Does your strategy differ for debut authors
versus established authors?
Not exact matches
The next post discusses the necessity of communicating and relating directly with readers and compares the advantages of an
author establishing those connections
versus utilizing the connections a traditional publisher can provide.
No
author in his right mind would advocate stealing ebook titles except one who is already
established and wealthy and could clearly care less about his work being stolen at this stage in his career... and no clear - thinking person could believe that the field has been leveled for creators of short fiction
versus longer fiction ebooks by the «pay per page» standard when you include short illustrated works.
One of the things that seems to be rising to the top in these discussions, regardless of any status change, is evaluating the focus of current programming and how much it offers
established, published
authors versus aspiring
authors — which is actually in - tune with the mission * as stated * «The mission of Rocky Mountain Fiction Writers is: a non-profit, volunteer - run organization dedicated to supporting, encouraging, and educating writers seeking publication in fiction.»