Sentences with phrase «versions of pop songs»

His gimmick on YouTube is spitting out a cappella versions of pop songs, beat boxing and manipulating his voice to recreate the original instruments.

Not exact matches

The latest part of that campaign appears to be a version of the Spanish - language pop song «Despacito» by Luis Fonsi and Daddy Yankee, which recently become the most streamed song of all time.

Rising pop singer Halsey gave her Badlands song «Castle» a chilling live debut, while while Ariana Grande followed with a stunning, stripped down version of her new single, «Dangerous Woman.»

(13) Notably, the Cantonese translation of Western pop songs is a favourite cultural traverse of Wong's, as evident in the Cantonese version of The Cranberries» «Dreams» in Chungking Express, Berlin's «Take My Breath Away» in As Tears Go By and the re-orchestration of Massive Attack's «Karma Koma» in Fallen Angels.

There is about 75 minutes of audio - only content including a 1943 «Lady Esther Screen Guild Theater Radio Broadcast», a «VOX Pop Radio Broadcast» from 1947, a series of «Scoring Stage Sessions» featuring alternate versions of the a few songs.

Also exploiting his post-1986 insider info is Nick (Craig Robinson), who's made a career as a pop star by releasing crummy versions of songs that haven't been released yet, like Lisa Loeb's «Stay» and the Black Eyed Peas» «I Got ta Feeling».

The idea is for the filmmaker to make a fictionalized version of his or her own teenage years set in the appropriate period (different in each film) and to include at least one party scene in which pop songs of that era are used.

But for the audience members who are only looking for some light fun along with energized vocal versions of familiar pop songs, Pitch Perfect 3 succeeds.

-- Grammy Awards, «Best Score Soundtrack Album» (Journey); nominated — Academy of Interactive Arts & Sciences, DICE Award «Outstanding Achievement in Music Composition» (Journey) winner — British Academy Awards, «Games / Original Music» (Journey); winner — British Academy Awards, «Games / Outstanding Achievement in Audio» (Journey); winner — Game Audio Network Guild Awards, «Music of the Year» (Journey); winner — Game Audio Network Guild Awards, «Audio of the Year» (Journey); nominated — Game Audio Network Guild Awards, «Best Interactive Score» (Journey); winner — Game Audio Network Guild Awards, «Best Original Instrumental» («Apotheosis», Journey); winner — Game Audio Network Guild Awards, «Best Original Vocal (Pop)» («I Was Born For This», Journey); winner — Game Audio Network Guild Awards, «Best Soundtrack album» (Journey); winner — Game Developer Choice Awards, «Audio of the Year» (Journey); winner — International Music and Sound Awards, «Best Original Composition — Gaming» (Journey); winner — Music and Sound Awards UK, «Best Original Composition — Gaming» (Journey); winner — Original Sound Version, «Composer of the Year [2012]» (Journey); winner — Original Sound Version, «Best In - Game Soundtrack [2012]» (Journey); winner — International Film Music Critics Association, «Best Original Score for a Video Game» (Journey); winner — New York Videogame Critics Circle Awards, «Tin Pan Alley Award for Best Music» (Journey); winner — Hollywood Music in Media Awards, «Best Song — Videogame» (BeatBuddy: Stingin» Swing); nominated

Arching back to beat poetry, they layer moments of sound and concrete poetry with political and religious indictments, individual musings, art references, and cover versions of well - remembered pop songs.»

Glasgow - born Philipsz, 44, who now lives in Berlin, is interested in «sound as a physical or sculptural experience» and is best known for playing recordings of herself singing unaccompanied versions of pop and folk songs in public spaces.

With Solo Romantika, Georgieva gives us her own rendition of emotive folk and pop solos, performing alone in a studio as she lip - syncs and records a cappella versions of sad Bulgarian songs.

Other works of her singing versions of pop and folk songs have been replayed in stairwells and supermarkets.

As you approach the gallery, you can hear an organist playing and singing a strange version of Gino Paoli's 1959 Italo - pop classic Il Cielo In Una Stanza (The Sky in a Room)-- «the best song I know about the transformation of space», Kjartansson contends.