Not exact matches
So the question remains: Just how much
of the
narrative in «Zero Dark Thirty» is the result
of the CIA's unprecedented degree
of cooperation with Bigelow, and its attempts to get the
film to promote the agency's preferred
version of events?
Despite a real - life
narrative stuffed with secrets and suspense, the
film version quickly feels bloated as Stone treats us to scene after scene
of Snowden struggling with his inner dilemma and, especially, with his devoted girlfriend, Lindsay, who is a major character in her own right.
Indeed, a sex - free, PG - 13
version of «Freed» could be cut without shedding a second
of narrative coherence, such as it is; one could ask what the point
of that would be, though similar queries might be leveled at the
film as it stands.
The
film still suffers from a muddy
narrative and dour outlook, but this extended
version corrects a number
of problems with plotting and expands the DC Comics universe with better character development and world building.
Though it does have its own
version of a three - act structure, this
film is not a conventional
narrative that will fit into a tidy box and it's not a story so much as an experience.
The Rider Brady Jandreau, a Lakota cowboy from South Dakota, enacts a
version of his own harrowing story
of loss and recovery in writer - director Chloé Zhao's stunningly lyrical western, a seamless and deeply moving blend
of narrative and documentary
film techniques.
In «Disobedience,» director Sebastian Lelio's coolly controlled
film version of Naomi Alderman's novel, two roads diverge in a
narrative, crisscrossing and intertwining years later...
At its best, the
film is the dullest
version of its pop culture conversations and at its worst, it's a
narrative disaster.
Hasford also contributed to the screenplay, although the
film version is told in two «chapters» instead
of the book's three (The boot camp depiction is faithful to its source; the war reporter and Vietnam battle sequences are condensed and combined for
narrative brevity.)
Not just some longer
version with deleted scenes cut back in, the Extended Editions were painstakingly reedited for home video by Peter Jackson with new special effects, a reworked score by Howard Shore to match the new rhythms
of the
narrative and some lovely scenes that were cut for time in the theatrical
version of the
film but add depth to the characters and the scope
of the epic.
Through the many
versions (various director's cuts) that Scott has released since then, the aesthetics and
narrative of the
film have stood the test
of time.
Characters from those
films pop up during Thor «s main
narrative and after the end credits, living up to Marvel's commitment to populating their
films with the same bland
versions of perfectly acceptable characters.
Brady Jandreau, a Lakota cowboy from South Dakota, enacts a
version of his own harrowing story
of loss and recovery in writer - director Chloé Zhao's stunningly lyrical western, a seamless and deeply moving blend
of narrative and documentary
film techniques.
The latest entrant in this now - Disney - owned franchise is largely content to further the themes and
narrative strategies
of its predecessor: Johnson, a filmmaker who proved capable
of crafting individualistic, tightly wound sci - fi with 2012's Looper, too often seems to think that the best he can bring to Star Wars is an amped - up
version of Abrams's overly reverent tribute to George Lucas's original
films.
The Body Double
version creates a secondary queer
narrative of lust and narcissistic abandon, while also leaving the original power
of De Palma's
film intact.
«In total, the object
of desire in MARILYN is mediated by so many factors — from Marilyn Monroe's death and the age
of the original
film to the lethargic pace and absence
of narrative closure in Conner's
version — that is transmogrified into something truly strange, at once erotic and deadened.»
Here's what they will tell us: for abstract painting look elsewhere (
narrative rules in this biennial); fashion — meets — art doesn't rate; LA, a city whose artistic vitality the curators see as ascendant, does; slipshod facture's out; the real world's not, just unwelcome in unmediated, text — based
versions; performance figures in the planning; and
film and video will «be selected from the point
of view
of two curators
of contemporary art.»
If Arthur was disappointed by Kubrick's decision to cut his dialogue and
narrative to the bone, he was eventually reconciled by being able to put everything left out
of the
film into the novel, meaning that each man was able to produce his own preferred
version.