Sentences with phrase «version of a large sculpture»

Not exact matches

The human scale of this particular Spider creates a sense of preternatural unease, offering a more unsettlingly intimate encounter than larger spider sculptures such as the monumental Maman (1999), one version of which today towers ten metres tall outside the Guggenheim Bilbao.
Featured, are three maquettes each of which were created for seminal works: the maquette for Days on Blue, 1974 — the larger version resides in the collection of SFMOMA and is the largest sculpture Wilmarth ever completed; maquette for Gift of the Bridge, 1975 — the larger version resides in the collection of the Wadsworth Atheneum; and Maquette for Evers, 1974/1978 — the larger version resides in a private collection.
Designed by renowned artist Frank Stella, the inaugural award is a small version of a large scale star - shaped sculpture that will ultimately be featured in the Besthoff Sculptursculpture that will ultimately be featured in the Besthoff SculptureSculpture Garden.
«The Broken Jug: A Comedy [D3](left handed version)» (2007), a sculpture made from sheets of marine plywood and pine, is like Bauhaus paper cutting exercises made large and pulled up into space from the floor, rather than from a table top.
Of the latter two, which are included in the exhibition, Smoke is a study for a much larger version that was shown in the atrium of the Corcoran Museum of Art in Washington, D.C., and eventually became part of a triology of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century arOf the latter two, which are included in the exhibition, Smoke is a study for a much larger version that was shown in the atrium of the Corcoran Museum of Art in Washington, D.C., and eventually became part of a triology of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century arof the Corcoran Museum of Art in Washington, D.C., and eventually became part of a triology of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century arof Art in Washington, D.C., and eventually became part of a triology of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century arof a triology of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century arof large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century arof the most profound and alluring works of public sculpture made in the history of twentieth century arof public sculpture made in the history of twentieth century arof twentieth century art.
Sculpture with Colour (Oval Form) is a larger, wood version of Hepworth's first sculpture with strings, the coloured plaster maquette made just before the outbreak of the war, Sculpture with Colour, White, Blue with Red Strings (BH 113A), which was the only sculpture she took with her to St Ives on 25 AugSculpture with Colour (Oval Form) is a larger, wood version of Hepworth's first sculpture with strings, the coloured plaster maquette made just before the outbreak of the war, Sculpture with Colour, White, Blue with Red Strings (BH 113A), which was the only sculpture she took with her to St Ives on 25 Augsculpture with strings, the coloured plaster maquette made just before the outbreak of the war, Sculpture with Colour, White, Blue with Red Strings (BH 113A), which was the only sculpture she took with her to St Ives on 25 AugSculpture with Colour, White, Blue with Red Strings (BH 113A), which was the only sculpture she took with her to St Ives on 25 Augsculpture she took with her to St Ives on 25 August 1939.
Hepworth eventually chose to make a new version of Single Form, and delivered to the United Nations her largest ever sculpture, a staggering 21 - foot bronze version, 1961 - 64 (BH 325).
Also included in the exhibition will be a new version of Hume's signature sculpture, Back of a Snowman, first seen in a larger version at his last exhibition in this gallery.
Like Looking for Snow Leopard at the Kunsthalle Bern presented Sone's personal assessment of landscape and displayed a new version of his large installation It Seems Like Snow Leopard Island (2002 - 2006), alongside related snowflake sculptures, paintings, drawings, and video work.
(A larger version of the sculpture was included in Silverman's inaugural show at Bodega in 2015.)
In addition, Scottish sculptor, artist and pop art pioneer Eduardo Paolozzi also made his Biennale debut in 1952, showing a bronze sculpture called Bird (1950), a brass version of Forms on a Bow (1949) and Study for a Larger Version in Concrete version of Forms on a Bow (1949) and Study for a Larger Version in Concrete Version in Concrete (1951).
Best known for his monumental black - painted steel sculptures composed of complex arrangements and combinations of classical geometric forms, Tony Smith would often make smaller bronze versions of his large - scale outdoor sculptures.
He continued to develop The Store up until 1964, creating further versions of it and producing a large selection of Store sculptures and drawing, many of which have been brought together for the Museum of Modern Art show.
The large works that have occupied him since 1969 are, in brief: Hubris, commissioned for the University of Hawaii at Manoa, one of Smith's most open and regular pieces to date, which consists of a two - section, 9 - by - 9 grid in black concrete, one half thin slabs at ground level, the other half the same grid raised to 3 feet 3 inches by a four - sided pyramidal module; Batcave, a complex environmental interior designed to «mold space and light» rather than material form, at the Osaka World's Fair, a new version of which will be shown soon at the Los Angeles County Museum; a gigantic triangular sculpture inserted into a Californian mountainside; a labyrinthine water garden for a delta; Smog, a huge new horizontal piece made from the dismantled components of Smoke (which was made for the Corcoran's «Scale as Content» show, 1967); Haole Center, a sunken square «pavement» within a square stone sculpture, with a metal ladder leading down below the earth's surface; two related monumental sculptures on platforms (Arch and Dial); and a flat 81 - block grid proposed for downtown Minneapolis.
''... curvaceous, diaphanous, voluptuous, lissome... fleshy, glandular, uvular, uterine... inside the armory's vast drill hall, one of the largest unobstructed spaces in the city, the Brazilian artist Ernesto Neto has been hard at work... building a sprawling version of one of his signature biomorphic sculptures that requires all of those words and a few more to describe adequately.»
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