Sentences with phrase «vertical edges from»

A terrace is the flat landing at the bottom; the stair steps have vertical edges from which calcite grows out, eventually turning into terraces too.

Not exact matches

With the TP roll on its side, place a vertical line of hot glue from edge to edge and adhere a piece of colored tissue to the roll.

Key pieces are the vertical, Camaro - inspired «air curtains» in the front end that channel air and help to keep it attached to the vehicle's sides, and a spoiler on the roof's trailing edge that works in conjunction with the tailgate to prevent air from spilling into the truck's bed, which would cause a parachute - like effect.

The standard Z06 features a front splitter, spats around the front wheel openings, a unique carbon - fiber hood with a larger vent, and the rear spoiler from the Corvette Stingray's Z51 Performance Package An available carbon - fiber aero package - in either black or a visible carbon - fiber finish - adds a carbon fiber front splitter with aviation - style winglets, carbon fiber rocker panels, and a larger rear spoiler with a fixed wickerbill — a small, vertical tab at the edge of the spoiler that significantly increases downforce The available Z07 package add larger winglets to the front splitter, along with an adjustable, see - through center section on the rear spoiler for track use.

The Opel Insignia GSi gets its sportier character from differently styled bumpers, wider lower grille, chrome - edged vertical air vents, rear spoiler and dual chrome - edged exhaust pipes.

The flow of air away from the rear of the CT 200h is carefully controlled through the finely honed trailing edge of the deep roof spoiler, aerodynamic fins at the corners of the rear windows and the sharp, near - vertical junction of rear wing and bumper.

Done in enamel on identically sized aluminum panels, the highly concentrated compositions are the result of a visual algorithm in which the forms increased incrementally in height and width as they moved outward from the central, vertical axis — a narrow, empty space — toward the painting's physical edges.

His invariable ability to disrupt what is considered «art» is blindingly clear from the show, removing art from the vertical wall and placing it on the floor, turning painting into sculpture, and experimenting with incorporating cutting - edge technology (for the time) into his work.

A pair of slender vertical canvases from 1968, titled J.D. and Harlem Angels, unfolds the illusion of an architectural space that combines the optical wit of M.C. Escher with the clean, taped edges of Frank Stella.

«Brake» (2014) is a clash of horizontal and vertical stripes, with swaths of ochre drifting across the surface and a band of intense cadmium yellow along the upper edge, while in «Raft,» (also 2014), the vertical stripes run from top to bottom, with two horizontal sets constrained within shield - like shapes on the left and right, calling to mind Walker's fascination with Aboriginal and African art.

Commito's paintings analogously start with a central axis, followed by horizontal and vertical lines either pushing out from the middle or compressing inward from the edge to create a source of internally and / or externally applied pressure.

Strobert's most recent works on paper depict vertical forms with hard, linear edges that intersect with bands of paint that radiate outward from various points.

The integrity of these vertical fields picks up from Barnett Newman whose hard - edged stripes — or «zips» — partitioned broad, flat fields of color either at the edge, in the first case, or running down the center, as in the second.

Condition: Both with drymount tissue on the verso, adhesive residue at u.r. corners, scattered minor handling crimps, subtle emulsion losses at the very edges, the vertical print with a 1/2 inch loss at l.c. Provenance: Property from the collection of Harvey Shipley Miller, proceeds to benefit the Philadelphia Museum of Art.

By taking a square and dividing it this way, Whitney establishes a tension between the container and its interior, which he further heightens by filling the bands edge to edge with endearingly painted, almost lopsided vertical or horizontal rectangles, each a single color, that shift in scale and number of rectangles from one band to another.

In 1956, the lower part of the Imaginary Landscapes detached itself from the picture edges to become an independent floating form in vertical compositions known as the Bursts, Gottlieb's best known works.

When seen from other perspectives, the form gives way to two concave verticals that curve into the surface, encompassing the face of the relief, dipping in from edge to center and back again.

A vertical painting almost 6 feet tall in which sour yellows and greens predominate, it betokens Rothko's transition from an early style full of Surrealist curlicues cavorting on tinted grounds to his signature abstract manner of levitating soft - edged bars of color within fields of contrasting hue.

Like trenches running through the artist's formulated landscape, the repeated series of horizontal and vertical demarcations of pictorial space convey Bradford's methodical physicality, their edges projecting outwards from the canvas ground, conferring a striking three - dimensionality to the surface.»

His brush strokes (their width roughly that of a hand) move repeatedly from left to right, stopping just short of the right vertical edge, and sequentially from top to bottom.

So handaxes from many now - missing layers dropped their handaxes down onto the surfaces which survived the erosion (losing, of course, any vertical orientation they might have had from landing on edge).

«The Microwave Limb Sounder (MLS) experiments measure naturally - occurring microwave thermal emission from the limb (edge) of Earth's atmosphere to remotely sense vertical profiles of atmospheric gases, temperature, pressure, and cloud ice.

The instrument measures naturally occurring microwave thermal emission from the edge of Earth's atmosphere to remotely sense vertical profiles of atmospheric gases, temperature, pressure and cloud ice.

From the moment you retrieve the stylus from its in - shell holder, a vertical mini-menu slides out from the screen's right edge displaying five optimized applications and a settings optFrom the moment you retrieve the stylus from its in - shell holder, a vertical mini-menu slides out from the screen's right edge displaying five optimized applications and a settings optfrom its in - shell holder, a vertical mini-menu slides out from the screen's right edge displaying five optimized applications and a settings optfrom the screen's right edge displaying five optimized applications and a settings option.

Enable the Quickdrawer for a vertical app list that you can swipe in from the left edge of the screen.

Step 4: Measure 23» from the edge of the bottom board and mark the two vertical boards.

When you're happy with the size, plane a slight slope on the edges of both door stiles (the vertical strips down the sides of the door) towards the doorstop (the narrow strip of wood sticking out from the frame that prevents the door from swinging open).

From the polished stone flooring and marble clad vanity unit featuring twin basins (as well as gold - edged drawers in the reverse side), to the tall room - dividing mirrors and light - diffusing vertical shutters, this bathroom is a gleaming example of luxury living.