the 1998 Dogme
film The Celebration and the 2012 Best Foreign Language nominee The Hunt, Far from the Madding Crowd — the fourth cinematic
adaptation of Hardy's novel (the most famous
of which is the 1967 John Schlesinger
version)-- is a gorgeously photographed period piece, and one
of the fastest - paced
films about the 19th century that I have ever seen.
Jane Eyre has been adapted so many times (19 if my maths is correct, plus upwards
of ten made for television) that it's hard not to consider a new
version as much a remake
of the previous
films as it is an
adaptation of the book
Charlotte Brontë's Jane Eyre has been adapted so many times (19 if my maths is correct, plus upwards
of ten made for television) that it's hard not to consider a new
version as much a remake
of the previous
films as it is an
adaptation of the book, but the trailer does a splendid job
of significantly standing out from the others.
With a new rumor suggesting the Warner Bros.
adaptation could spring back to life (again), this time with Justin Lin at the helm, concept art has resurfaced from an earlier
version of the
film, remind us that Joseph Gordon - Levitt and Chis Evans were once envisioned as its stars.
I have not read A.E.W. Mason's novel The Four Feathers, but director Shekhar Kapur's
film adaptation (the sixth
filmed version of this material, I learn — none
of which I have seen either) makes me want to.
It might have been intimidating for British actress Hayley Atwell to sign on for the lead in Starz's
adaptation of E.M. Forster's literary classic «Howards End,» given the long shadow cast by Emma Thompson, who won a Best Actress Oscar for the 1992 Merchant - Ivory
film version.
The list
of icons making appearances was truly unprecedented: Superman soars twice — once in the «return» and the other as Ben Affleck; Crockett and Tubbs exude cool; Ethan Hunt falls short; Captain Jack Sparrow sets the stage for the finale; Jack Black sometimes wears stretchy pants; Huey Long is resurrected and somehow over-played by Sean Penn; the mass appeal
of the DaVinci Code novel fizzled onscreen; Robert Altman's amazing career ended with an excellent
adaptation of a radio series starring Garrison Keillor's made for radio face; Johnny Depp tried to untrack his career with The Libertine; Nicolas Cage was front and center in the disastrous remake
of The Wicker Man, but if the preview is any indication, his sleep - walk was merely a tune - up for this year's Ghost Rider; Woody Allen (with Scarlett Johansson as his muse) re-emerged with his best comedy since Crimes and Misdemeanors; amazingly, Jen and Vince's real life break - up was more entertaining than the
film version; and while on - set hook - ups seem to the norm, how could the dreadful You, Me and Dupree have been an aphrodisiac for Kate and Owen?
James Whale's 1931
film classic went wildly off - book to define cinema's long relationship with the text, and the past few years alone have seen
adaptations both faithful (Danny Boyle's stage
version, with Benedict Cumberbatch and Jonny Lee Miller alternating roles) and freestyle (I, Frankenstein, Penny Dreadful's heady stew, Paul McGuigan's Victor Frankenstein); even Ex Machina could be seen as an AI - themed retelling
of the Frankenstein story.
Wolverine 3 is still quite the perplexing project as we had originally expected to be some sort
of an
adaptation of Old Man Logan, the more we're learning about the third
film the less it's looking like a straight - up
version of that comic.
Seven outlaws come together to save a helpless town from a greedy tyrant in Antoine Fuqua's new
version of The Magnificent Seven, a remake
of the original 1960
film (directed by John Sturges) which in itself was an
adaptation of Akira Kurosawa's The Seven Samurai.
The filmmaker turned a coming -
of - age action
film («Hanna») into a fairy tale allegory complete with a wicked witch, and his
version of «Anna Karenina» was an audaciously bold and visually striking
adaptation of a classical piece
of Russian literature.
Atwell, meanwhile, will also soon appear as Cinderella's mother in a new
version of the classic fairytale directed by Kenneth Branagh, and is currently
filming Testament
of Youth, a BBC Films
adaptation of Vera Brittain's devastating first world war memoir which also stars Alicia Vikander, Dominic West and Emily Watson.
Fresh from Melissa introducing the
film at the Pickford
Film Center in Bellingham, we talk about three
versions of True Grit: the 1968 novel by Charles Portis, the 1969
film version directed by Henry Hathaway and starring John Wayne, Kim Darby and Glen Campbell, and the 2010
adaptation by the Coen Brothers, with Jeff Bridges, Hailee Steinfeld and Matt Damon.
It's a respectable effort — there have been six previous
film adaptations of Dickens's masterpiece — but why bother when David Lean's 1946
version is unbeatable?
New fans will easily be able to hop into the
film version of The Dark Tower without any previous knowledge, because it's both a loose
adaptation of the original book and a continuation
of the series at large.
This movie camera shaped reading response project will provide you with all
of the teaching resources that you need for your students to write about
adaptations that they have to make to their books in order to make a
film version of the novel.