Although,
the version of this movie where the staff have realistic eyes embedded in metal bodies would tip the film even further into David - Cronenberg - body - horror than it already is.
There's
another version of the movie where everyone is more anonymous, but I didn't think it served the story any better.
There are elements of «1945» that recall a classic Western structure, and there's a Quentin Tarantino
version of the movie where the strangers» cases are filled with ammo and everything builds to a huge shootout.
Not exact matches
Reelhouse has developed a beta
version of a site
where content creators can sell
movies and videos on a subscription basis, sell a la carte per download, crowd - fund through social media, or offer their work for free.
If I'm not mistaken, there was once a
movie with Dane Cook
where every woman who dated him found the love
of her life right after moving on to the next guy... Tim Tebow is the football player
version of that shitty Dane Cook
movie.
I've read
where Angelina Jolie had one
version of the
movie that she wanted to release and the studio had their own.
But the fact that this
movie is smart enough to swallow that argument and then play it out as a central conflict is part
of its charm; so too is the fact that it spins it up into a more broad critique
of society, sort
of a thinly veiled, more deliriously silly, all - Lego
version of Brave New World,
where fitting in and having fun hide something more sinister.
Where the real Elizabeth sought out Raleigh as something
of a boy - toy sage, the
movie paints a sillier postmodern
version.
Unknowing fans thought they were attending an event in New York and Los Angeles
where they could preview footage
of the film, but instead they were treated to the unfinished
version of the entire
movie.
The Toons live in Toontown, a completely animated world
where the climax
of the
movie takes place, but most
of the time, they hang out in a
version of Hollywood that looks like it was borrowed from a 1940s pri vate - eye
movie.
What follows is an introduction that is a brilliant, satirical
version of the classic openings featured in James Bond
movies,
where a grand ballad plays over stylized graphics.
You'll discover a whole new
version of the old fairytale in this Hallmark made - for - TV
movie where the tall tale comes to life after an enormous skeleton is unearthed at the family estate
of a wealthy businessman whose first name is Jack —
of course!
An unfinished
version of the
movie was screened in competition at the Cannes Film Festival,
where it received awards for Best Screenplay and Best Actor.
Gere seems to insert a fair amount
of charm into all his characters — the man's just charismatic — but
where his usual gleam -
of - the - eye plays out as endearing, here it translates roughly to the equivalent
of an action
movie version of the Lucky Charms mascot.
If you look at «The Hand That Rocks The Cradle» and «Fatal Attraction» and all
of those genre
movies, what I wanted to do was a contemporary
version of those
movies,
where you really understand all the characters, and steep it in plausibility.
The only thing that could possibly be better than a completely LEGO - ized
version of the upcoming Thor
movie sequel, is a
version of Thor: The Dark World
where everyone is LEGO except Tom Hiddleston's Loki.
But the biggest splash this edition provides are two
versions of the
movie; the one released to theatres in 1995, and another that includes the song If I Never Knew You (performed by Mel Gibson and Judy Kuhn - the singing voice
of Pocahontas) seamlessly animated into the story
where the
movie creators originally intended it to be.
But as the substantially faithful
movie version demonstrates, the story
of Thank You for Smoking resides in that libertarian netherworld
where the far left and the far right march shoulder to shoulder.
Cole explained when the Black Panther
movie picks up,
where it goes after that, and how they're developing the MCU
version of Wakanda.
Two film adaptations, both alike in writer in the world
of cinema
where we lay our scene, from silent
movies to colourful modernised
versions,...
Releasing on regular screens and in IMAX (
where audiences are treated to a several - story high
version of the caped crusader), the
movie takes a long hard look at justice.
We can talk a lot about the harm caused by certain studios when it comes to reshoots and edited
versions of films, but when it doesn't concern huge
movies where those stories will easily make headlines, it generally shows how much
of a collaborative process filmmaking is and how there are producers who know a thing or two about development.
Bassett said her children, son Slater and daughter Bronwyn, visited the
movie's set as well,
where they saw a
version of Black Panther's women warriors in the form
of writer - director Ryan Coogler's crew, which had an unusual number
of women in key roles.
In real life, Eddie Mannix was the vice president
of MGM,
where he performed the same function as a fixer, but the
movie is a fictionalized
version of Mannix, and has nothing to do with his real exploits at MGM.
The structure is repetitive: Baby Doll and her cohorts figure out
where they can get one
of the items from the list, she lazily sways to an electronic choral
version of a classic rock song (The idea is to distract the man in possession
of the needed item), and, just when the singing and dancing would usually start, the
movie shifts into yet another fantasy level.
There's no fruit in looking at Conquest as a Christ parable, but there's endless fruit in looking at The Passion
of the Christ as a big - budget
version of an exploitation / snuff film, packed to the rafters with disturbing suggestions about societal order (gays suffer a lot at the hands
of Gibson's fantasies — women, mostly, at Fulci's), and flying in under the radar
of social acceptability
where Fulci's films have been relegated to the fanatic's collection and the last independent
movie store in your state.
Now,
where's the «JFK»
version of this
movie?
In the end, Whiskey Tango Foxtrot plays like a slightly above - average
version of the narrative
where a single gal (or in the
movie's self - effacing parlance, «white lady») finds herself — and even that business was better - handled (and tweaked with more specificity) on Fey's TV show.
Zhao discovered her
movie - star - handsome leading man, Brady Jandreau, on the Lakota reservation
where she researched and shot her first feature, «Songs My Brothers Taught Me,» and she built this film around his personal story, enlisting Jandreau's father, sister and quadriplegic best friend (another real - life rodeo casualty) to play
versions of themselves.
In the
movie, Bruce Willis is kidnapped and sent to the past
where a younger
version of his character (played by Joseph Gordon - Levitt) has been assigned to kill him.
She'll also go into classrooms to do a «
movie club» with the students,
where they'll watch the film
version of The Giver together and then talk about the film and how it contrasts with the book.
There's Rod, holder
of the record at Pikes Peak for so many years that they started calling the place Millen's Mountain; there's Steve Millen, rally driver, road racer and performance parts maker at Stillen; there's Rhys, son
of Rod, himself a rally driver, successful Pikes Peak racer and driver
of who - knows - how - many stunts in all those «Fast and / or Furious»
movies; and now there is Ryan, a lad so polite you almost want to hire him on the spot to do public relations work at Disneyland, maybe for a souped - up
version of Autopia
where the cars leave the track and drift wildly through the Magic Kingdom.
With older
versions of Amazon FreeTime there was a workaround
where you could load personal
movies to the camera gallery and kids could access them from there, but in newer
versions of FreeTime, Amazon has removed the app that made that possible.
Today's title references the classic scene from the
movie version of Glengarry Glen Ross,
where super-salesman Alec Baldwin gives this harsh motivational speech to his group
of sales guys.
And now, since we live in a time
where various licenses are being used to create great games we're getting a boardgame
version of the
movie courtesy
of designer Eric Lang and publisher CMON.
Lego
versions of pop culture
movies and TV shows have always had a cool factor about them, hence why their standalone videogames have remained popular for nearly a decade, I honestly can't wait to starting building my minifigs jumping into a collective Lego world
where I get to play as the Lego Marty McFly.
The Justice League
movie got celebrated with a set
of Multiverse events
where you could win
movie costumes for The Flash, Batman, Aquaman, Cyborg and Wonder Woman, but as yet the PC
version hasn't seen these events.
Solstice is a top - down tactical game set on Mars,
where a Martian colony has gone incommunicado, and is suffering from monster attacks (think
of a better
version of the
movie Doom, for those
of you who had the misfortune to see it).
These were part
of the PC
version, from
where we've also brought across a special Minecraft stage for
Movie Maker, JD2 ′ s level editing mode.
A comic
where Wario teams up with
movie monsters to destroy a bunch
of Nintendo characters, and
where Mario becomes the world's most evil looking
version of Van Helsing to take them down.
Ironically the
movie involves time travel to the year 2015,
where hovering devices have replaced the popular
version of the skateboard.
The
movie believes in his vision, depicting the OASIS as a pop culture melting pot
where everyone can be the purest
version of themselves.
What would be perfect is a Blu - ray / iTunes combo
where I get a physical disc and a code to download the
movie from iTunes as if I purchased it from there (because quality
of «Digital Copy» is too laughable to be played in a home theater setup compared to iTunes Store 720p
versions.
This is a taped
version made into a
movie of a seminar conducted for a real estate association technology conference
where 120 real estate sales people attended.
Everyone remembers «The Bodyguard» as the Whitney Houston
movie where she sang a cover
version of that Dolly Parton song.