Sentences with phrase «version of a movie where»

Although, the version of this movie where the staff have realistic eyes embedded in metal bodies would tip the film even further into David - Cronenberg - body - horror than it already is.
There's another version of the movie where everyone is more anonymous, but I didn't think it served the story any better.
There are elements of «1945» that recall a classic Western structure, and there's a Quentin Tarantino version of the movie where the strangers» cases are filled with ammo and everything builds to a huge shootout.

Not exact matches

Reelhouse has developed a beta version of a site where content creators can sell movies and videos on a subscription basis, sell a la carte per download, crowd - fund through social media, or offer their work for free.
If I'm not mistaken, there was once a movie with Dane Cook where every woman who dated him found the love of her life right after moving on to the next guy... Tim Tebow is the football player version of that shitty Dane Cook movie.
I've read where Angelina Jolie had one version of the movie that she wanted to release and the studio had their own.
But the fact that this movie is smart enough to swallow that argument and then play it out as a central conflict is part of its charm; so too is the fact that it spins it up into a more broad critique of society, sort of a thinly veiled, more deliriously silly, all - Lego version of Brave New World, where fitting in and having fun hide something more sinister.
Where the real Elizabeth sought out Raleigh as something of a boy - toy sage, the movie paints a sillier postmodern version.
Unknowing fans thought they were attending an event in New York and Los Angeles where they could preview footage of the film, but instead they were treated to the unfinished version of the entire movie.
The Toons live in Toontown, a completely animated world where the climax of the movie takes place, but most of the time, they hang out in a version of Hollywood that looks like it was borrowed from a 1940s pri vate - eye movie.
What follows is an introduction that is a brilliant, satirical version of the classic openings featured in James Bond movies, where a grand ballad plays over stylized graphics.
You'll discover a whole new version of the old fairytale in this Hallmark made - for - TV movie where the tall tale comes to life after an enormous skeleton is unearthed at the family estate of a wealthy businessman whose first name is Jack — of course!
An unfinished version of the movie was screened in competition at the Cannes Film Festival, where it received awards for Best Screenplay and Best Actor.
Gere seems to insert a fair amount of charm into all his characters — the man's just charismatic — but where his usual gleam - of - the - eye plays out as endearing, here it translates roughly to the equivalent of an action movie version of the Lucky Charms mascot.
If you look at «The Hand That Rocks The Cradle» and «Fatal Attraction» and all of those genre movies, what I wanted to do was a contemporary version of those movies, where you really understand all the characters, and steep it in plausibility.
The only thing that could possibly be better than a completely LEGO - ized version of the upcoming Thor movie sequel, is a version of Thor: The Dark World where everyone is LEGO except Tom Hiddleston's Loki.
But the biggest splash this edition provides are two versions of the movie; the one released to theatres in 1995, and another that includes the song If I Never Knew You (performed by Mel Gibson and Judy Kuhn - the singing voice of Pocahontas) seamlessly animated into the story where the movie creators originally intended it to be.
But as the substantially faithful movie version demonstrates, the story of Thank You for Smoking resides in that libertarian netherworld where the far left and the far right march shoulder to shoulder.
Cole explained when the Black Panther movie picks up, where it goes after that, and how they're developing the MCU version of Wakanda.
Two film adaptations, both alike in writer in the world of cinema where we lay our scene, from silent movies to colourful modernised versions,...
Releasing on regular screens and in IMAX (where audiences are treated to a several - story high version of the caped crusader), the movie takes a long hard look at justice.
We can talk a lot about the harm caused by certain studios when it comes to reshoots and edited versions of films, but when it doesn't concern huge movies where those stories will easily make headlines, it generally shows how much of a collaborative process filmmaking is and how there are producers who know a thing or two about development.
Bassett said her children, son Slater and daughter Bronwyn, visited the movie's set as well, where they saw a version of Black Panther's women warriors in the form of writer - director Ryan Coogler's crew, which had an unusual number of women in key roles.
In real life, Eddie Mannix was the vice president of MGM, where he performed the same function as a fixer, but the movie is a fictionalized version of Mannix, and has nothing to do with his real exploits at MGM.
The structure is repetitive: Baby Doll and her cohorts figure out where they can get one of the items from the list, she lazily sways to an electronic choral version of a classic rock song (The idea is to distract the man in possession of the needed item), and, just when the singing and dancing would usually start, the movie shifts into yet another fantasy level.
There's no fruit in looking at Conquest as a Christ parable, but there's endless fruit in looking at The Passion of the Christ as a big - budget version of an exploitation / snuff film, packed to the rafters with disturbing suggestions about societal order (gays suffer a lot at the hands of Gibson's fantasies — women, mostly, at Fulci's), and flying in under the radar of social acceptability where Fulci's films have been relegated to the fanatic's collection and the last independent movie store in your state.
Now, where's the «JFK» version of this movie?
In the end, Whiskey Tango Foxtrot plays like a slightly above - average version of the narrative where a single gal (or in the movie's self - effacing parlance, «white lady») finds herself — and even that business was better - handled (and tweaked with more specificity) on Fey's TV show.
Zhao discovered her movie - star - handsome leading man, Brady Jandreau, on the Lakota reservation where she researched and shot her first feature, «Songs My Brothers Taught Me,» and she built this film around his personal story, enlisting Jandreau's father, sister and quadriplegic best friend (another real - life rodeo casualty) to play versions of themselves.
In the movie, Bruce Willis is kidnapped and sent to the past where a younger version of his character (played by Joseph Gordon - Levitt) has been assigned to kill him.
She'll also go into classrooms to do a «movie club» with the students, where they'll watch the film version of The Giver together and then talk about the film and how it contrasts with the book.
There's Rod, holder of the record at Pikes Peak for so many years that they started calling the place Millen's Mountain; there's Steve Millen, rally driver, road racer and performance parts maker at Stillen; there's Rhys, son of Rod, himself a rally driver, successful Pikes Peak racer and driver of who - knows - how - many stunts in all those «Fast and / or Furious» movies; and now there is Ryan, a lad so polite you almost want to hire him on the spot to do public relations work at Disneyland, maybe for a souped - up version of Autopia where the cars leave the track and drift wildly through the Magic Kingdom.
With older versions of Amazon FreeTime there was a workaround where you could load personal movies to the camera gallery and kids could access them from there, but in newer versions of FreeTime, Amazon has removed the app that made that possible.
Today's title references the classic scene from the movie version of Glengarry Glen Ross, where super-salesman Alec Baldwin gives this harsh motivational speech to his group of sales guys.
And now, since we live in a time where various licenses are being used to create great games we're getting a boardgame version of the movie courtesy of designer Eric Lang and publisher CMON.
Lego versions of pop culture movies and TV shows have always had a cool factor about them, hence why their standalone videogames have remained popular for nearly a decade, I honestly can't wait to starting building my minifigs jumping into a collective Lego world where I get to play as the Lego Marty McFly.
The Justice League movie got celebrated with a set of Multiverse events where you could win movie costumes for The Flash, Batman, Aquaman, Cyborg and Wonder Woman, but as yet the PC version hasn't seen these events.
Solstice is a top - down tactical game set on Mars, where a Martian colony has gone incommunicado, and is suffering from monster attacks (think of a better version of the movie Doom, for those of you who had the misfortune to see it).
These were part of the PC version, from where we've also brought across a special Minecraft stage for Movie Maker, JD2 ′ s level editing mode.
A comic where Wario teams up with movie monsters to destroy a bunch of Nintendo characters, and where Mario becomes the world's most evil looking version of Van Helsing to take them down.
Ironically the movie involves time travel to the year 2015, where hovering devices have replaced the popular version of the skateboard.
The movie believes in his vision, depicting the OASIS as a pop culture melting pot where everyone can be the purest version of themselves.
What would be perfect is a Blu - ray / iTunes combo where I get a physical disc and a code to download the movie from iTunes as if I purchased it from there (because quality of «Digital Copy» is too laughable to be played in a home theater setup compared to iTunes Store 720p versions.
This is a taped version made into a movie of a seminar conducted for a real estate association technology conference where 120 real estate sales people attended.
Everyone remembers «The Bodyguard» as the Whitney Houston movie where she sang a cover version of that Dolly Parton song.
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